University Bulletin (2023-2024)

• Minor
• Major (BA)

The French-speaking world is vast in both geographical scope, historical depth, and cultural variety. French is a first language for many in Europe, Africa, the Caribbean, and North America, and it is also an important second language in other parts of the globe. The French and Francophone Studies program brings this world to students in all of its diversity, from the lais of Marie de France to the comedies of Molière, the plays of Olympe de Gouge, the films of the Dardenne brothers, the novels of Marie NDiaye, the bandes dessinées of Riad Sattouf, and the music of Stromae, for example. Students in this program develop strong oral and written interpretive skills as they discover the past achievements of French-speaking peoples and the challenges currently facing them. Moreover, learners enhance their sensitivity to cultural differences while deepening their understanding of the linguistic, social, artistic, economic, and political complexities of the Francophone world.

In this era of increasing globalization, students must have strong skills in the analysis and interpretation of language and culture. We teach French language and French and Francophone culture at all levels, which provides students with a strong foundation as they pursue literary and cultural studies of French-speaking countries throughout the world.

Core Skills

1. An advanced proficiency in speaking, listening, reading, writing and knowledge of French and Francophone cultures;
2. The ability to analyze, evaluate and interpret works in verbal sources (such as literature, newspapers, critical articles, essays, etc.) and in other media (film, painting, photographs, music, etc.);
3. The ability to explain how cultural differences help determine political, economic and social institutions.

Knowledge

1. An understanding of the principal historical events and foundational cultural tenets (including notions drawn from politics, literature, sociology, philosophy, etc.) that shape France and the Francophone world;
2. An understanding of how creative works in French reflect the past and present, announce future developments, and influence world culture;
3. An understanding of the instrumental role that language (written and oral production of all types) plays in the formation of cultures, histories, and identities of the French and Francophone world;
4. An appreciation of the cultural and linguistic diversity in the French-speaking world.

Social Justice

A panoply of French writers and philosophers have played a fundamental role in the evolution of our notions of social justice, freedom, equality, individual fulfillment, and the common good. By exploring these ideas in a variety of French and Francophone contexts, students analyze the different ways in which these concepts have developed and changed over time and across cultures.

In order to graduate, students must be able to function at an intermediate level in reading, writing, speaking, and listening in a foreign language. They may satisfy this requirement in several ways:

• The study of a language at Brandeis. The completion of a 30-level course, or an FL-designated course in French above level 30, with a passing grade satisfies the language requirement.
• A score of 4 or higher on an Advanced Placement exam in language, or 5 or higher on the International Baccalaureate Higher Levels Exam. We encourage students to continue studies in our department (please see below to choose a course at the appropriate level).
• A Seal of Biliteracy that documents intermediate-level proficiency in French.
• A passing score on the French Exemption exam that shows you have gained an intermediate-level proficiency in French. Please contact Professor Hollie Harder (harder@brandeis.edu) to make arrangements to take the French Exemption exam.

Students with further questions about the language requirement should contact the Director of the French Language Program, Professor Hollie Harder.

Students considering a French and Francophone Studies major or minor should complete the language requirement as soon as possible.

• After students complete a 30-level French language course, they are advised to enroll in FREN 104b, the first course in the sequence that counts toward the minor.
• Students who scored 4 on the French Advanced Placement exam or 5 on the International Baccalaureate Higher Levels Exam are usually advised to enroll in FREN 105a.
• Students who scored 5 on the French AP exam, or 6 or higher on the International Baccalaureate Higher Levels Exam should enroll in FREN 106b, the first course in the sequence that counts toward the major.
• Normally, students should take FREN 106b before taking courses numbered above FREN 106b.

Students interested in learning more about the major or minor are encouraged to speak with the French and Francophone Studies Undergraduate Advising Head.

Clémentine Fauré-Bellaïche
Modern and contemporary French and Francophone literature and culture. History and theory of the novel. History of the body and the emotions. Vision and visual culture in nineteenth- and twentieth-century France. Religion and literary modernism.

Hollie Harder, Director of French and Italian Language Programs
French language, culture, and literature. Language pedagogy. Nineteenth- and twentieth-century French literature. Women's, gender, and sexuality studies.

Sophia Niehaus
French and Francophone Studies lecturer.

Michael Randall
Late medieval and Renaissance poetry, prose, and philosophy. Comparative literature. Modern politics and literature in the Francophone world.

