A Life in Music

Selected Works

Over the course of his career, Lazarof published 126 compositions. His works feature technically challenging passages and unique combinations of instruments playing a wide range of textures, dynamics, and rhythms. His style was in a constant state of evolution, always pushing boundaries—for musicians, and for himself; he refused to be easily categorized into a particular school or ideology of music. His creative process has been beautifully recorded in his manuscripts, which follow many works from conception to final product.

When preparing to write for an orchestra, Lazarof would spend time watching the orchestra perform. He wanted to listen, to research, and to hear where they were strongest. Only then would he write the piece, often sketching out specifically where the musicians should sit. He often conducted his own pieces and continued doing so into his 70s. On this page you can enjoy clips from some of Lazarof’s performed works while viewing pages from his draft compositions and stage arrangements. The full manuscript materials and audio files for these and many other Lazarof pieces can be found on the Brandeis Distinctive Collections page.

Concerto for Viola and Orchestra

Musical notation for <cite>Concerto for Viola and Orchestra</cite> 1. In pencil

Page from draft of Concerto for Viola and Orchestra

April 9, 1962

Musical notation for <cite>Concerto for Viola and Orchestra</cite> 2. In pencil

Page from draft of Concerto for Viola and Orchestra

Concerto for Viola and Orchestra (clip)

May 28, 1963

Concertante

Includes chart of where instruments are to be located during the performance of this piece.

Page from Concertante printed score

Transcript

Commissioned by the Chamber Symphony of San Francisco

Instrumentation

  • 2 Horns
  • 9 Violins
  • 3 Viole
  • 3 Violoncello
  • 1 Contrabass

Duration ca. 14’10

Musical notation for Concertante in pencil on manuscript paper

Page from Concertante printed score

Concertante (clip)

For sixteen string instruments and two French horns in two movements
American Premiere
Chamber Symphony of San Francisco
December 12, 1988
First Unitarian Church, San Francisco

Structures Sonores

Musical notation in pencil on manuscript paper

Page from draft of Structures Sonores: Polyphonie II

Musical notation - Structures Sonores. in pencil on manuscript paper

Page from draft of Structures Sonores: Polyphonie II

Structures Sonores (clip)

(1965-66) Introduction
Polyphonie I
Etude I
Polyphonie II
Etude II
Polyphonie III

Textures

Musical notation - <cite>Textures</cite>. In pencil on manuscript paper

Page from draft of Textures

Charted layout of instruments and performers

Textures (clip)

Spectrum

Musical notation in pencil on manuscript paper, with corrective markings overlayed in red

Page from draft of Spectrum

Top: List of instruments. Bottom: Drawing indication location of musicians on stage

List of instruments and charted layout of instruments and performers

Lazarof would often chart the ideal location and grouping for the instruments and musicians in the performance of his pieces

Transcript

for Thomas Stevens

  • 4 Flutes (1 also Alto flute)
  • 4 Oboes
  • 4 Clarinets (1 also Bass clarinet)
  • 4 Bassoons
  • 4 Horns
  • 2 Trumpets
  • 3 Trombones
  • 1 Tuba
  • Piano
  • Harp
  • 1 Violoncello
  • 8 Contrabasses
  • 2 or 4 channel tape
  • Solo Trumpet (Flugelhorn)
  • Percussion I
    (Vibraphone, Suspended Cymbal (m))
  • Percussion II
    (Marimba, 3 Wood Blocks, 2 Bongos (m & l)
    1 Timpani ( D & A), Tam Tam (1))
  • Percussion III
    (3 Tom Toms, Bass Drum, 2 Gongs (m & s)
    2 Timpani (F & C - A & E))
  • Percussion IV
    5 Temple Blocks, Xylophone, Tubular Bells,
    2 Bongos (m.n. & h.), 1 Timpani (C & G))

Performance time: 15’ ca.

Spectrum (clip)

Premiere performance. Utah Symphony Orchestra.
Conductor: Henri Lazarof.
Soloist: Thomas Stevens. January 17, 1975

Odes

Brandeis letterhead. Charts with letters and numbers indicating musical notation. Odes 1

Page from draft of Odes

Brandeis letterhead. Charts with letters, numbers, and drawings, indicating musical notation. Odes 2

Page from draft of Odes

Odes (clip)