(1-99) Primarily for Undergraduate Students

(100-199) For Both Undergraduate and Graduate Students

CAST 110b Dance and Migration
[ ca deis-us djw hwl2 nw ]

Highlights the aesthetic, political, social, and spiritual potency of dance forms and practices as they travel, transform, and are accorded meaning both domestically and transnationally, especially in situations (or in the aftermath) of extreme violence and cultural dislocation. Usually offered every third year.

CAST 125a Confronting Gender-Based Violence
[ ca deis-us djw ]

Engaging with multiple forms of creative expression and several different social change frameworks as they address and counter various aspects of gender-based violence in discrete cultural and historical contexts, this course explores gender-based violence as a grave violation of human rights, and the creative, innovative and meaningful methods through which particular communities and individuals counter such violation, including as it intersects with race and socioeconomic status. These methods might range from art installations in galleries or public spaces to formal theatrical productions, from the choreography of street protests to graffiti, films, pop-up concerts and podcasts, many involving survivors of gender-based violence in the creative process. We'll focus in particular on the experiences of those who identify as women, have been assigned to or perceived of as members of that category, or who identify and present as femme. Usually offered every third year.

CAST 140a Theory and Praxis of Community Engagement
[ ca ]

The 21st century presents us with numerous complex challenges, as well as compelling examples of approaches to understanding the mechanisms behind constructive social change. Students in this course will examine discrete community-focused projects -- undertaken at Brandeis and elsewhere -- that creatively address or counter injustices. This will help us begin a conversation about ethical and constructive engagement with community partners who are focused on issues of justice and equity, and give us a basis from which to imagine, plan, and undertake creative efforts to support and amplify the messages and impact of one or more community-based projects. Usually offered every year.

CAST 150b Introduction to Creativity, the Arts, and Social Transformation
[ ca ss ]

How can music, theater, dance and visual and other arts, and forms of cultural expression contribute to community building, coexistence, and nonviolent social change? Students explore these questions through interviews, case studies, and projects. Usually offered every year.

CAST 160a Provocative Art: Outside the Comfort Zone
[ ca ]

Presents, analyzes, and discusses art that provokes controversies, discomfort, and other strong responses. This class will focus on a broad range of artistic expressions, including visual art, theater, film, music, and literature with Brandeis faculty as well as visiting artists. Final project consists of students finding, articulating, and advocating for provocative art from multiple perspectives. Note: Students are responsible for attendance and assignments during the shopping period and must be present in those classes to be enrolled off the waitlist. Usually offered every semester.

CAST 170a Documenting Immigrant Experiences
[ ss ]

Investigates documentary film as a genre, and explores the potential of the medium for engaging students with immigrant communities in Waltham through hands-on production experiences. Through the process of exchanging narratives with community members, students generate raw material for a film documentary. Usually offered every year.

CAST Core Course

CAST 140a Theory and Praxis of Community Engagement
[ ca ]

The 21st century presents us with numerous complex challenges, as well as compelling examples of approaches to understanding the mechanisms behind constructive social change. Students in this course will examine discrete community-focused projects -- undertaken at Brandeis and elsewhere -- that creatively address or counter injustices. This will help us begin a conversation about ethical and constructive engagement with community partners who are focused on issues of justice and equity, and give us a basis from which to imagine, plan, and undertake creative efforts to support and amplify the messages and impact of one or more community-based projects. Usually offered every year.

CAST 150b Introduction to Creativity, the Arts, and Social Transformation
[ ca ss ]

How can music, theater, dance and visual and other arts, and forms of cultural expression contribute to community building, coexistence, and nonviolent social change? Students explore these questions through interviews, case studies, and projects. Usually offered every year.

CAST Core Elective

AAAS 124a After the Dance: Performing Sovereignty in the Caribbean
[ hum oc ss ]

Utilizing short fiction, essays, plays, poetry, and the visual arts, this class theorizes movement and/as freedom in the spectacular or mundane movements of the region, including annual Carnival and Hosay celebrations. Usually offered every third year.

ANTH 130b Visuality and Culture
[ dl ss ]

Introduces students to the study of visual, aural, and artistic media through an ethnographic lens. Course combines written and creative assignments to understand how culture shapes how we make meaning out of images and develop media literacy. Topics include ethnographic/documentary film, advertising, popular culture, viral videos and special effects, photography, art worlds, and the technological development of scientific images. Usually offered every second year.

ANTH 159a Museums and Public Memory
[ oc ss ]

Explores the social and political organization of public memory, including museums, cultural villages, and memorial sites. Who has the right to determine the content and form of such institutions? Working with local community members, students will develop a collaborative exhibition project. Usually offered every second year.

