For more than four decades, Fred Eversley has produced a singular body of work that considers materials, light, and the optical qualities of shapes and colors as part of a broad investigation of individual perceptual experience. This exhibition, which opened at Art + Practice in Los Angeles, examines a series of black, white, and gray sculptures that Eversley began in the early 1970s.
Through an installation of new sculptures, video, and photographs, Tommy Hartung extends his investigation of mythmaking and storytelling tied to powers of surveillance, wealth, and politics. Transposing the legend of King Solomon to create a fable that rings true for a modern era, Hartung's King Solomon’s Mines represents his most comprehensive solo museum exhibition to date.
Rose Video 10 presents Ana Mendieta's powerful short film Sweating Blood (1973), one of the artist’s early experiments with performance for the camera. For this special presentation, Mendieta’s film will be shown alongside Body Tracks (1982), the rare triptych of her body prints made as part of a performance at Franklin Furnace, New York, now part of the Rose Collection.
Louise Nevelson’s first retrospective, organized in collaboration with the Whitney Museum of American Art, opened at the Rose Art Museum in 1967. In a display of previously un-exhibited archival materials, Reflections looks back at this important moment from the Rose’s early years. How can this singular experience be understood in our present moment?
Wood paneled and furnished with the trappings of a 1961 collector's den, The Undisciplined Collector evokes the year of the Rose Art Museum's founding and serves as an introduction to the rich history of collecting at Brandeis University.
Blue Wall Moulting traces the structural elements behind the wall of the Foster Stairwell. Created with a basic chalk snap-line technique, which mimics the process used in building construction, the drawing follows the hidden architecture of the space, drawing attention both to the surface and to what lies behind.
Granting visitors behind-the-scenes access, Collection at Work transforms the Lois Foster Gallery into a work space for collection stewardship activities. While the staff perform these critical daily activities, visitors are invited into the space to witness them first-hand, see a changing selection of artworks, and to learn about the museum's many roles in the lives of objects in its care.
Fred Eversley, aerospace engineer turned sculptor, will discuss his work in conversation with curator Kim Conaty. Eversley’s work is currently featured in the Rose exhibition Black, White, Gray.
The annual Festival of the Creative Arts showcases nationally acclaimed performers and visual artists together with music, dance, theater, film and artwork by more than 300 Brandeis students and alumni.
For the conclusion of her Perlmutter residency, a graphic score by Jones will be performed by Brandeis faculty and student musicians.