Provisional University Bulletin (2024-2025)

• Major (BA)

European Cultural Studies welcomes all members of the student body who have an interest in Europe, its literary and cultural history, and its international context. ECS explores, from a global perspective, literary and other traditions of cultural production, particular music, visual arts, history, philosophy, and film. The program of study is to be arranged in consultation with the major’s co-ordinator or any professor on its advisory committee. Majors may ask for guidance in the selection of elective courses with related content or approach within their chosen disciplines.

The European Cultural Studies is multidisciplinary with faculty holding appointments in various departments. The major brings together scholars and scholarship from various disciplines to explore the literatures, cultures, histories and societies of Europe from a transnational perspective. Course offerings range especially across the fields of literature, history, philosophy, music, and politics. The ECS major is not only multidisciplinary, but also interdisciplinary, comparative, and cross-cultural. The disciplines are integrated by themes and methods that underscore the uniqueness of the major:

• ECS focuses on European literatures, cultures, and intellectual traditions. Students with a wide range of interests use this major to inquire into the various literary and cultural traditions that have decisively influenced creative work in the modern world in Europe but beyond Europe also.
• ECS courses offer a comparative but also non-Eurocentric approach to the interpretations and understandings of the experiences of European peoples of the wider global context of international literatures, social, economic, and political systems.
• We teach students to notice the striking and world-shaping features not only of literary works, but also of the music, history, and concrete reality that surround us.
• ECS study broadens and deepens the reach of traditional disciplines and so offers Brandeis undergraduates a humanistic education in which the knowledge of the presence, roles, cultural contributions of the European imagination — for both good and ill — come into focus.
• Those who choose to become ECS majors acquire analytic skills and habits of critical thinking that will serve them well in many contexts of post-University life.

The panoply of ECS course offerings affirms the intellectual importance of research. In sharing the University’s commitment to academic excellence in the liberal arts, the ECS major provides students with the requisite tools to comprehend, analyze, and evaluate events and phenomena that structure the experiences and possibilities in a world that has been shaped by the presence and influence of Europe.

The guiding premise of European Cultural Studies (ECS) is this: art and literature are not luxury commodities. Rather they are a crucial way of knowing and understanding the world. ECS explores European literature, art, music, architecture, dance, and philosophy beyond and across the boundaries of single nations, languages, and historical periods, always in concert with the historical, political, and social realities that underpin and illuminate any art form. This interdepartmental major offers a way of thinking about literature rather than any specific body of information. The overarching aim of the major is to discover how European cultures have ordered reality in the past and present, how they have made sense of the world morally and aesthetically, and how literature and the arts express, preserve, and embody these understandings. Because ECS embraces the whole of European culture, especially literature, and a great diversity of critical methods for understanding it, no one faculty member could possibly encompass the field of study. Consequently, the interdisciplinary, interdepartmental approach is a highly dynamic and collaborative endeavor that reflects the diverse interests of our students and faculty in the liberal arts. ECS brings together professors and undergraduates from a number of departments in the Humanities and the Social Sciences in a spirit of common inquiry.

The ECS major’s core course, ECS 100a, introduces students to the wide range of interdisciplinary approaches possible in the study of liberal arts, and it serves as the point of embarkation for students’ individualized exploration of literature and the other arts from across Europe and from a wide variety of hermeneutic perspectives. The concept of interpretation is central: we all live by the act of interpretation, whether in ordinary daily life or in a seminar setting. ECS100a also focuses on developing the research skills, writing and speaking habits, and the basics of critical interpretation specific to the interdisciplinary study of literature and the arts. The ECS major also encourages the study of literature and culture in languages other than English. Courses are taught by distinguished faculty from across the university at Brandeis but especially in the humanities.

As an interdepartmental major, ECS is inherently critical, multicultural, and interdisciplinary. Its flexible curriculum is designed to serve the interests and needs of a changing student body and to encourage student collaboration at all levels of program planning.

Knowledge

Students completing a major in European Cultural Studies will come away with a critical understanding of:

1. Literary and cultural life across varied geographical, historical, racial, ethnic, and art traditions in Europe;
2. The story of the diversity European culture and the varied struggles for social, political, and economic change;
3. The contributions of European art and philosophy in the development of the cultural, social, political and global interdependence;
4. How cultural differences help determine wider political, economic, and social institutions;
5. Develop a sharpened sensitivity to cultural difference, and broaden their understanding of the linguistic, cultural, and political complexities of the European world;
6. How to think independently and critically about arguments using tools of analysis to evaluate evidence;
7. Crucial issues, concepts, theories, and research methods used in interdisciplinary, comparative, and cross-cultural study.

Skills

ECS emphasizes core skills in close reading, critical thinking, and effective argumentation. ECS majors will be trained and prepared to:

1. Conduct scholarly, professional, and original research applying interdisciplinary, comparative, and cross-cultural research methods;
2. Generate, as well as articulate orally and in writing, a coherent narrative about cultural history, the arts, literatures, and societies of European provenance;
3. Situate texts, images, documents, traditions, ideas, and relevant data in productive intellectual contexts;
4. Evaluate information critically with particular attention to examining and analyzing new areas of research.

Upon Graduating

A Brandeis student with a major in ECS will be prepared to:

1. Pursue graduate study and a scholarly career in humanistic learning;
2. Pursue professional training in a variety of careers including healthcare, social work, government, international organizations, business, journalism, law, education, entertainment, and non-profit organizations in and outside the United States of America.

It is highly advisable that students make a decision no later than the middle of their sophomore year in order to take full advantage of the ECS major.

Normally, students will choose to focus on either the early period (from the Middle Ages to the mid-1700s) or the modern period (from the mid-1700s to the present day). Variations within the scheme can be worked out with the undergraduate advising head.

Each major will plan a program in consultation with the undergraduate advising head.

Stephen Dowden, Chair and Undergraduate Advising Head
(German, Russian, and Asian Languages and Literature)

William Flesch
(English)

Jytte Klausen
(Politics)

Robin Feuer Miller 
(German, Russian, and Asian Languages and Literature)

Michael Randall
(Romance Studies)

Laura Quinney
(English)

Eugene Sheppard
(Near Eastern and Judaic Studies)

Govind Sreenivasan
(History)

Palle Yourgrau
(Philosophy)

The major consists of ten semester courses (eleven, if the student elects to write a thesis). At least one of these courses must consist of material from before 1800:

1. ECS 100a or 100b (ECS Proseminar), to be completed, if possible, no later than the junior year.
2. Two comparative literature seminars, or HUM 10a (The Western Canon) and one comparative literature seminar. The student is particularly encouraged to select this second course from COML 102a through COML 106b. Any COML offering is acceptable, however, as long as its subject matter is European and it is otherwise relevant to the student's program.
3. Three courses in European literature. The six European literatures offered are English, French, German, Italian, Russian, and Spanish. The foreign literature courses listed below have been specifically designed for use in the ECS curriculum and are taught in translation. Courses in English literature may be used to fulfill this requirement. For courses in comparative literature consult the appropriate section of this Bulletin.
4. Three courses selected from the following seven related disciplines: fine arts, history and history of ideas, music, philosophy, politics, sociology, and theater arts. In consultation with the undergraduate advising head, students may be able to use courses from additional departments (for example, NEJS, anthropology) so long as such courses are appropriate to the student's program in ECS.
5. Foundational Literacies: As part of completing the European Cultural Studies major, students must:
   • Fulfill the writing intensive requirement by successfully completing: ECS 45a, or any ECS elective course approved for WI.
   • Fulfill the oral communication requirement by successfully completing: ECS 100a, or any ECS elective course approved for OC.
   • Fulfill the digital literacy requirement by successfully completing: ECS 100a, or any ECS elective course approved for DL.
6. Students who elect to write a senior thesis will enroll in ECS 99d. Before enrolling, students should consult with the undergraduate advising head. An appropriate GPA is required to undertake the writing of a thesis. Honors are awarded on the basis of cumulative GPA in the major and the grade on the honors thesis.
7. All seniors not enrolling in ECS 99d (that is, not electing to write a senior thesis) have a choice of electing one additional course in any of the three segments of the major: either an additional course in comparative literature or an additional course in any of the six European literatures or an additional course in any of the seven related areas.
8. No course with a final grade below C+ can count toward fulfilling the major requirements in European Cultural Studies.
9. No course taken pass/fail may count toward the major requirements.

ECS majors are encouraged to pursue study abroad, either in England or on the continent. Credit will be applied for appropriate equivalent courses. Interested students should consult with the undergraduate advising head and the Office of Academic Services.

The following courses are appropriate for the ECS major and his or her respective foreign literature majors: French, German, Russian, and Spanish. The course abbreviations have the following values:

GECS = German and European Cultural Studies

RECS = Russian and European Cultural Studies

ECS 45a The Essay as Form
[ wi ]

Corequisite: ECS 100a or ECS 100b. Yields half-course credit. Fulfills the writing intensive requirement for European Cultural Studies majors under the Brandeis Core.

Usually offered every spring.
Stephen Dowden

ECS 98a Independent Study

May be taken only by majors with the written permission of the ECS program undergraduate advising head.

Usually offered every year.
Staff

ECS 99d Senior Thesis

Independent research under the supervision of the thesis director. Usually offered every year.
Staff

ECS 100a European Cultural Studies Proseminar: Modernism
[ dl hum oc ]

Explores the interrelationship of literature, music, painting, philosophy, and other arts in the era of high modernism. Works by Artaud, Baudelaire, Benjamin, Mann, Mahler, Schoenberg, Stravinsky, Kandinsky, Schiele, Beckett, Brecht, Adorno, Sartre, Heidegger, and others. Usually offered every fall semester.
Stephen Dowden

ECS 100b European Cultural Studies Proseminar: Making of European Modernity, 1250 to 1650
[ hum ]

Investigates how the paradigm of what we know as modernity came into being. We will look at the works of writers and philosophers such as Descartes, Aquinas, Dante, Ockham, Petrarch, Ficino, Rabelais, and Montaigne. Artwork from the Middle Ages and the Renaissance will be used to understand better what "the modern" means. Usually offered every spring semester.
Michael Randall

ECS/ENG 110a Thinking about Infinity
[ hum ]

Explores the attempts of the finite human mind to think about infinity. Readings in mathematics, history of science, philosophy, literature, and art, including Euclid, Plato, Cantor, Poincaré, Einstein, Pascal, Kant, Hegel, Wordsworth, Shelley, Joyce, Beckett, Leonardo, Michelangelo, and Raphael. Usually offered every third year.
William Flesch

RECS 100a Understanding Russian Culture: Myths and Paradoxes
[ dl hum ]

Open to all students. Conducted in English. Students may choose to do readings either in English translation or in Russian. Satisfies the Proseminar requirement for the Russian Studies major.

Russia has given the world renowned cultural luminaries such as Tolstoy and Tchaikovsky. At the same time, the Russian state—in different historical forms—has a long tradition of censoring, imprisoning, or even murdering artists and intellectuals. One scholar suggests that even as the Russian Empire has violently expanded its boundaries, the state has “colonized” its own people. Paradoxically, this very repression has made culture politically relevant—sometimes reinforcing imperial ideology, sometimes subverting it—and charged it with particular urgency. This course takes us inside the paradox, looking at some of the most important works of modern Russian literature, film, philosophy, visual art, music, theater, opera, and ballet in the context of the country’s troubled history. Usually offered every second year.
David Powelstock

RECS 131a The Twentieth-Century Russian Novel
[ hum ]

Open to all students. Conducted in English. Students may choose to do readings either in English translation or in Russian.