CAST 110b Dance and Migration
[ ca deis-us djw hwl2 nw ]

Highlights the aesthetic, political, social, and spiritual potency of dance forms and practices as they travel, transform, and are accorded meaning both domestically and transnationally, especially in situations (or in the aftermath) of extreme violence and cultural dislocation. Usually offered every third year.

CAST 125a Confronting Gender-Based Violence
[ ca deis-us djw ]

Engaging with multiple forms of creative expression and several different social change frameworks as they address and counter various aspects of gender-based violence in discrete cultural and historical contexts, this course explores gender-based violence as a grave violation of human rights, and the creative, innovative and meaningful methods through which particular communities and individuals counter such violation, including as it intersects with race and socioeconomic status. These methods might range from art installations in galleries or public spaces to formal theatrical productions, from the choreography of street protests to graffiti, films, pop-up concerts and podcasts, many involving survivors of gender-based violence in the creative process. We'll focus in particular on the experiences of those who identify as women, have been assigned to or perceived of as members of that category, or who identify and present as femme. Usually offered every third year.

CAST 170a Documenting Immigrant Experiences
[ ss ]

Investigates documentary film as a genre, and explores the potential of the medium for engaging students with immigrant communities in Waltham through hands-on production experiences. Through the process of exchanging narratives with community members, students generate raw material for a film documentary. Usually offered every year.

COML/ENG 191a Environmental Aesthetics
[ djw hum oc ]

Explores major schools of thought about nature, ecology, and art. Usually offered every third year.

ENG 113b Performing Climate Justice
[ deis-us dl hum oc ]

Considers justice in relation to our ordinary and collective actions as these recreate or transform our social and material realities as human drivers of the Anthropocene. How can the embodied creation and transmission of knowledge and skills, by creative workers and change agents, help us imagine and create new, translocal ways of being and acting together no longer driven by fossil fuels? What happens to notions of the human, human civilization, and human history if we adopt a non-anthropocentric and biocentric approach to climate justice and climate ethics? Usually offered every fourth year.

ENG 139a Publishing Workshop: Literary Editing and Publishing
[ dl hum oc ]

Offered exclusively on a credit/no credit basis. This course fulfills a workshop requirement for the Creative Writing major and minor.

Editing and publishing a literary journal -- either digital, print, or in more experimental forms -- can be an important component of a writer's creative life and sense of literary citizenship. This experiential learning course will engage students with theoretical and historical reading, as well as provide practical hands-on tools for literary publishing. Broadsided Press (www.broadsidedpress.org) will be used as a case study. A group publishing project will be part of the coursework, and this can be tied into journals already being published on campus. By the end of the semester, students will have a fuller sense of the work, mindset, difficulties, strategies, and values of a literary publisher. Usually offered every second year.

ENG 143a The History of Mediascapes and Critical Maker Culture
[ deis-us dl hum oc ]

Class has a required lab component and yields six semester-hour credits towards rate of work and graduation.

To consider how to decolonize book history and “maker culture,” the class examines colonial erasure, colonial knowledge production, race, gender, disability, neurodiversity, sexuality in making an alternative book history that includes khipu, girdle books, wampum, pamphlets, zines, and wearable media technology. Usually offered every third year.

ENG 151b Performance Studies
[ dl hum ]

Explores paradigms for making performance inside and outside of institutionalized theater spaces, with an emphasis on the performance of everyday life. Students read theories of theater and performance against paradigmatic dramatic texts and documents of social performance. Combining theory with practice, students explore and make site-specific and online performances. Usually offered every third year.

ENG 161a Literature and Counterculture
[ hum ]

Explores alternative, subversive publics created through literature and art. Readings into avant-garde movements and their legacies, with a focus on creative political engagements with public spheres. We'll consider writing, experimental theater, visual art, and musical performance at the cultural edges and outsides. This is creative expression that plays with textual circulation and political subversion. Usually offered every third year.

ENG 169a Eco-Writing Workshop
[ hum wi ]

Offered exclusively on a credit/no credit basis.

A creative writing workshop focused on writing essays and poems that engage with environmental and eco-justice concerns. Readings, writing assignments, and class discussions will be augmented by field trips. Usually offered every second year.

ENG 170b Contemporary Theatre and Performance: Between Rights and the Post-Human
[ hum oc ]

Students will explore two pressing questions: How do contemporary theatre artists work to rehumanize those denied humanity? During a global climate emergency, how can the theatre, which is traditionally defined by the co-presence of humans, relocate the human as only one of many lifeforms--not the center of everything but rather entwined with other organic, inorganic, and spiritual agencies? Usually offered every second year.

