Current Graduate Students

Luke Blackburn

Music Composition and Theory (PhD)

BA Music Composition and Theory and Bassoon Performance, University of Florida; MFA Music Composition and Theory, Brandeis University

Performance Activities: Bassoonist; New Philharmonia Orchestra, American Chamber Winds

Instruments: bassoon, piano

Alexandra Burkot

Musicology (PhD)

BA (Anthropology/Music) Amherst College; MM (Vocal Performance) University of North Texas

Research interests: Soviet popular music, the relationship between composer and opera diva, aesthetics of kitsch and irony

Performance activities: Opera North, Nashoba Valley Chorale, Vox Futura, et al., Boston Choral Ensemble, Vocal Academy of Orvieto

Instrument: voice (soprano)

Yu-Tung Cheng

Composition and Theory (PhD)

BM Composition, National Taipei University of Art (TNUA), Taiwan; MM Composition, Boston University

Performances include: Tak Ensemble, Splinter Reeds, France (CNSMDL), Musicacoustica- Beijing 

Instrument: piano

Website: soundcloud.com/yu-tung-cheng-486065781

Mina Cho

Musicology (PhD)

BA (Theology) Yonsei University; BM Berklee College of Music (Jazz Composition & Film Scoring); MM (Jazz Studies–Composition) New England Conservatory; DMA Candidate (Jazz Studies-Composition & Musicology minor) New England Conservatory

Research Interests: "Jazz Criticism (Classical and Ethnic Idioms in Jazz)" and "Music and Religion"

Professional Activities: Pianist and Composer; Faculty at Emerson College; Director of Contemporary Music at Somerville Community Baptist Church; Jazz Composers Alliance Orchestra; NEC Jazz Composers' Workshop Orchestra; Mina Cho Jazz Group & Fusion Jazz Orchestra; Former Piano Faculty and Ensemble Coach at Winchester Community Music School

Daniel Delgado Diaz

Musicology (PhD)

Licenciado in Modern Languages/Linguistics; Universidad de Los Andes, Merida, Venezuela. 

Performance Activities: El Sistema, National Youth Orchestra System of Venezuela. Latin American Flute AcademyMerida State Symphony Orchestra.

Instruments: Flute, Piccolo.
Giuseppe Desiato

Composition and Theory (PhD)

BM Jazz Studies, Conservatorio “Licinio Refice” di Frosinone (ITA); MM Saxophone, Conservatorio “Licinio Refice” di Frosinone (ITA); MM Composition, Royal Academy of Music, London (UK)

Performances: Dario Calderone, Anna Clementi, Hugh Watkins, Alexandra Wood, Septura Brass Septett, Mise-en Festival, EmuFest, Gaudeamus Muziekweek, Festival Artescienza

Instrument: saxophone

Christina Dioguardi

Musicology (PhD)

BM Bassoon Performance and Musical Arts, Eastman School of Music; MM, GD Bassoon Performance, New England Conservatory

Academic interests: the Italian madrigal, Renaissance vocal polyphony, Monteverdi, 19th Century opera

Undergraduate Thesis: The Importance of Text, An Exploration of antithesis in Petrarch's Il Canzoniere and the Italian Madrigal

Performances: Bassoonist; Fiati Five Wind Quintet, Phoenix (Boston, MA), Callithumpian Consort, Boston Philharmonic

Instrument: bassoon

Eric Elder

Musicology (PhD)

BM in Jazz and Commercial Music, Roosevelt University; MA in Jazz History and Research, Rutgers University; MFA in Musicology, Brandeis University

Academic interests: Music theory and analysis; music and meaning; history of music theory; music theory pedagogy; Viennese music; ragtime and early 20th-c. American popular music

Awards: Hollace Anne Schafer Memorial Award, American Musicological Society, New England Chapter; Best Paper Award, GAMuT 2016, University of North Texas

Master’s theses: Reading Rudolph Reti: Toward a New Understanding of The Thematic Process in Music; A Cultural Reappraisal of Jazz History: Some Preliminary Researches and Analyses on American Vernacular Music