An introduction to the major novels of the modernist, Soviet, and post-Soviet eras, including the emigration, such as those by Sologub, Bely, Olesha, Bulgakov, Pasternak, Nabokov, Solzhenitsyn, Erofeev, and Pelevin. May also include some short stories. Usually offered every fourth year.
David Powelstock

RECS 134b Writer, Dramatist, Physician: Chekhov and The Healing Arts
[ hum wi ]

Open to all students. Conducted in English. Most students will choose to read the works in English translation, but students who know Russian may do the readings in Russian.

Explores Chekhov as a fiction writer, a dramatist, and a devoted physician. Many of his artistic works, including a number where doctors figure as primary characters, read as case studies of particular diseases, mental illnesses, and conditions induced by poverty. Chekhov practiced the healing arts in all aspects of his professional and creative life, as well as in his courageous efforts on the remote penal-colony island of Sakhalin and in his dangerous public work during a terrible cholera epidemic. This course will emphasize the skills of close looking—techniques equally valuable to the writer, the dramatist, and the physician. We will read works about children and the nature of childhood, about students, about “the woman question,” about peasants, about religion, about marriage and adultery. We will also read two plays: The Seagull and Uncle Vanya. Students will consider the ebb and flow between Chekhov’s efforts as a dramatist and a story-teller.  We will engage with some of Chekhov’s most vivid, candid, and intriguing letters about medicine and art. Usually offered every second year.
Robin Miller

RECS 135a Russian Short Fictions: Where is Justice in This World?
[ djw hum oc ]

Open to all students. Conducted in English. Students may choose to do readings either in English translation or in Russian.

Focuses on the great tradition of the short story as practiced by Russian writers and the connection and divisions among them. This genre invites extreme stylistic and narrative experimentation ranging from the comic to the tragic, as well as being a vehicle for striking expressions of complex social, philosophical, and religious themes. Usually offered every second year.
Robin Feuer Miller

RECS 144b Tolstoy and Dostoevsky: Confronting the Novel
[ hum oc wi ]

Where do Tolstoy and Dostoevsky fit in the theory and history of the novel? Students will engage in close readings of two of the greatest novels of all time: War and Peace and The Brothers Karamazov. We will explore the genesis of each work, its cultural backdrop and critical responses. Usually offered every third year.
Robin Feuer Miller

RECS 150a Russian and Soviet Cinema
[ hum ]

Open to all students. Conducted in English. Readings in English.

Examines the Russian/Soviet cinematic tradition from the silent era to today, with special attention to cultural context and visual elements. Film masterpieces directed by Bauer, Eisenstein, Vertov, Parajanov, Tarkovsky, Mikhalkov, and others. Weekly screenings. Usually offered every second year.
David Powelstock

RECS 152a Russian Science Fiction Literature and Film
[ hum ]

Open to all students. Conducted in English. Readings in English.

Examines the Russian science fiction tradition in the context of philosophical, historical, and political developments, with attention to topics such as futurism, science and technology, the perfectibility of humanity, the nature of time, the proximity of the unknown, and otherness. Usually offered every third year.
David Powelstock

RECS 154a Vladimir Nabokov: Art and Ethics
[ hum ]

Open to all students. Conducted in English. Readings in English.

A concentrated study of Vladimir Nabokov, the most noted Russian author living in emigration and one of the most influential novelists of the twentieth century. Focuses on the major Russian- and English-language novels, with special attention to the interplay within them of Nabokov’s philosophy of art and his views on ethics and morality. Usually offered every third year.
David Powelstock

COML 100a Introduction to Global Literature
[ dl hum oc ]

Core course for COML major and minor.

What is common and what is different in literatures of different cultures and times? How do literary ideas move from one culture to another? In this course students read theoretical texts, as well as literary works from around the world. Usually offered every year.
Staff

ECS 100a European Cultural Studies Proseminar: Modernism
[ dl hum oc ]

Explores the interrelationship of literature, music, painting, philosophy, and other arts in the era of high modernism. Works by Artaud, Baudelaire, Benjamin, Mann, Mahler, Schoenberg, Stravinsky, Kandinsky, Schiele, Beckett, Brecht, Adorno, Sartre, Heidegger, and others. Usually offered every fall semester.
Stephen Dowden

ENG 123a Violence and the Body in Early Modern Drama
[ dl hum ]

May not be taken for credit by students who took ENG 23a in prior years.

Explores early modern understandings of the body, with particular attention to gender, sexuality, race, and nation. Considers the role of violence in determining who counts as fully human, who can be reduced to a body, and whose bodies can be severed from citizenship, recognition, and value. Explores as well the claims of the body and voice to memorialization and belonging, and the evidence of actors' bodies on the stage. Usually offered every third year.
Thomas King

ENG 152b Arthurian Literature
[ dl hum ]

A survey of (mostly) medieval treatments of the legendary material associated with King Arthur and his court, in several genres: bardic poetry, history, romance, prose narrative. Usually offered every second year.
Staff

HIST 170a Italian Films, Italian Histories
[ dl ss wi ]

Explores the relationship between Italian history and Italian film from unification to 1975. Topics include socialism, fascism, the deportation of Jews, the Resistance, the Mafia, and the emergence of an American-style star fixation in the 1960s. Usually offered every second year.
Alice Kelikian

RUS 153a Advanced Russian Language through 19th Century Literature
[ dl fl hum ]

Prerequisite: RUS 29b or RUS 40b with a grade of C- or higher, or the equivalent as determined by placement examination. Taught in Russian.

An undergraduate seminar for heritage and advanced students of Russian. Focus on the study of 19th-century Russian literature in the original and development of Russian oral and written skills needed for the close reading and discussion of literature. Usually offered every fourth year.
Irina Dubinina

COML 100a Introduction to Global Literature
[ dl hum oc ]

Core course for COML major and minor.

What is common and what is different in literatures of different cultures and times? How do literary ideas move from one culture to another? In this course students read theoretical texts, as well as literary works from around the world. Usually offered every year.
Staff

ECS 100a European Cultural Studies Proseminar: Modernism
[ dl hum oc ]

Explores the interrelationship of literature, music, painting, philosophy, and other arts in the era of high modernism. Works by Artaud, Baudelaire, Benjamin, Mann, Mahler, Schoenberg, Stravinsky, Kandinsky, Schiele, Beckett, Brecht, Adorno, Sartre, Heidegger, and others. Usually offered every fall semester.
Stephen Dowden

FREN 110a Cultural Representations
[ fl hum oc ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

A foundation course in French and Francophone culture, analyzing texts and other cultural phenomena such as film, painting, music, and politics. Usually offered every year.
Clémentine Fauré-Bellaïche, Hollie Harder, or Michael Randall

GER 103a German Culture Through Film
[ fl hum oc ]

Prerequisite: GER 30a.

Approaches an understanding of contemporary German culture through film by focusing on one of the most fascinating and turbulent of national cinemas. Landmark films from the 1920s to the present and pertinent essays, articles and studies will provide a historical perspective on decisive social and cultural phenomena. Major themes include Vergangenheitsbewältigung, multi-ethnic societies, terrorism, life in the GDR, and cultural trends at the beginning of the 21st century. Students learn also about the technical side of filmmaking and produce their own short film under professional guidance. Usually offered every second year.
Kathrin Breuer

ITAL 106a Storia e storie d'Italia: Advanced Italian through Narrative, Film, and Other Media
[ fl hum oc ]

Prerequisite: ITAL 30a, ITAL 105a, or the equivalent. Students enrolling for the first time in an Italian Studies course at Brandeis should refer to www.brandeis.edu/registrar/newstudent/testing.html#italtest.

Aims to prepare students for upper-level courses and to advance language fluency through the practice of all language skills at different ranges of advanced proficiency, grammatical structures, and vocabulary. This course offers a close study and analysis of representative Italian literary texts and films to further improve proficiency in Italian through analytical, interpretive, and presentational activities. Each year, emphasis will be given to a specific theme, such as women writers and Italian history through short stories. Reading and listening activities followed by in-class discussions and presentations are designed to strengthen communication and reading skills. Usually offered every other fall.
Silvia Monteleone

ITAL 110a Introduction to Italian Literature: Love, Intrigues and Politics from Dante to Goldoni
[ fl hum oc ]

Prerequisite: ITAL 105a or 106a or permission of the instructor.

Surveys the masterpieces of Italian literature from Dante to Goldoni's stage. Students will explore different themes such as love, conflict, and politics in Italian early masterpieces by analyzing and comparing genres, historical periods, and schools of thought. Since Oral communication skills are the core of methodology and pedagogy for Italian 110, students will work on primary texts through dynamic and guided discussions, interpretative textual analysis, and different styles of presentations. Usually offered every second year.
Paola Servino

RECS 135a Russian Short Fictions: Where is Justice in This World?
[ djw hum oc ]

Open to all students. Conducted in English. Students may choose to do readings either in English translation or in Russian.

Focuses on the great tradition of the short story as practiced by Russian writers and the connection and divisions among them. This genre invites extreme stylistic and narrative experimentation ranging from the comic to the tragic, as well as being a vehicle for striking expressions of complex social, philosophical, and religious themes. Usually offered every second year.
Robin Feuer Miller

ECS 45a The Essay as Form
[ wi ]

Corequisite: ECS 100a or ECS 100b. Yields half-course credit. Fulfills the writing intensive requirement for European Cultural Studies majors under the Brandeis Core.

Usually offered every spring.
Stephen Dowden

ENG 153a Enlightenment of the Flesh: Reading and Writing Sex in the Eighteenth Century
[ hum wi ]

Reading libertine and erotic writing alongside medical and philosophical treatises and commercially mainstream fiction, we will ask how practices of writing and reading sex contributed to the emergence and surveillance of a private self knowable through its bodily sex and sensations. Usually offered every third year.
Thomas King

COML 100a Introduction to Global Literature
[ dl hum oc ]

Core course for COML major and minor.

What is common and what is different in literatures of different cultures and times? How do literary ideas move from one culture to another? In this course students read theoretical texts, as well as literary works from around the world. Usually offered every year.
Staff

COML 116b Nietzsche: An Introduction
[ hum ]

COML 117a Magical Realism and Modern Myth
[ hum ]

An exploration of magical realism, as well as the enduring importance of myth, in twentieth and twenty-first century fiction and film from Columbia, India, Nigeria, the United States, England, and elsewhere. Authors include Ben Okri, Toni Morrison, Gabriel Garcia Marquez, and Salman Rushdie; films include Pan's Labyrinth and Beasts of the Southern Wild. Usually offered every second year.
David Sherman

COML 120a Disordered Loves and Howling Passion: European Romanticism
[ hum ]

Introduces European Romanticism from a comparative and interdisciplinary perspective. This course integrates literature, painting, music, and philosophy. Works by Beethoven, Hölderlin, Schubert, Delacroix, Wordsworth, Mary Shelly, Verdi, Schlegel, Kant, Claude David and others. Usually offered every second year.
Stephen Dowden

COML 122b Writing Home and Abroad: Literature by Women of Color
[ hum nw ]

Examines literature (prose, poetry, and memoirs) written by women of color across a wide spectrum of geographical and cultural sites. Literature written within the confines of the "home country" in the vernacular, as well as in English in immigrant locales, is read. The intersections of race, ethnicity, sexuality, gender, and class as contained by the larger institutions of government, religion, nationalism, and sectarian politics are examined. Usually offered every third year.
Harleen Singh

COML 123a Perfect Love?
[ hum ]

The conflict between "perfect' and carnal love has inspired artistic works from the Middle Ages through the present. This course studies how perfect love runs afoul of more human desires in works by authors, composers, and film makers like Chrétien de Troye, Marguerite de Navarre, Hawthorne, Monteverdi, di Sica, and Wong Karwai. Usually offered every second year.
Michael Randall

COML 146b Classical East Asian Poetics
[ hum nw ]

An introduction to the classical poetic forms of China, Japan, and Korea. Special consideration is paid to issues of canonization, classical theories of literature, and the development of multilingual literary traditions. All readings are in English. Usually offered every third year.
Matthew Fraleigh

COML 150b Critique of Erotic Reason
[ hum ]

Explores transformations in erotic sensibilities in the novel from the early nineteenth century to the present. Works by Goethe, Austen, Kierkegaard, Tolstoy, Schopenhauer, Bronte, Chekhov, Garcia-Marquez, Kundera, and Cormac McCarthy. Usually offered every third year.
Stephen Dowden

COML 160a East European Literature and Film: Art and Life in the Throes of History
[ hum ]

All texts, films, and instruction in English. No prerequisites.