FA 181a Housing and Social Justice
[ ca deis-us dl ss ]

Employs housing as a lens to interrogate space and society, state and market, power and change, in relation with urban inequality and social justice. It trains students to become participants in the global debates about housing. In doing so, it teaches students about dominant paradigms of urban development and welfare and situates such paradigms in the 20th century history of capitalism. It will explicitly adopt a comparative and transnational urban approach to housing and social justice, showing how a globalized perspective provides important insights into local shelter struggles and debates. Usually offered every second year.

HISP 142b Literature, Film, and Human Rights in Latin America
[ djw fl hum nw wi ]

Prerequisite: HISP 109b or HISP 111b, or instructor permission.

Examines literature, film (fiction and non-fiction), and other artistic expressions from Latin America, in conversation with the idea of human rights from the colonial arguments about slavery and the "natural rights" of the indigenous, to the advent of human rights in the context of post-conflict truth and reconciliation processes, to the emergence of gender and ethnicity as into the human rights framework, to the current debates about rights of nature in the midst of a global ecological crisis. Usually offered every third year.

HISP 160a Culture, Media, and Social Change in Latin America
[ djw fl hum nw wi ]

Prerequisite: HISP 109b or HISP 111b, or permission of the instructor.

Explores the role of various creative arts (creative writing, visual arts, music, film, performance) in their role as fostering political change in Latin America. We will examine key eras of 20th and 21st century cultural production in relation to shifting mass-media landscapes, from the revolutionary impetus of the early 20th century avant-gardes in literature and visual arts, the Mexican Revolution, popular music in the 1940s, documentary film and music, and the anti-establishment movements of the 1960s-1970s guerrillas, artistic resistance to the dictatorship, to the street art accompanying human rights, and grass roots identity movements of the 2000s. Usually offered every second year.

HISP 165b The Storyteller: Short Fiction in Latin America
[ djw fl hum nw ]

Prerequisite: HISP 111b or permission of the instructor.

By reading (and listening to) modern short stories (20th and 21st century) from different Spanish-speaking countries, we will reflect on the power of storytelling and narrative for shaping subjectivity and community. Going from known literary classics (Borges, García Márquez) to contemporary, emerging younger authors (Bolaños, Enriquez, Schweblin), we will examine relevant topics that traverse Latin American cultural history (colonization, multi-ethnicity, oral and lettered cultures), as well as more contemporary struggles (gender identity, youth culture, ecological concerns). The literary concerns of this class dovetail with political and historical aspects, as issues of colonization, national identities, minoritarian or subaltern voices, and gender struggles, are at the core of Latin American literature. This class includes creative components (writing fiction in Spanish, podcast storytelling, translation) as forms of assessment, which students can choose instead of more traditional forms of interpretation. Usually offered every third year.

LGLS 129a Transitional Justice: Global Justice and Societies in Transition
[ djw ss ]

Introduces transitional justice, a set of practices that arise following a period of conflict that aim directly at confronting past violations of human rights. This course will focus on criminal prosecutions, truth commissions, reparations, memorials, and the contributions of art and culture. Usually offered every year.

MUS 3b Global Soundscapes: Performing Musical Tradition Across Time and Place
[ ca nw ]

Open to all students. Required of all Cultural Studies track majors.

What are we listening to? Applies engaged listening skills and critical analysis for a deeper appreciation of (non-Western) music as a cultural expression. Focuses on particular traditions as well as social context, impact of globalization, cultural production, cultural rights, etc. Usually offered every year.

MUS 51a Singing to Power
[ ca ]

Explores the transformative potential of song through historical study, musical analysis, and creative engagement. Each week students will study songs, paired with readings from relevant discourses in women’s, gender and sexuality studies, critical race theory, working-class studies and others. While some time will be spent on protest music and its connections to social movements, the course will primarily focus on the under-examined power of song in contexts of family/community history, alternative cultural discourse, and covert resistance. Our emphasis will be on American popular music from the 20th and 21st centuries, but examples and inspiration will be drawn from other cultures and traditions as well. Throughout the semester, students will work on creative projects, culminating in the composition of an original poem or song. Usually offered every second year.

NEJS 173a Trauma and Violence in Israeli Literature and Film
[ deis-us djw fl hum oc ]

Taught in Hebrew.

Explores trauma and violence in Israeli Literature, film, and art. Focuses on man-made disasters, war and terrorism, sexual and family violence, and murder and suicide, and examines their relation to nationalism, Zionism, gender, and sexual identity. Usually offered every second year.

