That Look

A wildlife photographer captures the ineffable wonder of the natural world, face to face, eye to eye.

On a grassy plain against a blue sky with white and gray clouds, a man looking through a camera with a large lens stands on the roof of a jeep-like vehicle.
Courtesy Mark Seth Lender
Looking through a Canon 500mm lens, Lender stands on the roof of an overland vehicle in Kenya’s Maasai Mara in the early morning, searching for lions.

The images reprinted here are plucked from photographic series that will appear in my first book of photography, “The Decisive Sequence.” A companion book of written work, “Cardinal Points: True Stories of the Natural World,” is also nearing completion.

I began taking photographs of wildlife for the sake of my writing, to record in detail what I otherwise would have missed. I didn’t just want to freeze the moment. If there is a vital component to my work, it is knowing what happened before and what happens next in the unfolding of behavior and events.

Series of photographs let you see that. When we look at photographs, paying attention is the hardest part. Surprisingly, perhaps, the same holds true for the photographer.

When you photograph wildlife, it’s demanding (if not daunting) to pay attention in the right way.

But the invitation to really look comes from the ineffable wonder of the natural world. I try to compose images the viewer will want to see, to create an image that will persist like an afterglow in the mind — something that is, in a word, beautiful. The iridescent plumage of the hummingbird and the freeze frame of his furiously beating wings. Zebras shown in black-and-white tones that echo their quintessential stripes. The perfect match of two young elk in combat, each a mirror image of the other.

Beyond all this beauty is something so deep yet so apparent we often take it for granted. Just as we look at them, every animal shown here looks at us, and with great interest. The photograph of the polar bear shows this most obviously. She was as captivated by me as I was by her; what you see on her face is fascination. One zebra is looking straight at me. So is the hummingbird, which is why he paused just as he did. And the lion — though her look is the opposite of an invite, she looks not at my hands or feet or what I carry, but at my face.

Evidence of a deeper connection of the most important kind.

Mark Seth Lender is a producer for wildlife content and the explorer-in-residence at “Living on Earth,” an environmental news magazine nationally broadcast on Public Radio. With wife Valerie Pettis, he created the children’s picture book “Smeagull the Seagull: A True Story” and the website Smeagull’s Guide to Wildlife (smeagullsguide.org). For more information on his work, contact him at MSL@MarkSethLender.com.