Instruments: harpsichord, clarinet

Max Friedman

Composition and Theory (MFA)

AB (Music and Political Science), Brown University

Performances include: Ensemble Dal Niente, Momenta Quartet, International Contemporary Ensemble, Luna Nova New Music Ensemble, Tracy Silverman, Daniel Steppeler, Memphis Symphony Orchestra

Other professional activities: freelance performance, unaccompanied recital series

Other research interests: Gustav Mahler, Jewish identity and music, music and politics

Instrument: trumpet

Website: mfriedmanmusic.me

James Heazlewood-Dale

Musicology (PhD)

BM Jazz Double Bass Performance, Sydney Conservatory, MM, Jazz Double Bass Performance, New England Conservatory.

Academic Interests. Jazz Pedagogy, Jazz: Hard bob, Modal Jazz, Bebop, The Swing Era. 

Undergraduate Thesis: All In the Family – The Legacy of Ray Brown and his Influence on Jazz Bassist Christian McBride 

Notable Performances: Maria Schneider, Aaron Goldberg, Kurt Elling, Monty Alexander, Terence Blanchard, Donny McCaslin, George Garzone, Miguel Zenon, Dave Douglas, Bob Moses, Jason Palmer, Ernie Watts and Will Vincent. 

Instrument: double bass

Eric Hollander

Musicology (PhD)

BM Viola Performance at The Boston Conservatory; MA Writing and Publishing (with poetry focus) at DePaul University

Academic Interests: Oral tradition and improvisation, The influence of literary forms on music, semiotics and musical notation

Past Research: Henry James, Renku and Haikai no Renga form poetry, Traditional Irish folk music, 20th and 21st Century String Quartet repertoire  

Performance Experience: Lucerne Festival Academy (2013, 2015, 2017), Academy of Irish Music (Chicago), Houndstooth String Quartet (Chicago), Liturgical Choral Director (Archdiocese of Chicago), Haiga Duo, Focus Group LLC., 100 Ducks

Publications: “Hidden Channel” (Sligo), “Crook and Folly” (Chicago), “Farm Town Magazine”, “Easy Magazine” (Chicago), “The Garden” (Boston)

Instrument: viola

Eric Huels

Composition and Theory (MFA)

BM Composition, Minor in Creative Writing, DePaul University.

Performances include: Ensemble Dal Niente, Fulcrum Point New Music Group, Ensemble 20+.

Academic Interests: electro-acoustic music, multimedia music, sound design, writing, poetry.

Instruments: electronics, electric guitar

Yiorgos Mannouris

Musicology (PhD)

BM, Piano Performance, Music Theory and Composition Minor (academic honors), New England Conservatory; MM, Piano Performance (academic honors), New England Conservatory; pre-college program, Piano Performance, Escuela Superior de Música Reina Sofía

Academic Interests: philosophy of music; music and narrative; Wagner; Mahler; Scriabin; Platonic and German Idealist aesthetics in 19th-century music; musical thought in Ancient Greece; Chopin. Undergraduate Thesis: Western Art Music Inspired by Oral Tradition: A Semiotic Interpretation of Works by Bach, Mozart, Liszt and Bartók.

Awards and Honors: New England Conservatory Concerto Competition, winner; Pietro Argento International Music Competition, first prize and grand prize "Premio Critica;" Panhellenic Delphic Poetry Games, first prize; Gina Bachauer International Music Association, scholar.

Titles: President, Anafæos Charity Foundation (Cyprus, 2015-present); Ambassador, Fundación Nicos & Manuella Vardinoyannis (Spain, 2009-2011).

Published Work: Atrapos ("Trail"), poetry collection, Poema Editions & Magazine (2016); eight selected poems, Great Encyclopedia of Modern Greek Literature of Haris Patsis (2017).

Performances: Jordan Hall; Grand Hall of Laeiszhalle; St. Alexander Hall of the Grand Kremlin Palace; Athens Concert Hall; Auditorio Sony; Mirabell Palace; Hohensalzburg Castle; Weissenstein Castle. Rising Stars in the Kremlin International Music Festival; Steinway & Sons International Music Festival; Collegium Musicum International Music Festival; Mozarteum International Summer Academy.

