This painting evidently evokes the refugee’s journey from Dinkaland in southern Sudan to northern Kenya. Above, we see a traditional Dinka rural scene; below we see a Turkana woman wearing beads, from the area around the Kakuma Refugee Camp in northern Kenya.

That would not be a village, because in a village, nobody can have a fence around the houses. In the village they have buildings like that, but there is no fence around them. If you want to build a fence it is to protect the farm and not the house.

Franco Majok