Examines major East European films and literary works from the Ukrainian, Polish,  Czech, Romanian, Hungarian, (former) Yugoslavian, Bosnian, and other traditions. With an eye toward the unique historical, political, and ideological currents of the region and its constituent nationalities, we will focus on both artistic expression and engagement with larger issues.  Usually offered every second year.
David Powelstock

COML 178a Cult Books
[ hum ]

Explores novels on the fringe of literary respectability, books that have won passionate, if not necessarily large followings (hence the ambivalent praise implied in the term 'cult book'). Works by Renate Adler, J. G. Ballard, Thomas Bernhard, Osamu Dazai, Wei Hui, Chester Himes, Fleur Jaeggy, Anna Kavan, William Kotzwinkle, Eileen Myles, Maggie Nelson, Georges Perec, Hunter Thompson, Robert Walser, Shuo Wang and others. Usually offered every third year.
Stephen Dowden

COML/ENG 21a The Literature of Walking
[ hum oc ]

Explores genres of pedestrianism—rambles, strolls, promenades, treks, pilgrimages, marches. Students will take and design walks as well as read major works on the subject. Usually offered every fourth year.

Caren Irr

COML/ENG 70b Environmental Film, Environmental Justice
[ djw hum ]

Examines films that address nature, environmental crisis, and green activism. Asks how world cinema can best advance the goals of social and environmental justice. Includes films by major directors and festival award winners. Usually offered every third year.
Caren Irr

COML/ENG 141b Literature and Time
[ hum ]

Explores the human experience of temporality and reflection upon it. Themes covered by this course include: memory, nostalgia, anxiety, ethics, eternity, and time travel. Usually offered every third year.
Laura Quinney

COML/ENG 191a Environmental Aesthetics
[ djw hum oc ]

Explores major schools of thought about nature, ecology, and art. Usually offered every third year.
Caren Irr

COML/REC 136a All in the Family: Tolstoy, Dostoevsky and the English Novel
[ hum ]

Selected novels and writings of Austen, Dostoevsky, Tolstoy and Woolf will be read to trace both the evolution of the novel and the meanings, contexts and depictions of the family. The family novel encompasses such larger questions as how we regard the pain of others and how we define community. Usually offered every second year.
Robin Feuer Miller

ECS/ENG 110a Thinking about Infinity
[ hum ]

Explores the attempts of the finite human mind to think about infinity. Readings in mathematics, history of science, philosophy, literature, and art, including Euclid, Plato, Cantor, Poincaré, Einstein, Pascal, Kant, Hegel, Wordsworth, Shelley, Joyce, Beckett, Leonardo, Michelangelo, and Raphael. Usually offered every third year.
William Flesch

ENG 40b The Birth of the Short Story: Gods, Ghosts, Lunatics
[ hum ]

How old is the short story? It may go back to the Stone Age, Aesop's fables, or medieval saints' lives, but some credit Edgar Allan Poe and the Scottish shepherd James Hogg. This class takes an in-depth look at three key centers of the genre: Edinburgh, New York, and Moscow. Authors include Melville, Hawthorne, Dickens, Gogol, and Chekov. Usually offered every second year.
John Plotz

ENG 42b Animals and Literature
[ hum ]

Explores the role that non-human animals play in world literature from the mid-nineteenth century to the present. Thinking with animals provides a unique vantage onto pressing contemporary issues like climate change, colonialism and its afterlives, the politics of meat-eating, race and racialization, the nature of language, and more. Usually offered every third year.
Joshua Williams

ENG 50a Love Poetry from Sappho to Neruda
[ hum ]

This course explores the relationship between love and poetry. Starts with the ancient Greek poet Sappho and proceeds through the centuries, reading lyrics by Catullus, Ovid, Propertius, Petrarch, Dante, Shakespeare, Donne, Rossetti, and others. Usually offered every third year.
Ramie Targoff

ENG 114a Enthusiasm, Disappointment, Recovery: British Literature and the French Revolution
[ hum ]

British radicals, including in their number the greatest poets of the age, responded joyously to the Fall of the Bastille and the early political reforms of the French Revolution. Like many European intellectuals, they saw in these developments the promise of major social change which would vindicate the ambitious optimism of the Enlightenment. The collapse of the French Revolution into violence and terror struck a blow to their hopes, their morale and their world-view. British literature of the Romantic age reflects this initial enthusiasm, the subsequent disappointment, and the painful effort of recovery. We will read 18th-century manifestos defending human rights by Thomas Paine and Mary Wollstonecraft; works of ardent support for the Revolution by first-generation Romantic poets such as Wordsworth and Coleridge; their later works grappling with the Revolution’s failure; and the reflections of the second-generation Romantics (Lord Byron, Mary Shelley, Percy Shelley) as they struggle to find new grounds of political hope. Usually offered every fourth year.

Laura Quinney

ENG 121a Sex and Culture
[ hum ]

An exploration of the virtually unlimited explanatory power attributed to sexuality in the modern world. "Texts" include examples from literature, film, television, pornography, sexology, and theory. Usually offered every second year.
Paul Morrison

HUM 10a The Western Canon
[ hum ]

May not be taken by students who have taken NEJS 18a in prior years.

Foundational texts of the Western canon: the Bible, Homer, Vergil, and Dante. Thematic emphases and supplementary texts vary from year to year.
Staff

NEJS 183b Global Jewish Literature
[ hum wi ]

May not be taken for credit by students who took NEJS 171a in prior years.

Introduces important works of modern Jewish literature, graphic fiction, and film. Taking a comparative approach, it addresses major themes in contemporary Jewish culture, interrogates the "Jewishness" of the works and considers issues of language, poetics, and culture significant to Jewish identity. Usually offered every second year.
Ellen Kellman

PHIL 146a Idea of God
[ hum ]

Engages in a philosophical investigation not of religion as an institution but of the very idea of God, comparing and contrasting the ancient Greek idea of God as found in religion and philosophy with the Biblical conception, i.e., comparing Athens to Jerusalem. Studies the distinction between human being and divine being and addresses the issue of the relation of God's essence to his existence. Usually offered every second year.
Palle Yourgrau

RECS 154a Vladimir Nabokov: Art and Ethics
[ hum ]

Open to all students. Conducted in English. Readings in English.

A concentrated study of Vladimir Nabokov, the most noted Russian author living in emigration and one of the most influential novelists of the twentieth century. Focuses on the major Russian- and English-language novels, with special attention to the interplay within them of Nabokov’s philosophy of art and his views on ethics and morality. Usually offered every third year.
David Powelstock

CLAS 170a Classical Mythology
[ hum ]

An introduction to Greek and Roman mythology. Considers ancient song cultures, and the relationship between myth, drama, and religion. Also explores visual representations of myth. Usually offered every second year.
Joel Christensen

COML 116b Nietzsche: An Introduction
[ hum ]

ECS 100b European Cultural Studies Proseminar: Making of European Modernity, 1250 to 1650
[ hum ]

Investigates how the paradigm of what we know as modernity came into being. We will look at the works of writers and philosophers such as Descartes, Aquinas, Dante, Ockham, Petrarch, Ficino, Rabelais, and Montaigne. Artwork from the Middle Ages and the Renaissance will be used to understand better what "the modern" means. Usually offered every spring semester.
Michael Randall

ENG 1a Introduction to Literary Studies
[ hum wi ]

This course is designed to introduce students to basic skills and concepts needed for the study of Anglophone literature and culture. These include skills in close reading; identification and differentiation of major literary styles and periods; knowledge of basic critical terms; definition of genres. Usually offered every semester.
Staff

ENG 11a Close Reading: Theory and Practice
[ hum oc ]

Examines the theory, practice, technique, and method of close literary reading, with scrupulous attention to a variety of literary texts to ask not only what but also how they mean, and what justifies our thinking that they mean these things. Usually offered every third year.
Staff

ENG 18a Irish Literature, from the Peasantry to the Pogues
[ hum ]

Explores Irish poetry, fiction, drama, and film in English. Begins with the tradition's roots among subjugated peasants and Anglo-Irish aristocracy and ends in the modern post-colonial state. Authors include Swift, Yeats, Wilde, Bowen, Joyce, O'Brien, and Heaney. Usually offered every third year.
John Plotz

ENG 32b Chaucer’s Troilus and Criseyde and Medieval Dream Visions
[ hum ]

May not be taken for credit by students who took ENG 132b in prior years.

Before there was Romeo and Juliet, there was Troilus and Criseyde. Before Shakespeare’s cultural behemoth defined what it meant to be star-crossed lovers, the story of Troilus and Criseyde was the dominant and popular narrative of doomed love. So, what happened? Did Shakespeare’s treatment of it kill the story? Why has it dropped out of the canon? This class will evaluate Chaucer’s other major poem Troilus and Criseyde and contextualize it by examining its sources, philosophical underpinnings, and its impact on literary production in the fifteenth and sixteenth centuries. Usually offered every second year.
Staff

ENG 33a Shakespeare
[ hum ]

May be repeated once for credit.

A survey of Shakespeare as a dramatist. From nine to twelve plays will be read, representing all periods of Shakespeare's dramatic career. Usually offered every year.
William Flesch or Ramie Targoff

ENG 40b The Birth of the Short Story: Gods, Ghosts, Lunatics
[ hum ]

How old is the short story? It may go back to the Stone Age, Aesop's fables, or medieval saints' lives, but some credit Edgar Allan Poe and the Scottish shepherd James Hogg. This class takes an in-depth look at three key centers of the genre: Edinburgh, New York, and Moscow. Authors include Melville, Hawthorne, Dickens, Gogol, and Chekov. Usually offered every second year.
John Plotz

ENG 45b Romanticism: Gods, Nature, Loneliness, Dreams
[ hum ]

A study of Romantic poetry, from love lyrics to ballads about the supernatural to philosophical meditations on self and soul. Authors include: Wordsworth, Coleridge, Blake, Keats and Shelley. Usually offered every third year.
Laura Quinney

ENG 50a Love Poetry from Sappho to Neruda
[ hum ]

This course explores the relationship between love and poetry. Starts with the ancient Greek poet Sappho and proceeds through the centuries, reading lyrics by Catullus, Ovid, Propertius, Petrarch, Dante, Shakespeare, Donne, Rossetti, and others. Usually offered every third year.
Ramie Targoff

ENG 73a Witchcraft and Magic in the Renaissance: From Scotland to Salem
[ hum oc ]

Focuses on the representation of witches, wizards, devils, and magicians in texts by Shakespeare, Marlow, and others. Historical accounts of witchcraft trials in England and Scotland are read and several films dramatizing these trials are viewed. Usually offered every third year.
Staff

ENG 75b The Victorian Novel: Secrets, Lies, and Monsters
[ hum ]

The rhetorical strategies, themes, and objectives of Victorian realism. Texts may include Eliot's Middlemarch, Thackeray's Vanity Fair, Brontë's Villette, Gaskell's Mary Barton, Dickens' Bleak House, and Trollope's The Prime Minister. Usually offered every fourth year.
John Plotz

ENG 105b After Jane Austen: Sex, Death, and Fiction
[ hum wi ]

Focuses on Jane Austen, Emily Bronte, Charles Dickens, George Eliot, Thomas Hardy, and Joseph Conrad. Explores the relationship between the novel, the era's most popular culture, and our own popular culture. It examines desire, concealment, sex, and romance, as well as the role that literature plays in creating and upsetting communities, defining racial and ethnic categories. Film screenings. Usually offered every third year.
John Plotz

ENG 108a Literature and Heresy
[ hum ]

A study of major texts of British literature through the lens of religious heresy. Does literature provide a refuge for heresy? Or is there something about literature that encourages heretical thinking? These questions are considered in light of dissident works by Milton, Blake, Shelley, James Hogg, and others. Usually offered every third year.
Laura Quinney

ENG 111b Postcolonial Theory
[ djw hum wi ]

Introduces students to key concepts in postcolonial theory. Traces the consequences of European colonialism for politics, culture and literature around the world, situates these within ongoing contemporary debates, and considers the usefulness of postcolonial theory for understanding the world today. Usually offered every third year.
Joshua Williams

ENG 114a Enthusiasm, Disappointment, Recovery: British Literature and the French Revolution
[ hum ]

British radicals, including in their number the greatest poets of the age, responded joyously to the Fall of the Bastille and the early political reforms of the French Revolution. Like many European intellectuals, they saw in these developments the promise of major social change which would vindicate the ambitious optimism of the Enlightenment. The collapse of the French Revolution into violence and terror struck a blow to their hopes, their morale and their world-view. British literature of the Romantic age reflects this initial enthusiasm, the subsequent disappointment, and the painful effort of recovery. We will read 18th-century manifestos defending human rights by Thomas Paine and Mary Wollstonecraft; works of ardent support for the Revolution by first-generation Romantic poets such as Wordsworth and Coleridge; their later works grappling with the Revolution’s failure; and the reflections of the second-generation Romantics (Lord Byron, Mary Shelley, Percy Shelley) as they struggle to find new grounds of political hope. Usually offered every fourth year.

