Upcoming Exhibitions


FALL 2015


LISA YUSKAVAGE: 
THE BROOD
Lois Foster Gallery
September 12 – December 13, 2015

The Brood surveys 25 years of painting by artist Lisa Yuskavage. While painting has historically been a platform for wild invention and misbehavior, what distinguishes Yuskavage is her willingness to merge the refinement and grand tradition of oil painting with the expansive vocabulary of female transgression and empowerment.

LISA YUSKAVAGE,
BIG BLONDE WITH TEACUP, 1994. Courtesy of the artist and David Zwirner, New York/London.

LA / MA: '60s POP FROM BOTH COASTS
Gerald S. and Sandra Fineberg Gallery
September 12 – December 13, 2015

A survey of 1960s Pop Art, LA / MA will contextualize masterpieces from the Rose Art Museum’s collection by placing the work of these primarily East Coast-based artists alongside the work of their West Coast peers.


ROY LICHTENSTEIN, FORGET IT! FORGET ME!, 1962. GEVIRTZ-MNUCHIN PURCHASE FUND. ROSE ART MUSEUM.

JASON RHOADES: MULTIPLE DEVIATIONS
Lower Rose Gallery
September 12 – December 13, 2015

The late American artist Jason Rhoades is known for his sprawling installations made from the debris of popular culture. Multiple Deviations presents a near complete account of Rhoades’ multiples, series of editions scaled for consumer and collecting culture.

JASON RHOADES, THE FUTURE IS FILLED WITH OPPORTUNITIES, 1995. COURTESY ESTATE OF JASON RHOADES, GALERIE HAUSER & WIRTH, AND DAVID ZWIRNER, NEW YORK/LONDON.

ROSE VIDEO 07 | NIRA PEREG
Rose Video Gallery
September 12 – December 13, 2015

Anchored in documentary practice, Nira Pereg’s films and installations expose overlooked aspects of religious histories, sites and liturgies, recording invisible boundaries, real and ephemeral transformations, and mundane rituals that activate shared and contested spaces venerated by Judaism, Christianity and Islam.

image Courtesy of the Artist.

MARK DION: THE UNDISCIPLINED COLLECTOR
Permanent Installation
Foster Stair Landing
Opening September 12, 2015

Wood paneled and furnished with the trappings of a 1961 collector’s den, The Undisciplined Collector evokes the year of the Rose Art Museum’s founding and serves as an introduction to the rich history of collecting at Brandeis University.

Courtesy of the artist and Tanya Bonakdar Gallery, New York.