Catherine Theobald, Undergraduate Advising Head for French and Francophone Studies
Early modern French literature and culture. Word and image studies. Early modern prose forms: maxims, portraits, novels. Book illustration. Québec literature and film.

The minor consists of five semester courses:

1. FREN 106b (Writing Workshop).
2. Four electives from French and Francophone Studies courses numbered 104 or above. FREN 92a may count as one elective credit. Cross-listed courses may not be used to satisfy the minor requirements.
3. No grade below a C- will be given credit toward the minor.
4. No course taken pass/fail may count toward the minor requirements.

Notes:

• A French and Francophone Studies minor who wishes to do an internship in a French or Francophone environment on or off campus may enroll in FREN 92a. Students arrange their own internships with prior permission from the Undergraduate Advising Head.

All students pursuing a French and Francophone Studies minor will be assigned an adviser in the department, usually the Undergraduate Advising Head.

The major consists of nine semester courses:

1. FREN 106b (Writing Workshop).
2. Eight electives from French and Francophone Studies courses numbered 110 or above. Only one of the seven may be satisfied with a cross-listed course. Either FREN 92a, 97a, and 99a,b may satisfy the elective requirement.
3. Foundational Literacies: As part of completing the French and Francophone Studies major, students must:
   • Fulfill the writing intensive requirement by successfully completing one of the following: FREN 106b, FREN 142b, FREN 149b, FREN 151b, FREN 159b, or FREN 161a.
   • Fulfill the oral communication requirement by successfully completing one of the following: FREN 110a or FREN 111a.
   • Fulfill the digital literacy requirement by successfully completing: FREN 106b.
4. No grade below a C- will be given credit toward the major.
5. No course taken pass/fail may count toward the major requirements.
6. At the end of their studies in French and Francophone Studies (usually during the spring semester of the senior year), all students pursuing a major will participate in an oral presentation and discussion of a sample of their work that best demonstrates their proficiency in and knowledge of French and Francophone Studies.

Notes:

• French and Francophone Studies majors have the option of writing a Senior Essay (FREN 97a) in the fall of their senior year as one of their electives.
• A French and Francophone Studies major who wishes to do an internship in a French or Francophone environment on or off campus may enroll in FREN 92a. Students arrange their own internships with prior permission of the Undergraduate Advising Head.
• Students may receive credit for an elective for the major for one cross-listed or related course taught in English with prior permission of the Undergraduate Advising Head.

All students pursuing a French and Francophone Studies major will be assigned an adviser in the department, usually the Undergraduate Advising Head.

Honors

To be considered for departmental honors upon graduation, students must successfully complete FREN 97a (Senior Essay) in the fall of their senior year, have a GPA of 3.5 or higher in all French courses, and apply to the department for permission to enroll in FREN 99b (Senior Thesis) in the spring of their senior year. Departmental honors are awarded based on cumulative excellence in all courses taken in the major, including the senior essay and thesis.

Study Abroad

We encourage internships and study abroad. Our students have enrolled in programs in France, Québec, Switzerland, Belgium, Senegal, Mali, Madagascar, Cameroon, and Morocco.

Students may receive credit for electives for the major or minor for courses taken in French abroad, with prior permission of the Undergraduate Advising Head.

How to Choose a Course at the Appropriate Level

For more information, please refer to the at Registrar’s website or to the Department of Romance Studies website.

FREN 10a Beginning French

For students with no previous knowledge of French and those with a minimal background. Students enrolling for the first time in a French and Francophone Studies course at Brandeis should refer to http://www.brandeis.edu/registrar/newstudent/testing.html#frentest.

Intensive training in the basics of French grammar, listening comprehension, speaking, reading, and writing within the context of French and Francophone cultures. Usually offered every semester.
Staff

FREN 20b Continuing French

Prerequisite: A grade of C- or higher in FREN 10a or the equivalent. Students enrolling for the first time in a French and Francophone Studies course at Brandeis should refer to http://www.brandeis.edu/registrar/newstudent/testing.html#frentest.

Continued work in French grammar, listening comprehension, speaking, reading, and writing within the context of French and Francophone cultures. Usually offered every semester.
Staff

FREN 32a Intermediate French: Conversation
[ fl ]

Prerequisite: A grade of C- or higher in FREN 20b or the equivalent. Students enrolling for the first time in a French and Francophone Studies course at Brandeis should refer to http://www.brandeis.edu/registrar/newstudent/testing.html#frentest.