Laura Quinney

ENG 123a Violence and the Body in Early Modern Drama
[ dl hum ]

May not be taken for credit by students who took ENG 23a in prior years.

Explores early modern understandings of the body, with particular attention to gender, sexuality, race, and nation. Considers the role of violence in determining who counts as fully human, who can be reduced to a body, and whose bodies can be severed from citizenship, recognition, and value. Explores as well the claims of the body and voice to memorialization and belonging, and the evidence of actors' bodies on the stage. Usually offered every third year.
Thomas King

ENG 126b Joyce's Ulysses
[ hum wi ]

An intensive, collaborative reading of James Joyce's Ulysses, with attention to its historical situation and cultural impact. Consideration of significant scholarly debates around the novel. How does this remarkable text work and what does it offer readers today? How is it still teaching us to read and think about the role of literature in modern societies? We will engage this novel with slow, close attention in an interdisciplinary context, in order to generate a combination of analytical and creative responses. Usually offered every third year.
David Sherman

ENG 131a Comedy: Literature, Film, and Theory
[ hum ]

Explores comedy as an enigma at the heart of social belonging, psychological coherence, and philosophical speculation. Investigates the strangeness of human laughter. Compares comic literary and film genres in different historical periods as a way to ask: what is the nature of comic pleasure? How does comedy organize desire and make sense of suffering? How are communities regulated by comedy, and how is comedy involved in social freedom? How are basic philosophical questions about minds and bodies illuminated by comedy? Texts by Chaplin, Shakespeare, Monty Python, Swift, Marx Brothers, Aristophanes, Wilde, and others. Usually offered every third year.
David Sherman

ENG 133a Advanced Shakespeare
[ hum wi ]

Recommended prerequisite: ENG 33a or equivalent.

An intensive analysis of a single play or a small number of Shakespeare's plays. Usually offered every third year.
William Flesch and Thomas King

ENG 144b The Body as Text
[ hum wi ]

How are our bodies the material for our presentations of self and our interactions with others? Examines contemporary theories and histories of the body against literary, philosophical, political, and performance texts of the sixteenth through the eighteenth centuries. Usually offered every third year.
Thomas King

ENG 152b Arthurian Literature
[ dl hum ]

A survey of (mostly) medieval treatments of the legendary material associated with King Arthur and his court, in several genres: bardic poetry, history, romance, prose narrative. Usually offered every second year.
Staff

ENG 165b Victorian Poetry and Its Readers
[ hum ]

Studies how poetry was written and read during the last time poetry held a prominent role in England's public life. The course centers on Tennyson's career as poet laureate, but also gives full attention to Robert Browning's work. The course also surveys the work of E. B. Browning, the Pre-Raphaelites, and others, and concludes with the poetry of Hardy and of the early Yeats. Usually offered every fourth year.
Staff

ENG 173a Spenser and Milton
[ hum ]

A course on poetic authority: the poetry of authority and the authority of poetry. Spenser and Milton will be treated individually, but the era they bound will be examined in terms of the tensions within and between their works. Usually offered every third year.
William Flesch

FREN 110a Cultural Representations
[ fl hum oc ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

A foundation course in French and Francophone culture, analyzing texts and other cultural phenomena such as film, painting, music, and politics. Usually offered every year.
Clémentine Fauré-Bellaïche, Hollie Harder, or Michael Randall

FREN 111a The Republic
[ fl hum oc ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

The "Republic" analyzes how the republican ideal of the citizen devoid of religious, ethnic, or gender identity has fared in different Francophone political milieux. Course involves understanding how political institutions such as constitutions, parliaments, and court systems interact with reality of modern societies in which religious, ethnic, and gender identities play important roles. Usually offered every year.
Michael Randall

FREN 122b Toads, Salamanders, and Sonnets: Art, Power, and Identity in the French Renaissance
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

This class will look at how forms of cultural expression--from architecture to sonnets and odes--were used to create a sense of national and personal identity in the French Renaissance. We will look at how the poems, novellas, and essays of authors such as Joachim Du Bellay, Pierre de Ronsard, Marguerite de Navarre, Louise Labé, and Michel de Montaigne, the paintings and sculptures of artists like François Clouet and Francesco Primaticcio, and the buildings of architects like Philibert Delorme, were used to produce new forms of national and personal identity in the 16th century. We will also refer to modern authors such as Edouard Glissant to help us understand these developments from a modern point of view. Usually offered every second year.
Michael Randall

FREN 134b Masculine/Feminine
[ fl hum ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Examines diverse representations of masculinity and femininity in French texts today and in the past with special emphasis on historical and cultural aspects. Readings include Edward Louis, En finir avec Eddie Bellegueule; Duras, L'amant; excerpts from Rousseau and Beauvoir and films like l'Esquive et La loi du marché (on working class and minority conceptions of gender). Usually offered every fourth year.
Staff

FREN 142b City and the Book
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Analyzes the symbolic appearance of the city in French literature and film from the Middle Ages to the present day. The representation of the city in literature and film is contextualized in theoretical writings of urbanists and philosophers. Literary texts include medieval fabliaux, Pantagruel (Rabelais) and Nana (Zola) as well as theoretical texts by Descartes, Ledoux, Le Corbusier, Salvador Dalí, and Paul Virillo. Usually offered every second year.
Michael Randall

FREN 186b Literature and Politics
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

We will be interested in how the literary is political and the political literary. We will organize the class around the relationship of the individual and the community. Texts include: Montaigne's Essais, Corneille's Horace, Genet's Les nègres, Arendt's What is Politics?, Dumont's Essays on Individualism, Fanon's Peau noire, masques blancs. Usually offered every third year.
Michael Randall

GECS 130b The Princess and the Golem: Fairy Tales
[ hum wi ]

Conducted in English.

Compares Walt Disney's films with German and other European fairy tales from the nineteenth and twentieth century, focusing on feminist and psychoanalytic readings. Usually offered every second year.
Sabine von Mering

GECS 182a Kafka: Novels, Stories, Aphorisms
[ hum ]

Open to all students. Conducted in English.

A detailed exploration of Kafka's works, life, and thought. Emphasis is given to his place in the larger scheme of literary modernism. Usually offered every third year.
Stephen Dowden

GECS 185b Con-Artists, Anti-Semites, and Music Lovers: Modern German Fiction
[ hum ]

Open to all students. Conducted in English with readings in English translation.

Is art an elevated swindle? What is the relation of aesthetic pleasure to racism, misogyny, and xenophobia? This course explores German narrative since 1955. It focuses on this tension between art and reality, beginning with Thomas Mann's con-artist Felix Krull. Includes Gregor von Rezzori's Memoirs of an Anti-Semite, Elfriede Jelinek's Piano Teacher. Also works by Thomas Bernhard, W.G. Sebald, Olga Grjasnowa, Wolfgang Koeppen, and Günter Grass. Usually offered every two years.
Stephen Dowden

GER 103a German Culture Through Film
[ fl hum oc ]

Prerequisite: GER 30a.

Approaches an understanding of contemporary German culture through film by focusing on one of the most fascinating and turbulent of national cinemas. Landmark films from the 1920s to the present and pertinent essays, articles and studies will provide a historical perspective on decisive social and cultural phenomena. Major themes include Vergangenheitsbewältigung, multi-ethnic societies, terrorism, life in the GDR, and cultural trends at the beginning of the 21st century. Students learn also about the technical side of filmmaking and produce their own short film under professional guidance. Usually offered every second year.
Kathrin Breuer

GER 109b Meisterwerke Deutscher Kurzprosa
[ fl hum ]

Conducted in German.

Tailored to suit the needs of advanced intermediate students, this course explores in detail several short prose masterworks by writers including Martin Buber, Franz Kafka, Friedrich Nietzsche, Thomas Mann, Rainer Maria Rilke, and Arthur Schnitzler. Usually offered every third year.
Kathrin Breuer and Stephen Dowden

GER 121a Der Eros und das Wort: Lyrik, Prosa, Drama
[ fl hum ]

Focuses on the prose, poetry, and drama of love in German literature since Goethe. Workes by Goethe, Kleist, Novalis, Tieck, Rilke, Hofmannsthal, Schnitzler, Treichel, and others. Usually offered every third year.
Stephen Dowden

HISP 170a Topics in Eighteenth- and Nineteenth-Century Spanish Literature
[ fl hum wi ]

Prerequisite: HISP 109b or HISP 111b, or permission of the instructor. Course may be repeated for credit.

Topics will vary from year to year, but might include eighteenth- and nineteenth-century theater, fictions of the body, and realist representations of gender. Usually offered every second year.
James Mandrell

HIST 170a Italian Films, Italian Histories
[ dl ss wi ]

Explores the relationship between Italian history and Italian film from unification to 1975. Topics include socialism, fascism, the deportation of Jews, the Resistance, the Mafia, and the emergence of an American-style star fixation in the 1960s. Usually offered every second year.
Alice Kelikian

HIST 192b Romantic and Existentialist Political Thought
[ ss ]

Readings from Camus, Sartre, Beckett, and others. Examination and criticism of romantic and existentialist theories of politics. Usually offered every second year.
Staff

HIST 195a American Political Thought: From the Revolution to the Civil War
[ ss ]

Antebellum America as seen in the writings of Paine, Jefferson, Adams, the Federalists and Antifederalists, the Federalists and Republicans, the Whigs and the Jacksonians, the advocates and opponents of slavery, and the Lincoln-Douglas debates. Usually offered every second year.
Staff

ITAL 106a Storia e storie d'Italia: Advanced Italian through Narrative, Film, and Other Media
[ fl hum oc ]

Prerequisite: ITAL 30a, ITAL 105a, or the equivalent. Students enrolling for the first time in an Italian Studies course at Brandeis should refer to www.brandeis.edu/registrar/newstudent/testing.html#italtest.

