1999-2000
(file last updated: [7/6/1999 - 13:10:20])
Objectives
Film Studies is an interdisciplinary liberal arts program offering insight into motion picture media. Broadly understood to encompass inquiry into the aesthetics, history, and cultural meanings of the moving image, the Film Studies Program has two primary goals: to offer an informed background in motion picture history and to develop a critical appreciation of the cultural meanings of film. It is not a pre-professional program emphasizing technical skills but a humanities-based course of study stressing inquiry into film style and content, film history, and the relationships between film and culture.
The curriculum is designed to provide a broad overview of the history of the moving image, to develop expertise in cinematic style and cultural meaning, to lend theoretical sophistication to an understanding of the moving image, and to ensure some appreciation of the practical and technical side of motion picture production. A field especially congenial to interdisciplinary inquiry, film studies is a practical complement to a range of established concentrations for which an expertise in visual style and motion picture history is becoming ever more important--American studies, English and American literature, fine arts, history, politics, sociology, and theater arts.
How to Become a Program Member
The program is open to all Brandeis undergraduates. To enroll in the program, consult with a member of the film studies committee and fill out declaration forms from the Office of Academic Affairs. Students who complete the requirements of the program receive film studies certificates and notations on their transcripts.
Committee
Thomas Doherty, Chair
(American Studies)
Pamela Allara
(Fine Arts)
Eric Chasalow
(Music)
Sylvia Fishman
(Near Eastern and Judaic Studies)
Eberhard Frey
(Germanic and Slavic Languages)
Erica Harth
(Romance and Comparative Literature)
James Mandrell
(Romance and Comparative Literature)
Robert Szulkin
(Germanic and Slavic Languages)
Requirements for the Program
Students must complete six courses:
A. Core course: FILM 100a (Introduction to the Moving Image).
B. An approved film studies seminar or research project usually taken in the senior year. The senior seminar or research project, which requires permission of the instructor, is designed to function as a capstone experience to the Film Studies Program, an occasion to demonstrate a sophisticated mastery of the history, style, and cultural impact of the moving image.
C. Four additional courses from the approved film studies curriculum, which must include one course in a non-American cinema and one course in some creative aspect of film production.
Courses of Instruction
(1-99) Primarily for Undergraduate Students
FILM 92a Internship in Film Studies
Signature of the instructor required.
Usually offered every year.
Staff
FILM 92b Internship in Film Studies
Signature of the instructor required.
Usually offered every year.
Staff
FILM 97a Readings in Film Studies
Signature of the instructor required.
Usually offered every year.
Staff
FILM 97b Readings in Film Studies
Signature of the instructor required.
Usually offered every year.
Staff
(100-199) For Both Undergraduate and Graduate Students
FILM 100a Introduction to the Moving Image
[ cl13 cl35 ca hum ]
An interdisciplinary course surveying the history of moving image media from 1895 to the present, from the earliest silent cinema to the age of the 500-channel cable television. Open to all undergraduates as an elective, it is the introductory course for the Film Studies Program. Usually offered every year.
Ms. Allara
Electives
The following courses are approved for the program. Not all are given in any one year, so the Course Schedule for each semester should be consulted.
Images of the American West in Film and Culture
American Film and Culture of the 1950s
American Film and Culture of the 1940s
American Film and Culture of the 1930s
American Film and Culture of the 1920s
Television in America
News on Screen
Communication and Media
Sexualities and Cinema
Film Noir
Modern Art and Modern Culture
Images of Jews on Film
Revisioning Jewish Life in Film and Fiction
Film and the Holocaust
Courses in Non-American Cinema
Topics in French Film
German Film in Cultural Context
Dreams and Nightmares: The Third Reich on Film
Israeli Films
History of Russian and Soviet Film
Twentieth-Century Russian Literature, Art, Film, and Theater
Spanish Fictions and Films of Modern Life
Courses in Creative Aspects of Film Production
Film Workshop: Recording America
Introduction to Electro-Acoustic Music
Sound for Theater, Film, and Television
Fundamentals of Lighting
Senior Seminars
Film Theory and Criticism
Feminism and Film
American Avant-Garde Film and Video