Instrument: piano

Shawn Mikkelsen

Musicology (PhD)

BA Music, Brigham Young University, Chemistry minor; MM Organ Performance, Brigham Young University

Academic Interests: Baroque of North and Central Germany; J. S. Bach; intersections of theology and music in the Reformation and Counter Reformation; history of tonality, temperament, and tuning systems

Instrument: organ

James Praznik

Composition and Theory (PhD)

BM The University of Akron; MM Cleveland State University.

Recent performances and projects: “Almost a New Man” (April 15th, 16th & 20th 2011) a piece for film, electronic sounds and cello commissioned by the No Exit New Music Ensemble for performance at the Museum of Contemporary Art, Cleveland; “Ascent” (September 15th, 16th & 17th) a live soundtrack for saxophone and piano joint commissioned by the Cleveland Ingenuity Festival and NASA for performance at IngenuityFest 2011, Cleveland

Instrument: piano

Qi Li

Composition and Theory (PhD)

BM, MM (Composition) Jacobs School of Music, Indiana University Bloomington

Performances include: Aspen Contemporary Ensemble, Von Quartet, Indiana University Concert Band, New Music Ensemble featured China Remixed Festival, Quartetto di Chitarre ÁPEIRON, attendees of Aspen Music Festival and School, Composers Conference at Wellesley College (2015 and 2016), Midwest Composers Symposium (2014 and 2016), Freie Universit ät Berlin Music Composition Program with Samuel Adler, HighSCORE Festival

Honors: 2017 ASCAP Foundation Morton Gould Young Composer Awards Top Award-The ASCAP Foundation Leo Kaplan Award

Instrument: piano

Jeremy Rapaport-Stein

Composition and Theory (PhD)

BA Music and Politics, Swarthmore College; MFA Composition and Music theory, Brandeis University

Performances include: Orchestra 2001, Sound Icon, So Percussion, Guerilla Opera, Duo Cortona, Lydian String Quartet, CollisionSeries, Philly Composer's Ink, Swarthmore College Orchestra, members of JACK Quartet, ekmeles, Yarn/Wire, Eighth Blackbird, American Modern Ensemble

Instruments: cello, piano

Website: jeremyrapaportstein.com

Brian Sears

Composition and Theory (PhD)

MM Music Composition, Bowling Green State University; BM Music Composition, San Jose State University

Performances include: ICMC, SEAMUS, NYCEMF, EMM, SICPP, Toledo Symphony Orchestra, SPLICE Ensemble (Sam Wells & Keith Kirchoff), San Jose Chamber Orchestra

Instruments: percussion, piano

Daniel Shapiro

Musicology (PhD)

BM Piano Performance, University of Connecticut; MM Piano Performance, SUNY Purchase

Academic interests: History of music theory, modes and languages of analysis in the 18th and 19th centuries, chamber music of the common practice period, piano works of Aaron Copland

Activities: Music Director, Christ Church Episcopal (Waltham)

Instruments: piano, organ, voice

Ying-Ting Lin

Composition and Theory (PhD)

MA Music Composition, State University of New York at Buffalo; MFA Music Composition, National Taiwan Normal University; BFA Piano Performance, National Kaohsiung Normal University

Performances include: ICMC, NYCEMF, Ecoles d'Art Américaines de Fontainebleau in France, June in Buffalo, World Saxophone Congress, World Harp Congress, Shanghai Conservatory of Music New Music Week.

Instrument: piano

Website: soundcloud.com/ying-ting-lin

Niko Yamamoto

Music Composition and Theory (PhD)

B.Mus Composition & Theory, University of Illinois at Urbana-Champaign; M.Mus Composition, Rice University.

Master's thesis: sound.field for large orchestra.

Research interests: sonology, electroacoustic music, Japanese folk art, design.

Instruments: bassoon, electronics, piano.

Portfolio: www.NikoYamamoto.com