Aims to prepare students for upper-level courses and to advance language fluency through the practice of all language skills at different ranges of advanced proficiency, grammatical structures, and vocabulary. This course offers a close study and analysis of representative Italian literary texts and films to further improve proficiency in Italian through analytical, interpretive, and presentational activities. Each year, emphasis will be given to a specific theme, such as women writers and Italian history through short stories. Reading and listening activities followed by in-class discussions and presentations are designed to strengthen communication and reading skills. Usually offered every other fall.
Silvia Monteleone

ITAL 110a Introduction to Italian Literature: Love, Intrigues and Politics from Dante to Goldoni
[ fl hum oc ]

Prerequisite: ITAL 105a or 106a or permission of the instructor.

Surveys the masterpieces of Italian literature from Dante to Goldoni's stage. Students will explore different themes such as love, conflict, and politics in Italian early masterpieces by analyzing and comparing genres, historical periods, and schools of thought. Since Oral communication skills are the core of methodology and pedagogy for Italian 110, students will work on primary texts through dynamic and guided discussions, interpretative textual analysis, and different styles of presentations. Usually offered every second year.
Paola Servino

ITAL 120b Modern Italian Literature: From Page to the Screen
[ fl hum ]

Prerequisite: ITAL 105a or 106a or permission of the instructor.

Focuses on Italian masterpiece literature from the twentieth century to the present, including writers such as Lampedusa, as well as contemporary writers, such as Baricco, Ammaniti, and Ferrante with emphasis on the theme of historical, individual, and familial identity within the context of socio-economic upheaval and transformative cultural events. Several films based on these works will also be examined, with emphasis on an analysis of cinematic innovation. Usually offered every second year.
Paola Servino

NEJS 183b Global Jewish Literature
[ hum wi ]

May not be taken for credit by students who took NEJS 171a in prior years.

Introduces important works of modern Jewish literature, graphic fiction, and film. Taking a comparative approach, it addresses major themes in contemporary Jewish culture, interrogates the "Jewishness" of the works and considers issues of language, poetics, and culture significant to Jewish identity. Usually offered every second year.
Ellen Kellman

PHIL 146a Idea of God
[ hum ]

Engages in a philosophical investigation not of religion as an institution but of the very idea of God, comparing and contrasting the ancient Greek idea of God as found in religion and philosophy with the Biblical conception, i.e., comparing Athens to Jerusalem. Studies the distinction between human being and divine being and addresses the issue of the relation of God's essence to his existence. Usually offered every second year.
Palle Yourgrau

RECS 131a The Twentieth-Century Russian Novel
[ hum ]

Open to all students. Conducted in English. Students may choose to do readings either in English translation or in Russian.

An introduction to the major novels of the modernist, Soviet, and post-Soviet eras, including the emigration, such as those by Sologub, Bely, Olesha, Bulgakov, Pasternak, Nabokov, Solzhenitsyn, Erofeev, and Pelevin. May also include some short stories. Usually offered every fourth year.
David Powelstock

RECS 134b Writer, Dramatist, Physician: Chekhov and The Healing Arts
[ hum wi ]

Open to all students. Conducted in English. Most students will choose to read the works in English translation, but students who know Russian may do the readings in Russian.

Explores Chekhov as a fiction writer, a dramatist, and a devoted physician. Many of his artistic works, including a number where doctors figure as primary characters, read as case studies of particular diseases, mental illnesses, and conditions induced by poverty. Chekhov practiced the healing arts in all aspects of his professional and creative life, as well as in his courageous efforts on the remote penal-colony island of Sakhalin and in his dangerous public work during a terrible cholera epidemic. This course will emphasize the skills of close looking—techniques equally valuable to the writer, the dramatist, and the physician. We will read works about children and the nature of childhood, about students, about “the woman question,” about peasants, about religion, about marriage and adultery. We will also read two plays: The Seagull and Uncle Vanya. Students will consider the ebb and flow between Chekhov’s efforts as a dramatist and a story-teller.  We will engage with some of Chekhov’s most vivid, candid, and intriguing letters about medicine and art. Usually offered every second year.
Robin Miller

RECS 135a Russian Short Fictions: Where is Justice in This World?
[ djw hum oc ]

Open to all students. Conducted in English. Students may choose to do readings either in English translation or in Russian.

Focuses on the great tradition of the short story as practiced by Russian writers and the connection and divisions among them. This genre invites extreme stylistic and narrative experimentation ranging from the comic to the tragic, as well as being a vehicle for striking expressions of complex social, philosophical, and religious themes. Usually offered every second year.
Robin Feuer Miller

RECS 150a Russian and Soviet Cinema
[ hum ]

Open to all students. Conducted in English. Readings in English.

Examines the Russian/Soviet cinematic tradition from the silent era to today, with special attention to cultural context and visual elements. Film masterpieces directed by Bauer, Eisenstein, Vertov, Parajanov, Tarkovsky, Mikhalkov, and others. Weekly screenings. Usually offered every second year.
David Powelstock

RECS 154a Vladimir Nabokov: Art and Ethics
[ hum ]

Open to all students. Conducted in English. Readings in English.

A concentrated study of Vladimir Nabokov, the most noted Russian author living in emigration and one of the most influential novelists of the twentieth century. Focuses on the major Russian- and English-language novels, with special attention to the interplay within them of Nabokov’s philosophy of art and his views on ethics and morality. Usually offered every third year.
David Powelstock

RECS/THA 140a Russian Theater: Stanislavsky to Present
[ ca djw hum wi ]

Throughout its history, Russian theatre has tried to communicate truthfully in a mostly repressive society. This course introduces students to the achievements of theatre artists from Stanislavsky through Post-Modernism. We will examine the work of groundbreaking directors like Meyerhold, Vakhtangov, and Lyubimov. We will read and analyze representative works of major modern and contemporary playwrights. The course load consists of readings, discussions, papers and in-class projects. Usually offered every second year.
Dmitry Troyanovsky

RUS 153a Advanced Russian Language through 19th Century Literature
[ dl fl hum ]

Prerequisite: RUS 29b or RUS 40b with a grade of C- or higher, or the equivalent as determined by placement examination. Taught in Russian.

An undergraduate seminar for heritage and advanced students of Russian. Focus on the study of 19th-century Russian literature in the original and development of Russian oral and written skills needed for the close reading and discussion of literature. Usually offered every fourth year.
Irina Dubinina

CLAS 100a Survey of Greek History: Bronze Age to 323 BCE
[ hum ]

Surveys the political and social development of the Greek city-states from Bronze Age origins to the death of Alexander. Usually offered every second year.
Cheryl Walker

CLAS 115b Topics in Greek and Roman History
[ hum ]

Topics vary from year to year and the course may be repeated for credit with permission of the instructor. Topics include the Age of Alexander the Great, the Age of Pericles, the Greekness of Alexander, and Imperialism in Antiquity. See the Schedule of Classes for the current topic. Usually offered every year.
Cheryl Walker

CLAS 120a Age of Caesar
[ hum wi ]

The life and times of Gaius Julius Caesar (100-44 BCE) viewed through primary texts in a variety of genres: from Caesar himself to contemporaries Cicero and Catullus and biographers Plutarch and Suetonius. Usually offered every third year.
Cheryl Walker

CLAS 133a The Art and Archaeology of Ancient Greece
[ ca hum ]

Surveys the main forms and styles of Greek art and architecture from the Bronze Age through the Hellenistic period in mainland Greece and on the islands of the Aegean. Archaeological remains and ancient literary evidence help explore the relationships between culture, the visual arts, and society. Usually offered every second year.
Alexandra Ratzlaff or Staff

CLAS 134b The Art and Archaeology of Ancient Rome
[ ca hum ]

Surveys the art and architecture of the ancient Romans from the eighth century BCE to the end of the empire in Sicily, mainland Italy (with focus on Rome, Ostia, Pompeii, and Herculaneum), and in the Roman provinces. Usually offered every second year.
Staff

CLAS 136b Ancient Technology and Modern Approaches
[ hum ]

Examines the greatest technological discoveries from the classical world. How did these engineering and technological marvels turn the tides of war and alter the trajectory of civilizations? In hands-on modules, this course will introduce modern technology such as 3D Scanning & Printing, XRF, Virtual Reality, Drones and others, as a means of analyzing the ancient world. Usually offered every third year.
Staff

CLAS 140a Women, Gender, and Sexuality in Greek and Roman Art and Text
[ ca djw hum wi ]

An exploration of women, gender, and sexuality in ancient Greece and Rome as the ideological bases of Western attitudes toward sex and gender. Includes, in some fashion, Greek and Roman myth, literature, art, architecture, and archaeological artifacts. Usually offered every third year.
Staff

CLAS 145b Topics in Greek and Roman Art and Archaeology
[ ca hum ]

Topics vary from year to year and the course may be repeated for credit. Topics include daily life in ancient Rome; Greek and Roman technology and art; Rome, City of Marble; and Athens and the golden age of Greece. See Schedule of Classes for the current topic and description. Usually offered every second year.
Staff

CLAS 150b Pompeii: Life in the Shadow of Vesuvius
[ ca hum ]

Examines Pompeii and Herculaneum, buried by Vesuvius in 79 CE, using the ancient cities' art, architecture, and wall writings to understand the social, political, economic, and religious realities of Roman life on the Bay of Naples, especially in the first century CE. Usually offered every third year.
Staff

CLAS 170a Classical Mythology
[ hum ]

An introduction to Greek and Roman mythology. Considers ancient song cultures, and the relationship between myth, drama, and religion. Also explores visual representations of myth. Usually offered every second year.
Joel Christensen

CLAS 172a Ancient Athenian Drama in Translation
[ hum ]

Examines the genre of tragedy and comedy in ancient Athens. All texts read in English. Usually offered every third year.
Joel Christensen or Staff

CLAS 190b Ancient Mystery Cults
[ hum ]

Often shrouded in secrecy, ancient mystery cults appealed to people in ways different from traditional Greek and Roman religion. As indicated by their name, the Mysteries come from the Greek word, mystes, which means 'initiate.' Membership in the Mystery Cults was based on initiation into rituals, kept secret from the outside world. We rely on the archaeological evidence, myths, and literary references to build an understanding of these cults who offered more personal and individualized experience towards death and the afterlife. In this class, we will explore Mystery Cults across the Mediterranean world, beginning in ancient Greece and ending in the Late Roman Empire. This course provides an exploration of ancient religion its art, architecture, belief systems, origins, and evolution, as well as understanding it in its socio-political and cultural context. Usually offered every third year.
Alexandra Ratzlaff

COML 123a Perfect Love?
[ hum ]

The conflict between "perfect' and carnal love has inspired artistic works from the Middle Ages through the present. This course studies how perfect love runs afoul of more human desires in works by authors, composers, and film makers like Chrétien de Troye, Marguerite de Navarre, Hawthorne, Monteverdi, di Sica, and Wong Karwai. Usually offered every second year.
Michael Randall

ECS 100b European Cultural Studies Proseminar: Making of European Modernity, 1250 to 1650
[ hum ]

Investigates how the paradigm of what we know as modernity came into being. We will look at the works of writers and philosophers such as Descartes, Aquinas, Dante, Ockham, Petrarch, Ficino, Rabelais, and Montaigne. Artwork from the Middle Ages and the Renaissance will be used to understand better what "the modern" means. Usually offered every spring semester.
Michael Randall

ENG 32b Chaucer’s Troilus and Criseyde and Medieval Dream Visions
[ hum ]

May not be taken for credit by students who took ENG 132b in prior years.

Before there was Romeo and Juliet, there was Troilus and Criseyde. Before Shakespeare’s cultural behemoth defined what it meant to be star-crossed lovers, the story of Troilus and Criseyde was the dominant and popular narrative of doomed love. So, what happened? Did Shakespeare’s treatment of it kill the story? Why has it dropped out of the canon? This class will evaluate Chaucer’s other major poem Troilus and Criseyde and contextualize it by examining its sources, philosophical underpinnings, and its impact on literary production in the fifteenth and sixteenth centuries. Usually offered every second year.
Staff

ENG 33a Shakespeare
[ hum ]

May be repeated once for credit.