Focuses on improving the speaking ability of students who wish to develop greater ease of expression in conversation while discussing contemporary French and Francophone issues. Students continue to improve their skills in listening, comprehension, reading, and writing. Usually offered every semester.
Staff

FREN 92a Internship

May be taken with the written permission of the Undergraduate Advising Head.

A combined on- or off-campus internship experience related to French and Francophone studies with written analysis under the supervision of a faculty sponsor. Students arrange their own internships. Counts only once toward the fulfillment of requirements for the major or the minor. Usually offered every semester.
Staff

FREN 97a Senior Essay

Students should consult the Undergraduate Advising Head before enrolling.

FREN 97a offers French and Francophone Studies majors an opportunity to produce a senior essay under the direction of an individual instructor. Students normally enroll in FREN 97a in the fall. Only under exceptional circumstances will students enroll in FREN 97a in the spring. Offered every fall.
Staff

FREN 98a Independent Study

May be taken only with the written permission of the Undergraduate Advising Head.
Reading and written analyses under faculty supervision. Offered as needed.
Staff

FREN 99b Senior Thesis

May be taken only with the written permission of the Undergraduate Advising Head.

Senior French and Francophone Studies majors who successfully complete FREN 97a (Senior essay) in the fall and who have a 3.5 GPA in all French and Francophone Studies courses may apply to extend the essay into a thesis in the spring.
Staff

FREN 104b Advanced Language Skills through Culture
[ fl hum ]

Prerequisite: A 30-level French and Francophone Studies course or the equivalent. Students enrolling for the first time in a French and Francophone Studies course at Brandeis should refer to http://www.brandeis.edu/registrar/newstudent/testing.html#frentest.

For students who would like to continue studying French beyond the foreign language requirement. Topics will vary, but all investigate aspects of French and Francophone cultures through written texts, film, and other media. Usually offered every semester. Usually offered every semester.
Staff

FREN 105a The Francophone World Today: Advanced Language Skills through Culture II
[ fl hum ]

Prerequisite: FREN 104b or the equivalent. Students enrolling for the first time in a French and Francophone Studies course at Brandeis should refer to http://www.brandeis.edu/registrar/newstudent/testing.html#frentest.

For students who want to improve their speaking and writing skills while learning about more advanced grammar structures and discussing socio-cultural issues that impact the Francophone world. Students also continue their work on reading and listening. Usually offered every semester.
Staff

FREN 106b Writing Workshop
[ dl fl hum wi ]

Prerequisite: FREN 105a or the equivalent. Students enrolling for the first time in a French and Francophone Studies course at Brandeis should refer to http://www.brandeis.edu/registrar/newstudent/testing.html#frentest.

Innovative strategies and online tools enable students to improve their creative and analytical writing skills. Students examine different types of texts, exploring their literary style, determining their authority, and exploring how words and images may move and manipulate readers and viewers. Usually offered every semester.
Staff

FREN 110a Cultural Representations
[ fl hum oc ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

A foundation course in French and Francophone culture, analyzing texts and other cultural phenomena such as film, painting, music, and politics. Usually offered every year.
Clémentine Fauré-Bellaïche, Hollie Harder, or Michael Randall

FREN 111a The Republic
[ fl hum oc ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

The "Republic" analyzes how the republican ideal of the citizen devoid of religious, ethnic, or gender identity has fared in different Francophone political milieux. Course involves understanding how political institutions such as constitutions, parliaments, and court systems interact with reality of modern societies in which religious, ethnic, and gender identities play important roles. Usually offered every year.
Michael Randall

FREN 122b Toads, Salamanders, and Sonnets: Art, Power, and Identity in the French Renaissance
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

This class will look at how forms of cultural expression--from architecture to sonnets and odes--were used to create a sense of national and personal identity in the French Renaissance. We will look at how the poems, novellas, and essays of authors such as Joachim Du Bellay, Pierre de Ronsard, Marguerite de Navarre, Louise Labé, and Michel de Montaigne, the paintings and sculptures of artists like François Clouet and Francesco Primaticcio, and the buildings of architects like Philibert Delorme, were used to produce new forms of national and personal identity in the 16th century. We will also refer to modern authors such as Edouard Glissant to help us understand these developments from a modern point of view. Usually offered every second year.
Michael Randall

FREN 125b Mediterranean Crossings
[ fl hum ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Navigating French and Francophone literature and film, we will explore the Mediterranean as a transnational space of multiple circulations, migrations, and cultural crossings in works by Lebanese, Algerian, Moroccan, Tunisian, Greek, Romanian, and French writers and filmmakers. Usually offered every third year.
Clémentine Fauré-Bellaïche

FREN 126b La place de la nature dans le monde culturel francophone
[ fl hum ]

Prerequisite: FREN 106b.