NEJS 184b Disability Cultures: Art, Film and Literature of People with Disabilities
[ deis-us djw hum oc ]

Explores cultural representations of disability in Israel, Europe, and the US. By focusing on literature, film, dance, and visual art, it explores physical, mental, and emotional disability experiences, and their relations to gender, sexuality, nationalism, and identity politics. Usually offered every second year.

NEJS/WGS 110a Sexual Violence in Film and Culture
[ deis-us djw hum oc ]

Explores the effects of sexualized violence in society. While exploring representations of gender-based sexual violence in documentaries and features, stand-up comedy, memoirs, poetry, and visual art, this course will offer a critical discussion on Rape Culture in the 21st century, with particular attention to the intersections of gender, race, sexuality, class, and disability in the construction of sexual violence. Usually offered every second year.

SOC 155b Protest, Politics, and Change: Social Movements
[ deis-us ss ]

Introduces major sociological theories about leadership, political context, culture, and identities in social movements in transnational perspective. Examines historical and contemporary cases of social movements through the lenses of race, gender, class, and sexuality. Usually offered every year.

THA 40a The Art of Visual Narrative and Production Design
[ ca ]

Explores the process of creating visual narrative - how do we travel from idea to image to visual storytelling? We will learn to create evocative environments and visual metaphor that transport the viewer, transcend reality, and make stories. We will construct and deconstruct the idea of performance space both theatrical and site-specific. How do we create the psychological landscape of a story? What can an architectural detail tell us about character? What can we learn from objects? We will approach design from an interdisciplinary perspective that will challenge students to combine visual art, new media, performance, and space, in surprising and meaningful ways. Of interest to designers, actors, directors, film-makers, fine artists, and anyone interested in the process of creating a visual story line. Usually offered every second year.

THA 126a Playing for Change - Community Building and Social Change on Stage
[ ca djw ]

Examines ways in which theatrical arts can create change in a variety of non-traditional situations. This course is grounded in the discussion/practice of theater activists such as Augusto Boal's Theatre of the Oppressed. For both theater and non-theater students, this course focuses on how and why this collaborative, useful art form can be introduced into sociological, psychological, political, cultural, educational, medical, and historical paradigms. Students will generate work surrounding social issues of importance to them. Usually offered every second year.

THA 132a Collaborative Creation
[ ca ]

May be repeated once for credit.

The COVID pandemic exposed the ongoing questions of how we make theater. This course asks if we could reinvent the theater, how would we transform what is possible in performance, design, text, and collaboration? We will explore the process of collaborative creation from the idea to performance. All students work as performers, directors, writers, and designers in a creative laboratory supporting the creation of original and adapted theater pieces, based on material that resonates with the group. You will be challenged to grow artistically in your area of interest. Students will learn particular devising techniques, such a Viewpoints and Moment work. Usually offered every second year.

THA 138b Creative Pedagogy
[ ca oc ]

Explores the individual discovery in human creativity and how this journey impacts the quality and inclusivity of teaching and learning both inside and outside of educational spaces. Students will dig into their own educational experiences and their relationship to creativity in this creativity-engaged space. Using the theoretical stages of creativity, students read research, reflect on their own experiences, try new creative endeavors, and engage in creative collaboration with others with the lens towards inspiring and supporting learning. Students are asked in the course to expand their own creative reach and risk-taking capabilities. Usually offered every second year.

CAST Electives in Creative Arts

AAAS/FA 74b Introduction to African Art
[ ca nw ss ]

Surveys the visual artistic traditions of Africa. Investigates the different forms of visual art in relation to their historical and socio-cultural context. Symbolism and complexity of Africa's visual art traditions are explored through analysis of myth, ritual, cosmology, and history. Usually offered every fourth year.

AMST/MUS 35a Rock, Country, and Hip-Hop: History of American Popular Music
[ ca oc ]

Formerly offered as MUS 35a.

Examines the historical context, stylistic development, and cultural significance of rock and roll and other closely related genres, spanning the 1950s through the present. Close attention is paid to how political and social changes have interacted with technological innovations through commercial music to challenge, affirm and shape ideas of race, gender, class and sexuality in the United States. Usually offered every third year.

AMST/MUS 39b Protest Through Song: Music that Shaped America
[ ca oc ss ]

Open to music majors and non-majors.

Examines 20th and 21st century protest music to better understand the complex relationships between music and social movements. Through class discussions, reading, writing, and listening assignments, and a final performance students will discover how social, cultural, and economic protest songs helped shape American culture. Usually offered every second year.