A survey of Shakespeare as a dramatist. From nine to twelve plays will be read, representing all periods of Shakespeare's dramatic career. Usually offered every year.
William Flesch or Ramie Targoff

ENG 43b Medieval Play: Drama, LARP, and Video Games
[ djw hum oc ]

Works with a selection of medieval mystery plays, medieval-themed video games and participatory live-action role play to explore: play structures and design; alternative-world creation by way of immersion; the significance of gender, race, disability, and sexuality in performance. Usually offered every third year.
Dorothy Kim

ENG 50a Love Poetry from Sappho to Neruda
[ hum ]

This course explores the relationship between love and poetry. Starts with the ancient Greek poet Sappho and proceeds through the centuries, reading lyrics by Catullus, Ovid, Propertius, Petrarch, Dante, Shakespeare, Donne, Rossetti, and others. Usually offered every third year.
Ramie Targoff

ENG 108a Literature and Heresy
[ hum ]

A study of major texts of British literature through the lens of religious heresy. Does literature provide a refuge for heresy? Or is there something about literature that encourages heretical thinking? These questions are considered in light of dissident works by Milton, Blake, Shelley, James Hogg, and others. Usually offered every third year.
Laura Quinney

ENG 123a Violence and the Body in Early Modern Drama
[ dl hum ]

May not be taken for credit by students who took ENG 23a in prior years.

Explores early modern understandings of the body, with particular attention to gender, sexuality, race, and nation. Considers the role of violence in determining who counts as fully human, who can be reduced to a body, and whose bodies can be severed from citizenship, recognition, and value. Explores as well the claims of the body and voice to memorialization and belonging, and the evidence of actors' bodies on the stage. Usually offered every third year.
Thomas King

ENG 133a Advanced Shakespeare
[ hum wi ]

Recommended prerequisite: ENG 33a or equivalent.

An intensive analysis of a single play or a small number of Shakespeare's plays. Usually offered every third year.
William Flesch and Thomas King

ENG 143b Chaucer's "Global and Refugee Canterbury Tales"
[ deis-us djw dl hum ]

Focuses on situating Chaucer, and particularly the Canterbury Tales, as a global
work. We will examine black feminist writers, playwrights, and poets of the African diaspora who have revised, adapted, extrapolated, and voiced the Canterbury Tales in Jamaican patois, Nigerian pidgin, and the S. London dialects of Brixton. Usually offered every second year.
Dorothy Kim

ENG 152b Arthurian Literature
[ dl hum ]

A survey of (mostly) medieval treatments of the legendary material associated with King Arthur and his court, in several genres: bardic poetry, history, romance, prose narrative. Usually offered every second year.
Staff

ENG 153a Enlightenment of the Flesh: Reading and Writing Sex in the Eighteenth Century
[ hum wi ]

Reading libertine and erotic writing alongside medical and philosophical treatises and commercially mainstream fiction, we will ask how practices of writing and reading sex contributed to the emergence and surveillance of a private self knowable through its bodily sex and sensations. Usually offered every third year.
Thomas King

FA 30a History of Western Art I: From Antiquity to the Middle Ages
[ ca ]

Open to all students; first-year students and sophomores are encouraged to enroll.

Surveys the artistic and architectural traditions of the peoples of Europe, North Africa and the Middle East from prehistory to the end of the Middle Ages with an emphasis on their cultural context, meaning and stylistic characteristics. Usually offered every year.
Jonathan Unglaub or Staff

FA 30b History of Western Art II: From the Renaissance to the Modern Age
[ ca ]

Open to all students; first-year students and sophomores are encouraged to enroll.

A study of the major styles in architecture, painting, and sculpture of the West from the Renaissance to the early twentieth century. Usually offered every year.
Peter Kalb or Jonathan Unglaub

FA 33b Islamic Art and Architecture
[ ca djw nw ]

Through case studies of cities, sites, and monuments, the course presents an overview of the art and the architecture of the Islamic world beginning from the seventh century up to the present. Some of the themes include, but are not limited to, Islamic material culture, orientalist imaginations, systems of governance and the colonial present, search for the local identity, urban modernity and nationalism, and globalization. Usually offered every second year.
Muna Guvenc

FA 42b The Age of Cathedrals
[ ca ]

Architecture, sculpture, and painting (including stained glass) in Western Europe from the twelfth to the fifteenth century, with particular attention to the great churches of medieval France. Usually offered every second year.
Staff

FA 45a Early Renaissance Art in Tuscany from the Age of Dante to the Medici
[ ca ]

Course to be taught at Brandeis program in Siena.

Examines the development of late Medieval and Renaissance Art and Architecture between 1200 and 1500, with an emphasis on the centers of Siena and Florence, and artists who worked in these cities. Usually offered every year.
Jonathan Unglaub

FA 46b High and Late Renaissance in Italy
[ ca ]

Examines the major works of art produced in Italy in the sixteenth century. It focuses on the principal centers of Florence, Rome, and Venice. The foremost artists of the age, Leonardo da Vinci, Michelangelo, Raphael, and Titian, receive in-depth coverage. The course also considers the social institutions, ecclesiastical, courtly and civic, that furnished the patronage opportunities and promoted the ideas that occasioned, even demanded, new artistic forms of grace and harmony, energy and torsion. Usually offered every year.
Jonathan Unglaub

FA 47b Renaissance Art in Northern Europe
[ ca ]

A survey of the art of the Netherlands, Germany, and France in the fifteenth and sixteenth centuries. Cultural developments such as the invention of printing, the Protestant Reformation, and the practices of alchemy and witchcraft will be considered through the work of major artists. Usually offered every fourth year.
Jonathan Unglaub

FA 48a Baroque Art and Architecture in Italy
[ ca ]

This course counts towards minors in Architectural Studies, Italian Studies, and Medieval and Renaissance Studies.

Immerse yourself in the spectacle of Papal Rome during the long seventeenth-century (1580-1730) when it was the artistic capital of Europe. We will study Caravaggio and Bernini in depth as the prevailing artistic forces, while considering the major contributions of the Carracci, Borromini, Poussin, Gentileschi, and Cortona. Apart from the patronage strategies of successive Popes and how they reshaped Rome with grand churches, palaces, and urban spaces, we will consider architectural and artistic production in such diverse centers as Venice, Naples, Bologna, and Turin. Usually offered every third year.
Jonathan Unglaub

FA 149a The Age of Rubens, Rembrandt and Vermeer
[ ca wi ]

Explores the major figures of seventeenth-century painting in the Netherlands and Flanders: Rubens, Van Dyck, Rembrandt, and Vermeer. During this time, the ideal of Renaissance painter/courtier gives way to the birth of the modern artist in an open market, revolutionizing the subjects, themes, and styles of painting. Usually offered every second year.
Jonathan Unglaub

FREN 142b City and the Book
[ fl hum wi ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Analyzes the symbolic appearance of the city in French literature and film from the Middle Ages to the present day. The representation of the city in literature and film is contextualized in theoretical writings of urbanists and philosophers. Literary texts include medieval fabliaux, Pantagruel (Rabelais) and Nana (Zola) as well as theoretical texts by Descartes, Ledoux, Le Corbusier, Salvador Dalí, and Paul Virillo. Usually offered every second year.
Michael Randall

FREN 146a Picturing Versailles: Portrait, Space and Spectacle under the Sun King
[ fl hum ]

Prerequisite: FREN 106b or the equivalent, or permission of the instructor.

Examines bodies of literature, visual arts, and courtiers at Versailles in the theatrical society of intrigue and exile under Louis XIV. Concentrates on how the texts, maps, and art of the palace fashion a global portrait of absolutism: the Sun King. Usually offered every third year.
Catherine Theobald

HIST 103a Roman History to 455 CE
[ hum ss ]

Survey of Roman history from the early republic through the decline of the empire. Covers the political history of the Roman state and the major social, economic, and religious changes of the period. Usually offered every year.
William Kapelle

HIST 110a The Civilization of the Early Middle Ages
[ ss ]

Survey of medieval history from the fall of Rome to the year 1000. Topics include the barbarian invasions, the Byzantine Empire, the Dark Ages, the Carolingian Empire, feudalism, manorialism, and the Vikings. Usually offered every second year.
William Kapelle

HIST 110b The Civilization of the High and Late Middle Ages
[ ss ]

Survey of European history from 1000 to 1450. Topics include the Crusades, the birth of towns, the creation of kingdoms, the papacy, the peasantry, the universities, the Black Death, and the Hundred Years' War. Usually offered every second year.
William Kapelle

HIST 112b The Crusades and the Expansion of Medieval Europe
[ ss ]

Survey of the relationships between medieval Europe and neighboring cultures, beginning with the decline of Byzantium. Topics include a detailed look at the Crusades, the Spanish reconquista, the Crusader kingdoms, economic growth, and the foundations of imperialism. Usually offered every third year.
William Kapelle

HIST 113a English Medieval History
[ ss ]

Survey of English history from the Anglo-Saxon invasions to the fifteenth century. Topics include the heroic age, the Viking invasions, and development of the English kingdom from the Norman conquest through the Hundred Years' War. Usually offered every third year.
William Kapelle

HIST 120a Britain in the Later Middle Ages
[ ss ]

Exploration of the critical changes in government and society in the British Isles from the late fourteenth to the sixteenth century. Topics include the Black Death, the lordship of Ireland, the Hundred Years' War, the Scottish War of Independence, economic change, the Tudors, and the Reformation. Usually offered every third year.
William Kapelle

HIST 121a Breaking the Rules: Deviance and Nonconformity in Premodern Europe
[ djw ss wi ]

Explores the ways in which "deviant" behavior was defined and punished by some, but also justified and even celebrated by others in premodern Europe. Topics include vagrancy, popular uprisings, witchcraft, religious heresy, and the status of women. Usually offered every second year.
Govind Sreenivasan

HIST 123a The Renaissance
[ ss ]

Culture, society, and economy in the Italian city-state (with particular attention to Florence) from feudalism to the rise of the modern state. Usually offered every second year.
William Kapelle

HIST 123b Reformation Europe (1400-1600)
[ ss wi ]

Survey of Protestant and Catholic efforts to reform religion in the fifteenth and sixteenth centuries. Topics include scholastic theology, popular piety and anticlericalism, Luther's break with Rome, the rise of Calvinism, Henry VIII and the English Reformation, the Catholic resurgence, and the impact of reform efforts on the lives of common people. Usually offered every third year.
Govind Sreenivasan

HIST 126a Early Modern Europe (1500-1700)
[ oc ss ]

Survey of politics, ideas, and society in Western Europe in the sixteenth and seventeenth centuries. Focuses on the changing relationship between the emerging modern state and its subjects. Topics include the development of ideologies of resistance and conformity, regional loyalties and the problems of empire, changing technologies of war and repression, and the social foundations of order and disorder. Usually offered every third year.
Govind Sreenivasan

HIST 134b The Ottoman Empire: From Principality to Republic by way of Empire
[ ss ]

The Ottomans in history: how did a tiny principality grow from 1300 to be a global empire by 1550 and become a modern nation state by 1923? Who were the Ottomans? What are their legacies in today's world? Usually offered every second year.
Amy Singer

HIST 145a War in European History
[ ss ]

Introduces students to the changing nature of war and warfare in European history since the Middle Ages. Explores the reciprocal influence of armies and societies and the ways in which wars reflect the cultures of the polities waging them. Usually offered every second year.
Staff

HUM 10a The Western Canon
[ hum ]

May not be taken by students who have taken NEJS 18a in prior years.

Foundational texts of the Western canon: the Bible, Homer, Vergil, and Dante. Thematic emphases and supplementary texts vary from year to year.
Staff

ITAL 110a Introduction to Italian Literature: Love, Intrigues and Politics from Dante to Goldoni
[ fl hum oc ]

Prerequisite: ITAL 105a or 106a or permission of the instructor.