Invites students to examine interactions between humans and the environment in texts and images created in Francophone cultures (France, Haiti, Guadeloupe, Martinique, Algeria, Morocco, Quebec, and the fictional nation of the Democratic Republic of Coto [based on the Democratic Republic of the Congo]). Students will discover key notions that have shaped ideas about nature in the Francophone world. By engaging with literary texts, films, and visual arts, they will trace, interpret, and evaluate the rapport between humans in Francophone areas and the natural world from the sixteenth century (when the French nation was established) to the present day. Usually offered every third year.

Hollie Harder

FREN 129a La Révolution tranquille?: Québec's Culture Wars on Stage and Screen
[ fl hum ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Considers the plays and films of the last sixty years that have probed the tensions at the heart of québécois culture to provide a violent counterpart to the sexual, political, and generational "Révolution tranquille" of the 1960's and 1970's. Usually offered every third year.
Catherine Theobald

FREN 134b Masculine/Feminine
[ fl hum ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Examines diverse representations of masculinity and femininity in French texts today and in the past with special emphasis on historical and cultural aspects. Readings include Edward Louis, En finir avec Eddie Bellegueule; Duras, L'amant; excerpts from Rousseau and Beauvoir and films like l'Esquive et La loi du marché (on working class and minority conceptions of gender). Usually offered every fourth year.
Staff

FREN 139a Bad Girls and Boys: Du mauvais genre
[ fl hum ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Through a selection of literary texts, articles, images and films, students will explore how works from the Middle Ages to present day depict male and female figures in the French and Francophone world who have failed to conform to expectations of their gender. Usually offered every second year.
Hollie Harder

FREN 142b City and the Book
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Analyzes the symbolic appearance of the city in French literature and film from the Middle Ages to the present day. The representation of the city in literature and film is contextualized in theoretical writings of urbanists and philosophers. Literary texts include medieval fabliaux, Pantagruel (Rabelais) and Nana (Zola) as well as theoretical texts by Descartes, Ledoux, Le Corbusier, Salvador Dalí, and Paul Virillo. Usually offered every second year.
Michael Randall

FREN 146a Picturing Versailles: Portrait, Space and Spectacle under the Sun King
[ fl hum ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Examines bodies of literature, visual arts, and courtiers at Versailles in the theatrical society of intrigue and exile under Louis XIV. Concentrates on how the texts, maps, and art of the palace fashion a global portrait of absolutism: the Sun King. Usually offered every third year.
Catherine Theobald

FREN 149b Le Livre Illustré: Word and Image in Francophone Texts from Bestiaries to Bandes Dessinées
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Explores the theories and practices of text-image interactions in illustrated francophone books of the past and present by addressing themes such as learning, travel, sentimentality, pornography, politics, and humor. This course will include archival work in the Brandeis library. Usually offered every third year.
Catherine Theobald

FREN 150b French Detective Novels: Major Questions for a Minor Genre?
[ fl hum ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Examines how French and Francophone detective novels take on big questions such as the origin of evil and how do you know what you know. Authors include Fred Vargas, Simenon, Driss Chraibi, Moussa Konate. Usually offered every second year.
Michael Randall

FREN 151b Francophone Identities in a Global World: An Introduction to Francophone Literature
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Introduces Francophone literature and film, retracing, through the works of great contemporary Francophone writers and directors, the evolution of the Francophone world, from the colonial struggles to the transcultural and transnational trajectories of our global era. Usually offered every second year.
Clémentine Fauré-Bellaïche

FREN 153a Food and Identity in the French and Francophone World
[ fl hum ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Why in France is food so intertwined with national identity? This course apprehends French and Francophone culture by thinking with food - its connections with identity, power, gender, social distinction and aesthetics. Foodwriting, films, literary texts, articles by major cultural historians are studied. Usually offered every third year.
Clémentine Faure-Bellaiche

FREN 159b Wordplay: Humor in Francophone Texts
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Students will analyze the forms and functions of humor in francophone texts (French, Canadian, and Caribbean) from the Middle Ages to the present day. Course themes will include farce, comedy of manners, wordplay, and satire. The course will include archival work. Usually offered every third year.
Catherine Theobald

