University Bulletin Subject Areas Film Studies

Film Studies


An interdepartmental program
Film Studies

Courses of Study:
Minor


Objectives

The Film Studies Program is an interdisciplinary program that offers insight into motion picture media. The minor has three primary goals: it seeks to offer an informed background into motion picture history, to develop a critical appreciation of the cultural meanings of the moving image, and to give some hands-on exposure to the creative aspects of film production.

The curriculum provides a broad overview of the history of the moving image, analytical expertise into cinematic style and cultural context, and an introduction to at least one aspect of film production. A field that has a special affinity with interdisciplinary inquiry, film studies stands as an obvious complement to a range of established majors for which an expertise in visual style and motion-picture history is becoming ever more important—American studies, East Asian studies, English and American literature, fine arts, German language and literature, history, international and global studies, Italian studies, politics, Russian language and literature, and theater arts.


How to Become a Minor


The program is open to all Brandeis undergraduates. To enroll in the program, consult with a member of the film studies committee. Students who complete the requirements of the program receive film studies certificates and notations on their transcripts.

Committee


Alice Kelikian, Chair
(History)

Scott Edmiston, Director, Office of the Arts
(Office of the Provost)

Matthew Fraleigh
(German, Russian, and Asian Languages and Literature)

Timothy Hickey
(Computer Science)

Paul Morrison (on leave 2008-2009)
(English and American Literature)

Sabine von Mering
(German, Russian, and Asian Languages and Literature)


Requirements for the Minor


Students must complete six courses:

A. Core course: FILM 100a (Introduction to the Moving Image).

B. Five additional courses from the approved film studies curriculum, which must include one course in a non-American cinema and one course in some creative aspect of film production.

C. A research paper or creative project usually undertaken in the senior year and approved by the Film Studies Committee.

 

Courses of Instruction



(1-99) Primarily for Undergraduate Students


FILM 92a Internship in Film Studies
Usually offered every year.
Staff

FILM 98a Independent Study
Usually offered every year.
Staff

FILM 98b Independent Study
Usually offered every year.
Staff


(100-199) For Both Undergraduate and Graduate Students


FILM 100a Introduction to the Moving Image
[ ca hum ]
An interdisciplinary course surveying the history of moving image media from 1895 to the present, from the earliest silent cinema to the age of the 500-channel cable television. Open to all undergraduates as an elective, it is the introductory course for the minor in film studies. Usually offered every year.
Staff

FILM 110a Film Production I
[ ss ]
Preference given to film studies minors.
An introduction to the basic principles and techniques of fictional narrative motion picture production. Each student will produce three short films. The films will emphasize dramatic development and creative storytelling through image composition, camera movement, editing, and sound. Usually offered every year.
Mr. Weinberg

FILM 110b Motion Picture Editing
[ ss ]
Preference given to film studies minors.
Students will develop visual literacy through a study of the editor's role in cinematic storytelling. The course provides an overview of the craft's history and theory and offers practical training in editing digital video with Final Cut Pro. Special one-time offering, was offered spring 2008.
Mr. Dellelo


Electives


The following courses are approved for the program. Not all are given in any one year. Please consult the Schedule of Classes each semester.

AMST 111a
Images of the American West in Film and Culture

AMST 112b
American Film and Culture of the 1950s

AMST 113a
American Film and Culture of the 1940s

AMST 113b
American Film and Culture of the 1930s

AMST 114a
American Film and Culture of the 1920s

AMST 130b
Television and American Culture

AMST 131b
News on Screen

ANTH 26a
Communication and Media

ENG 27a
Page, Stage, and Screen

ENG 27b
Classic Hollywood Cinema

ENG 147a
Film Noir

ENG 177a
Hitchcock's Movies

NEJS 181a
Jews on Screen

NEJS 181b
Film and the Holocaust

NEJS 182a
Jewish Life in Film and Fiction

THA 155a
Icons of Masculinity


Courses in Non-American Cinema


CHIN 130b
China on Film: The Changes of Chinese Culture

ENG 20a
Bollywood: Popular Film, Genre, and Society

ENG 77a
Screening the Tropics

GECS 167a
German Cinema: Vamps and Angels

HBRW 170a
Israeli Cinema

HISP 193b
Topics in Cinema: Global Latin American Cinema

HIST 170a
Italian Films, Italian Histories

JAPN 135a
Screening National Images: Japanese Film and Anime in Global Context

RECS 149b
The Rise and Fall of Russian Modernism: Cultural and Political Revolutions, 1900-1934

SAS 150b
Indian Film: The Three-Hour Dream


Courses in Creative Aspects of Film Production


COSI 65a
Introduction to 3-D Animation

ENG 67a
Art of the Screenplay

ENG 79a
Directed Writing: Beginning Screenplay

ENG 129b
Understanding the Screenplay: A Workshop

ENG 139b
Intermediate Screenwriting

FILM 110a
Film Production I

FILM 110b
Motion Picture Editing

MUS 107a
Introduction to Electro-Acoustic Music

THA 50b
Sound for Theater, Film, and Television

THA 52b
Fundamentals of Lighting

THA 125a
Acting for the Camera