Surveys the masterpieces of Italian literature from Dante to Goldoni's stage. Students will explore different themes such as love, conflict, and politics in Italian early masterpieces by analyzing and comparing genres, historical periods, and schools of thought. Since Oral communication skills are the core of methodology and pedagogy for Italian 110, students will work on primary texts through dynamic and guided discussions, interpretative textual analysis, and different styles of presentations. Usually offered every second year.
Paola Servino

ITAL 134b Voci e storie della cultura ebraica italiana
[ fl hum wi ]

Prerequisite: ITAL 105a or 106a or permission of the instructor. Conducted in Italian. Materials fee: $20.

Analyzes Italian Jewish representations in Italian culture from medieval times to the founding of the ghetto in Venice in 1516 and leading Jewish figures of the Renaissance. Works of modern Italian Jewish writers and historians are examined as well as Italian movies that address Jewish themes within the mainstream of Italian culture. This course has an interdisciplinary approach while focusing on advanced Italian language skills. Usually offered every second year.
Paola Servino

MUS 131a Music in Western Culture: Early Medieval to the Sixteenth Century
[ ca wi ]

This course may not be repeated for credit by students who have taken MUS 131b in prior years.

A survey of music history from the early medieval period through the sixteenth century, considering major styles, composers, genres, and techniques of musical composition from a historical and analytical perspective. Topics include plainchant and the beginnings of western music notation--the songs of the crusades, the emergence of written polyphony in the west, the motet and madrigal, and Monteverdi and early opera.
Staff

MUS 224b Seminar in Medieval Music

An in-depth study of a selected topic in medieval music. Usually offered every third year.
Staff

NEJS 104b Islam: Civilization and Institutions
[ hum nw ]

Provides a disciplined study of Islamic civilization from its origins to the modern period. Approaches the study from a humanities perspective. Topics covered will include the Qur'an, tradition, law, theology, politics, Islam and other religions, modern developments, and women in Islam. Usually offered every year.
Carl El-Tobgui

NEJS 140b Gender, Ghettos, and the Geographies of Early Modern Jews
[ hum ]

Examines Jewish history and culture in early modern Europe: mass conversions on the Iberian peninsula, migrations, reconversions back to Judaism, the printing revolution, the Reformation and Counter Reformation, ghettos, gender, family, everyday life, material culture, communal structure, rabbinical culture, mysticism, magic, science, messianic movements, Hasidism, mercantilism, and early modern challenges to Judaism.
ChaeRan Freeze or Eugene Sheppard

NEJS 144a Jews in the World of Islam
[ hum nw ]

Examines social and cultural history of Jewish communities in the Islamic world. Special emphasis is placed on the pre-modern Jewish communities. Usually offered every second year.
Jonathan Decter

NEJS 153a Between Ecstasy and Community: Hasidism in Jewish Thought and History
[ hum oc ]

Explores Hasidism, from the 18th century until today, as one of the dynamic forces in Jewish life, mixing radicalism and reaction, theology, storytelling and music, thick community and wild individualism, deep conformity and spiritual abandon. Usually offered every third year.
Yehudah Mirsky

NEJS 155a Maimonides: A Jewish Thinker in the Islamic World
[ hum ]

A study of the life, world, and thought of Moses Maimonides, the most significant Jewish intellectual of the Islamic world. This course traces his intellectual output in philosophy and Judaism, from its beginning in Islamic Spain to the mature works produced in Morocco and Egypt, in the context of the Arabic-Islamic milieu. Half of the course is dedicated to studying his Guide of the Perplexed, a Judeo-Arabic work that engages the demands of revealed religion and philosophical rationalism. Usually offered every third year.
Jonathan Decter

NEJS 194b Sufism: Mystical Traditions in Classical and Modern Islam
[ hum nw ]

An examination of the teaching and practices of the Sufi tradition. Explores the foundations of Sufism, its relation to other aspects of Islam, the development of Sufi teachings in both poetry and prose, and the manner in which Sufism is practiced in lands as diverse as Egypt, Turkey, Iran, India, Malaysia, and Europe. Usually offered every second year.
Staff

NEJS 195b Early Islamic History from Muhammad to the Mongols
[ hum nw ]

Introduces Islamic history from the birth of Islam in the 7th century to the Mongol invasions of the 13th century. Students will examine trends in political, social, and intellectual history, focusing on three main periods; Islamic Origins, The High Caliphate, and Fragmentation/Efflorescence. Readings will include primary sources in translation, as well as academic analyses from traditional, critical, and revisionist perspectives. Usually offered every second year.
Staff

PHIL 112a Social Contract Theory and its Critics
[ hum wi ]

Prerequisite: One course in philosophy or political theory. 
 

Explores a variety of normative arguments for and against the legitimacy of the state that have been put forward by key figures in the history of western political philosophy; e.g. Hobbes, Kant, Rousseau, Hume, and Dewey. Usually offered every second year.
Marion Smiley

PHIL 161a Plato
[ hum ]

An introduction to Plato's thought through an intensive reading of several major dialogues. Usually offered every second year.
Palle Yourgrau

PHIL 162b Aristotle
[ hum ]

An introduction to Aristotle's philosophy through an intensive reading of selected texts. Usually offered every second year.
Palle Yourgrau

PHIL 168a Kant's Critique of Pure Reason
[ hum oc ]

Prerequisite: PHIL 1a or permission from the instructor.

An attempt to understand and evaluate the main ideas of the Critique of Pure Reason, the subjectivity of space and time, the nature of consciousness, and the objectivity of the concepts of substance and causality. Usually offered every year.
Kate Moran

PHIL 179a God, Man, and World: Descartes, Spinoza, Leibniz
[ hum ]

Prerequisite: One course in philosophy.

The subject of this course is Rationalism, the seventeenth-century European philosophical movement that maintains the supremacy of "pure reason" as a means of obtaining substantial truths about the world. This course analyzes key writings of the three most influential rationalist thinkers of this period, attempting to elucidate several themes that not only characterize these writers as rationalists, but which continue to inspire philosophers and others who attempt to come to terms with the nature of the world and human existence. Students will read substantial portions of historically significant original works are, dissect and criticize them, consider some of the respected secondary literature, and also consider their relevance to contemporary philosophy. Usually offered every third year.
Staff

POL 186b Classical Political Thought
[ hum ss ]

Major ancient political philosophers and the meaning and implications of their work for contemporary political issues. Usually offered every third year.
Bernard Yack

THA 11a European Theater Texts and Theory I
[ ca ]

The evolution of Western drama from its ritual origins through the mid-eighteenth century. Greek tragedy, Roman comedy, medieval drama, Italian humanism, Spanish Golden Age comedias, and French neoclassicism. Attention paid to theater history, dramatic theory, and performance. Usually offered every year.
Arthur Holmberg

THA 102b Shakespeare: On Stage and Screen
[ ca ]

Shakespeare wrote his plays to be seen and heard, not read. This course approaches Shakespeare as a man of the theater who thought visually as well as verbally. Explores Shakespeare's scripts in their original theatrical context, subsequent production history, and migration to film. Usually offered every second year.
Arthur Holmberg

THA 133b Acting the Classics
[ ca ]

Explores specific approaches to rehearsing and performing in the heightened world of classical texts, including William Shakespeare. The course is designed to release the actor's creative energies by stimulating an appetite for size, power and extravagant physical/vocal communication, to deepen the actor's analytical skills and free the actor for greater intellectual and emotional engagement. You will develop a respect for and understanding of form while gaining ease and joy in the fully realized expression of heightened language texts. Usually offered every second year.
Staff

ANTH 105a Myth and Ritual
[ nw ss ]

Studies myth and ritual as two interlocking modes of cultural symbolism. Evaluates theoretical approaches to myth by looking at creation and political myths. Examines performative, processual, and spatial models of ritual analysis through study of initiation, sacrifice, and funerals. Usually offered every second year.
Ellen Schattschneider

ANTH 115b Borderlands: Space, Place, and Landscape
[ ss ]

Studies human behavior framed by and creating the spaces and landscapes in which we live. This seminar examines archaeological and ethnographic understandings of the relationships between culture, space, and landscapes with a particular focus on the political and social dynamics of borderlands. Usually offered every second year.
Charles Golden

ANTH 127a Medicine, Body, and Culture
[ djw nw ss ]

Examines main areas of inquiry in medical anthropology, including medicine as a sociocultural construct, political and economic dimensions of suffering and health, patients and healers in comparative medical systems. Usually offered every year.
Staff

ANTH 130b Visuality and Culture
[ dl ss ]

Introduces students to the study of visual, aural, and artistic media through an ethnographic lens. Course combines written and creative assignments to understand how culture shapes how we make meaning out of images and develop media literacy. Topics include ethnographic/documentary film, advertising, popular culture, viral videos and special effects, photography, art worlds, and the technological development of scientific images. Usually offered every second year.

Patricia Alvarez Astacio or Ellen Schattschneider

ANTH 139b Language, Ethnicity, and Nationalism
[ ss ]

Explores the relationships between communication and community, and the ways language helps to shape social categories such as ethnic group, tribe, race, and nation. What role does language play in producing experiences of belonging and difference? A key component of this course will be exploring the relationship between language and culture. This course will consider a range of global cases, from large-scale projects like language standardization to smaller-scale community practices like code-switching, inflection, and slang to investigate the relationship between how we speak, who we are, and where we feel we belong. Usually offered every third year.

Margarite Blignaut

ANTH 144a The Anthropology of Gender
[ djw nw ss wi ]

Anthropology majors have priority for enrollment.

Explores gender, sexuality, and cultural systems from a comparative perspective. Topics may include rituals of masculinity and femininity, the vexing question of the universality of women's subordination, culturally-specific classifications of sexual orientation and gender identity, transnational feminisms, sex work, migrant labor, reproductive rights, and much more. Usually offered every year.
Sarah Lamb or Keridwen Luis

ANTH 153a Writing Systems and Scribal Traditions
[ nw ss ]

Explores the ways in which writing has been conceptualized in social anthropology, linguistics and archaeology. A comparative study of various forms of visual communication, both non-glottic and glottic systems, is undertaken to better understand the nature of pristine and contemporary phonetic scripts around the world and to consider alternative models to explain their origin, prestige, and obsolescence. The course pays particular attention to the social functions of early writing systems, the linkage of literacy and political power, and the production of historical memory. Usually offered every second year.
Javier Urcid

ANTH 155b Psychological Anthropology
[ ss ]

An examination of the relationship between sociocultural systems and individual psychological processes with a critical evaluation of selected theories and studies bearing on this problem. Usually offered every second year.
Janet McIntosh

ANTH 156a Power and Violence: The Anthropology of Political Systems
[ deis-us dl nw ss ]

Political orders are established and maintained by varying combinations of overt violence and the more subtle workings of ideas. The course examines the relationship of coercion and consensus, and forms of resistance, in historical and contemporary settings. Usually offered every second year.
Elizabeth Ferry

ANTH 159a Museums and Public Memory
[ oc ss ]

Explores the social and political organization of public memory, including museums, cultural villages, and memorial sites. Who has the right to determine the content and form of such institutions? Working with local community members, students will develop a collaborative exhibition project. Usually offered every second year.
Ellen Schattschneider

ANTH 184b Art in the Ancient World
[ djw nw ss ]

A cross-cultural and diachronic exploration of art, focusing on the communicative aspects of visual aesthetics. The survey takes a broad view of how human societies deploy images and objects to foster identities, lure into consumption, generate political propaganda, engage in ritual, render sacred propositions tangible, and chart the character of the cosmos. Usually offered every second year.
Javier Urcid

CLAS 115b Topics in Greek and Roman History
[ hum ]

Topics vary from year to year and the course may be repeated for credit with permission of the instructor. Topics include the Age of Alexander the Great, the Age of Pericles, the Greekness of Alexander, and Imperialism in Antiquity. See the Schedule of Classes for the current topic. Usually offered every year.
Cheryl Walker

ENG 114a Enthusiasm, Disappointment, Recovery: British Literature and the French Revolution
[ hum ]

British radicals, including in their number the greatest poets of the age, responded joyously to the Fall of the Bastille and the early political reforms of the French Revolution. Like many European intellectuals, they saw in these developments the promise of major social change which would vindicate the ambitious optimism of the Enlightenment. The collapse of the French Revolution into violence and terror struck a blow to their hopes, their morale and their world-view. British literature of the Romantic age reflects this initial enthusiasm, the subsequent disappointment, and the painful effort of recovery. We will read 18th-century manifestos defending human rights by Thomas Paine and Mary Wollstonecraft; works of ardent support for the Revolution by first-generation Romantic poets such as Wordsworth and Coleridge; their later works grappling with the Revolution’s failure; and the reflections of the second-generation Romantics (Lord Byron, Mary Shelley, Percy Shelley) as they struggle to find new grounds of political hope. Usually offered every fourth year.