FREN 161a The Enigma of Being Oneself: From Du Bellay to Laferrière
[ djw fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Explores the relationship of identity formation and modern individualism in texts by writers working in France, Francophone Africa and Canada. Authors range from modern and contemporary writers Sarah Kofman, Dany Laferrière, Achille Mbembe, Alain Mabanckou, and Edouard Glissant to early-modern writers like Joachim Du Bellay and Michel de Montaigne. Usually offered every year.
Michael Randall

FREN 162b From Les Confessions to Instagram: Self-Writing in Contemporary French and Francophone Literature
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Through the works of major writers, the main goal of the course will be to study the many variations of autobiographical writing that characterize contemporary French and Francophone literature, and to relate them to the renewed exploration of the post-modern subject. We will examine along the way how the self relates to the others, how it engages with filiation, memory and history - (especially World War II and the Franco-Algerian War) - and we will put an emphasis on the notions of self-fashioning and performance. Usually offered every second year.
Clémentine Fauré-Bellaïche

FREN 186b Literature and Politics
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

We will be interested in how the literary is political and the political literary. We will organize the class around the relationship of the individual and the community. Texts include: Montaigne's Essais, Corneille's Horace, Genet's Les nègres, Arendt's What is Politics?, Dumont's Essays on Individualism, Fanon's Peau noire, masques blancs. Usually offered every third year.
Michael Randall

FREN 106b Writing Workshop
[ dl fl hum wi ]

Prerequisite: FREN 105a or the equivalent. Students enrolling for the first time in a French and Francophone Studies course at Brandeis should refer to http://www.brandeis.edu/registrar/newstudent/testing.html#frentest.

Innovative strategies and online tools enable students to improve their creative and analytical writing skills. Students examine different types of texts, exploring their literary style, determining their authority, and exploring how words and images may move and manipulate readers and viewers. Usually offered every semester.
Staff

FREN 110a Cultural Representations
[ fl hum oc ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

A foundation course in French and Francophone culture, analyzing texts and other cultural phenomena such as film, painting, music, and politics. Usually offered every year.
Clémentine Fauré-Bellaïche, Hollie Harder, or Michael Randall

FREN 111a The Republic
[ fl hum oc ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

The "Republic" analyzes how the republican ideal of the citizen devoid of religious, ethnic, or gender identity has fared in different Francophone political milieux. Course involves understanding how political institutions such as constitutions, parliaments, and court systems interact with reality of modern societies in which religious, ethnic, and gender identities play important roles. Usually offered every year.
Michael Randall

FREN 106b Writing Workshop
[ dl fl hum wi ]

Prerequisite: FREN 105a or the equivalent. Students enrolling for the first time in a French and Francophone Studies course at Brandeis should refer to http://www.brandeis.edu/registrar/newstudent/testing.html#frentest.

Innovative strategies and online tools enable students to improve their creative and analytical writing skills. Students examine different types of texts, exploring their literary style, determining their authority, and exploring how words and images may move and manipulate readers and viewers. Usually offered every semester.
Staff

FREN 142b City and the Book
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Analyzes the symbolic appearance of the city in French literature and film from the Middle Ages to the present day. The representation of the city in literature and film is contextualized in theoretical writings of urbanists and philosophers. Literary texts include medieval fabliaux, Pantagruel (Rabelais) and Nana (Zola) as well as theoretical texts by Descartes, Ledoux, Le Corbusier, Salvador Dalí, and Paul Virillo. Usually offered every second year.
Michael Randall

FREN 149b Le Livre Illustré: Word and Image in Francophone Texts from Bestiaries to Bandes Dessinées
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Explores the theories and practices of text-image interactions in illustrated francophone books of the past and present by addressing themes such as learning, travel, sentimentality, pornography, politics, and humor. This course will include archival work in the Brandeis library. Usually offered every third year.
Catherine Theobald

FREN 151b Francophone Identities in a Global World: An Introduction to Francophone Literature
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Introduces Francophone literature and film, retracing, through the works of great contemporary Francophone writers and directors, the evolution of the Francophone world, from the colonial struggles to the transcultural and transnational trajectories of our global era. Usually offered every second year.
Clémentine Fauré-Bellaïche

FREN 159b Wordplay: Humor in Francophone Texts
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Students will analyze the forms and functions of humor in francophone texts (French, Canadian, and Caribbean) from the Middle Ages to the present day. Course themes will include farce, comedy of manners, wordplay, and satire. The course will include archival work. Usually offered every third year.
Catherine Theobald

