Liane Curtis
Areas of Expertise
Women and Music; Gender and Music; Music Criticism; Musicology
Email: lcurtis@brandeis.edu
Current Project
Liane continues her work with the Rebecca Clarke Society, writing about Clarke’s music and promoting performances, in particular of Ruth Lomon’s orchestration of Clarke’s 1919 Sonata. Liane promotes performances of orchestral music by women, and celebrates the legacy of the Women’s Philharmonic. Liane is producing a CD of music by women composers performed by the Lydian String Quartet at the WSRC.
Biography
In 2000, she collaborated with the Boston Women’s Heritage Trail to have the name of composer Amy Beach added to the 87 names of male composers that adorn the Hatch Shell on the Esplanade. The unveiling of Beach’s name took place with a performance by the Boston Pops Orchestra that included music by Beach.
From January 2000 through August 2001 she served as coordinator of the Women’s Studies Scholars Program at Brandeis. Liane’s blog, therewasnolump.blogspot.com documents her 2004 experience with inflammatory breast cancer.

Education
Ph.D., University of North Carolina; Musicology
M.A., Univ. of North Carolina; Music History
B.A., University of California; Music
Representative Publications
Curtis, Liane, ed. A Rebecca Clarke Reader. Bloomington: Indiana University Press, 2004. Reprinted by The Rebecca Clarke Society, 2005.
Curtis, Liane. “Classical Music Sounds Like Women Silenced.” Women’s Enews, June 6, 2007. Available online.


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