FREN 161a The Enigma of Being Oneself: From Du Bellay to Laferrière
[ djw fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Explores the relationship of identity formation and modern individualism in texts by writers working in France, Francophone Africa and Canada. Authors range from modern and contemporary writers Sarah Kofman, Dany Laferrière, Achille Mbembe, Alain Mabanckou, and Edouard Glissant to early-modern writers like Joachim Du Bellay and Michel de Montaigne. Usually offered every year.
Michael Randall

FREN 186b Literature and Politics
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

We will be interested in how the literary is political and the political literary. We will organize the class around the relationship of the individual and the community. Texts include: Montaigne's Essais, Corneille's Horace, Genet's Les nègres, Arendt's What is Politics?, Dumont's Essays on Individualism, Fanon's Peau noire, masques blancs. Usually offered every third year.
Michael Randall

ECS 100a European Cultural Studies Proseminar: Modernism
[ dl hum oc ]

Explores the interrelationship of literature, music, painting, philosophy, and other arts in the era of high modernism. Works by Artaud, Baudelaire, Benjamin, Mann, Mahler, Schoenberg, Stravinsky, Kandinsky, Schiele, Beckett, Brecht, Adorno, Sartre, Heidegger, and others. Usually offered every fall semester.
Stephen Dowden

ECS 100b European Cultural Studies Proseminar: Making of European Modernity, 1250 to 1650
[ hum ]

Investigates how the paradigm of what we know as modernity came into being. We will look at the works of writers and philosophers such as Descartes, Aquinas, Dante, Ockham, Petrarch, Ficino, Rabelais, and Montaigne. Artwork from the Middle Ages and the Renaissance will be used to understand better what "the modern" means. Usually offered every spring semester.
Michael Randall

FA 155a Impressionism: Avant-Garde Rebellion in Context
[ ca wi ]

Focuses on major 19th century artists in France, from the innovation of Edouard Manet to the formation of the group called the Impressionists. Study of the series of independent exhibitions, mounted between 1874 - 1886, and organized by the unlikely allies Edgar Degas and Claude Monet, including women artists Morisot and Cassatt. Also analysis of the influence of Japanese art from abroad, and the new 'objective' style, shaped in part by the invention of photography, will be a focus. The next generation - Cézanne, Gauguin, Seurat, and Van Gogh - develop stylistic ideas out of Impressionism, and re-shape its aims. Usually offered every third year.
Staff

FA 156b Postimpressionism and Symbolism, 1880-1910
[ ca wi ]

Artists Vincent Van Gogh, Gauguin, Seurat and Cézanne, first identified with Post-Impressionism, are contextualized with Toulouse-Lautrec and others who defined the French art world before 1900. Symbolism has its roots in the art work of Redon, Van Gogh and above all Gauguin, here studied in context with poetry and art criticism of the times. The Expressionist move toward an abstract idiom in Norway, Germany and Austria will focus on Edvard Munch and Gustav Klimt. Decorative styles such as Art Nouveau and Jugendstil define the bridge to the 20th century. The course ends with early 20th century masters, Matisse and the Fauves, and finally German Expressionism. Usually offered every fourth year.
Staff

HIST 192b Romantic and Existentialist Political Thought
[ ss ]

Readings from Camus, Sartre, Beckett, and others. Examination and criticism of romantic and existentialist theories of politics. Usually offered every second year.
Staff

HUM 1a Tragedy: Love and Death in the Creative Imagination
[ hum ]

Enrollment limited to Humanities Fellows.

How do you turn catastrophe into art - and why? This first-year seminar in the humanities addresses such elemental questions, especially those centering on love and death. How does literature catch hold of catastrophic experiences and make them intelligible or even beautiful? Should misery even be beautiful? By exploring the tragic tradition in literature across many eras, cultures, genres, and languages, this course looks for basic patterns. Usually offered every year.
John Burt and Stephen Dowden

IGS 110a Religion and Secularism in French & Francophone Culture
[ hum ss ]

Tackles the persistent power of religion in France and its former colonies despite common ideals of secular nationalism. Through literature and film we will study the historical and contemporary cultural wars waged around the French notion of 'laïcité' -- its confrontation with Islam, but also the experiences of Jews, Catholics, and Protestants.
Clementine Fauré-Bellaïche

IGS 120a Inventing Oneself
[ hum ]

Do our backgrounds determine our lives, or can we transcend such limits to pursue dreams of our own? This class explores themes of liberation in works by French and Francophone writers and filmmakers and the global artistic and social movements they have inspired. All works in English. Usually offered every second year.
Clementine Fauré-Bellaïche