Laura Quinney

ENG 136a Imagining Apocalypse
[ hum ]

Examines apocalypse as a literary genre and explores the modern apocalyptic imagination in diverse media including film, visual culture, and radio. Topics include slavery and race war, nuclear Armageddon, eco-apocalypse, evangelical rapture culture, and global pandemics. Authors include Octavia Butler, Stanley Kubrick, Ling Ma, Cormack McCarthy, Nat Turner, and H.G. Wells. Usually offered every year.
Jerome Tharaud

ENG 176b Jane Austen and George Eliot: Novel Genius
[ hum wi ]

Explores the novels of England's most inventive and surprising worldbuilders, Jane Austen and George Eliot. Their experiments in depicting unexpected aspects of reality unsettled their era's ideas about gender and class and the hidden workings of inequality. How did their innovative ways of depicting subjectivity, the passage of time, and the relationship between the ideal and the actual shape Modernist fiction, as well as the narrative arts of our own day, from film to television and beyond? Usually offered every third year.
John Plotz

FA 30a History of Western Art I: From Antiquity to the Middle Ages
[ ca ]

Open to all students; first-year students and sophomores are encouraged to enroll.

Surveys the artistic and architectural traditions of the peoples of Europe, North Africa and the Middle East from prehistory to the end of the Middle Ages with an emphasis on their cultural context, meaning and stylistic characteristics. Usually offered every year.
Jonathan Unglaub or Staff

FA 42b The Age of Cathedrals
[ ca ]

Architecture, sculpture, and painting (including stained glass) in Western Europe from the twelfth to the fifteenth century, with particular attention to the great churches of medieval France. Usually offered every second year.
Staff

FA 59a Modern Art and Modern Culture
[ ca ]

A thematic study of modernism in twentieth-century painting and sculpture, emphasizing three trends: primitivism, spiritualism, and the redefinition of reality. Individual artists and art movements will be examined in the context of literature, politics, and aesthetic theory. Artists include Picasso, Matisse, Kandinsky, and Duchamp. Usually offered every second year.
Peter Kalb

FA 61a History of Photography
[ ca ]

The history of photography from its invention in 1839 to the present, with an emphasis on developments in America. Photography is studied as a documentary and an artistic medium. Topics include Alfred Stieglitz and the photo-secession, Depression-era documentary, Robert Frank and street photography, and postmodern photography. Usually offered every second year.
Peter Kalb

FA 62a Art since 1945
[ ca ]

Survey of developments in painting and sculpture since World War II. Consideration of major trends of the period, including abstract expressionism, pop art, minimalism, color field painting, and realism. Usually offered every second year.
Peter Kalb

FA 80a Modern Architecture
[ ca ]

Explores major architectural developments from the19th to the 21st century. While tracing major stylistic developments and new building types that have characterized "modernism" in architecture, the course also studies new forms of global dominance (via colonialism), expression of new sovereignties around the world (via the nationalist movements) and the creation of the new spaces of capitalism and consumption (the highway, the mall, the suburb, etc.) Usually offered every year.
Muna Guvenc

FA 86b Museum Studies
[ ca dl wi ]

May not be taken for credit by students who took FA 85b in prior years.

An experiential learning seminar focused on the art object in the context of the museum; the history of museums (architecture, educational mission, curatorial presentation); museum ethics and provenance studies; new theories of museums and their expanded role in the community. Usually offered every second year.
Staff

FA 155a Impressionism: Avant-Garde Rebellion in Context
[ ca wi ]

Focuses on major 19th century artists in France, from the innovation of Edouard Manet to the formation of the group called the Impressionists. Study of the series of independent exhibitions, mounted between 1874 - 1886, and organized by the unlikely allies Edgar Degas and Claude Monet, including women artists Morisot and Cassatt. Also analysis of the influence of Japanese art from abroad, and the new 'objective' style, shaped in part by the invention of photography, will be a focus. The next generation - Cézanne, Gauguin, Seurat, and Van Gogh - develop stylistic ideas out of Impressionism, and re-shape its aims. Usually offered every third year.
Staff

FA 156b Postimpressionism and Symbolism, 1880-1910
[ ca wi ]

Artists Vincent Van Gogh, Gauguin, Seurat and Cézanne, first identified with Post-Impressionism, are contextualized with Toulouse-Lautrec and others who defined the French art world before 1900. Symbolism has its roots in the art work of Redon, Van Gogh and above all Gauguin, here studied in context with poetry and art criticism of the times. The Expressionist move toward an abstract idiom in Norway, Germany and Austria will focus on Edvard Munch and Gustav Klimt. Decorative styles such as Art Nouveau and Jugendstil define the bridge to the 20th century. The course ends with early 20th century masters, Matisse and the Fauves, and finally German Expressionism. Usually offered every fourth year.
Staff

FA 180a Contemporary Architecture
[ ca ]

Presents major innovations and stylistic developments in world architecture in the aftermath of World War II. Examining the larger social, political and cultural contexts within which architecture operates, the course will trace the diverse positions that characterize contemporary architecture across the globe. Special attention will be paid to the relationships between theories, debates, and the creative capacity of design and practice in architecture since the mid-twentieth century. Usually offered every second year.
Muna Guvenc

FA 191b Studies in Renaissance and Baroque Art
[ ca oc wi ]

Preference to Fine Arts majors and minors, Italian Studies minors, and Medieval and Renaissance minors only. Topics may vary from year to year; the course may be repeated for credit as topics change.

Usually offered every third year.
Jonathan Unglaub

FA 192a Studies in Modern and Contemporary Art
[ ca oc ]

Topics may vary from year to year; the course may be repeated for credit.

Usually offered every second year.
Peter Kalb or Staff

FA 193a Studies in Modern and Contemporary Architecture
[ ca oc wi ]

Topics may vary from year to year; the course may be repeated for credit with permission of the instructor.

Usually offered every third year.
Staff

FA 199a Methods and Approaches in the History of Art
[ ca dl wi ]

Prerequisite: One course in Art History and instructor permission.

Explores various ways of analyzing works of art and provides an overview of the historical development of the discipline. Designed specifically for junior and senior art history majors. Usually offered every year.

Jonathan Unglaub or Staff

FILM 100a Introduction to the Moving Image
[ hum ]

An interdisciplinary course surveying the history of moving image media from 1895 to the present, from the earliest silent cinema to the age of streaming media. Open to all undergraduates as an elective, it is the introductory course for the major and minor in film, television and interactive media. Usually offered every year.
Staff

GECS 188b Human/Nature: European Perspectives on the Climate Crisis and What to Do About It
[ djw hum oc wi ]

Open to all students.

Introduces European attitudes towards climate change as reflected in policy, literature, film, and art, with a focus on workable future-oriented alternatives to fossil-fueled capitalism. Usually offered every second year.
Sabine von Mering

HIST 110b The Civilization of the High and Late Middle Ages
[ ss ]

Survey of European history from 1000 to 1450. Topics include the Crusades, the birth of towns, the creation of kingdoms, the papacy, the peasantry, the universities, the Black Death, and the Hundred Years' War. Usually offered every second year.
William Kapelle

HIST 112b The Crusades and the Expansion of Medieval Europe
[ ss ]

Survey of the relationships between medieval Europe and neighboring cultures, beginning with the decline of Byzantium. Topics include a detailed look at the Crusades, the Spanish reconquista, the Crusader kingdoms, economic growth, and the foundations of imperialism. Usually offered every third year.
William Kapelle

HIST 121a Breaking the Rules: Deviance and Nonconformity in Premodern Europe
[ djw ss wi ]

Explores the ways in which "deviant" behavior was defined and punished by some, but also justified and even celebrated by others in premodern Europe. Topics include vagrancy, popular uprisings, witchcraft, religious heresy, and the status of women. Usually offered every second year.
Govind Sreenivasan

HIST 123a The Renaissance
[ ss ]

Culture, society, and economy in the Italian city-state (with particular attention to Florence) from feudalism to the rise of the modern state. Usually offered every second year.
William Kapelle

HIST 126a Early Modern Europe (1500-1700)
[ oc ss ]

Survey of politics, ideas, and society in Western Europe in the sixteenth and seventeenth centuries. Focuses on the changing relationship between the emerging modern state and its subjects. Topics include the development of ideologies of resistance and conformity, regional loyalties and the problems of empire, changing technologies of war and repression, and the social foundations of order and disorder. Usually offered every third year.
Govind Sreenivasan

HIST 130b Crime and Punishment in U.S. History
[ deis-us ss ]

The United States incarcerates more of its people per capita than any other nation on the planet. How did this come to be? This course examines how Americans have defined, represented, and punished crime, from the birth of the penitentiary to the present day. We will discuss an eclectic mix of historical texts and genres ' criminal codes, trial records, true-crime journalism, historical studies, social theory, urban sociology, and films. Usually offered every second year.
Michael Willrich

HIST 131a Hitler's Europe in Film
[ dl ss wi ]

Takes a critical look as how Hitler's Europe has been represented and misrepresented since its time by documentary and entertainment films of different countries beginning with Germany itself. Movies, individual reports, discussions, and a littler reading. Usually offered every second year.
Alice Kelikian

HIST 137b World War I
[ ss wi ]

Examines the opening global conflict of the twentieth century. Topics include the destruction of the old European order, the origins of total war, the cultural and social crisis it provoked, and the long-term consequences for Europe and the world. Usually offered every second year.
Staff

HIST 140a A History of Fashion in Europe
[ dl ss wi ]

Looks at costume, trade in garments, and clothing consumption in Europe from 1600 to 1950. Topics include sumptuous fashion, class and gender distinctions in wardrobe, and the rise of department stores. Usually offered every third year.
Alice Kelikian

HIST 142a Crime, Deviance, and Confinement in Modern Europe
[ ss ]

Examines the crisis of law and order in old regime states and explores the prison and asylum systems that emerged in modern Europe. Surveys psychiatry and forensic science from the Napoleonic period until World War II. Usually offered every third year.
Alice Kelikian

HIST 195a American Political Thought: From the Revolution to the Civil War
[ ss ]

Antebellum America as seen in the writings of Paine, Jefferson, Adams, the Federalists and Antifederalists, the Federalists and Republicans, the Whigs and the Jacksonians, the advocates and opponents of slavery, and the Lincoln-Douglas debates. Usually offered every second year.
Staff

HUM 7a Challenges of Power and the Self: Visual Arts and Literature
[ deis-us djw hum ]

Enrollment limited to Humanities Fellows.
 

Uses visual art and literature to consider how ideas of the "self" and the "other" are reformulated during decolonization, the cold war, and the world order that followed.  Using the breakdown of the British Empire and the consolidation of American reach from World War II onward, the course will examine gender, race, identity, colonization, postcoloniality, and sexuality in/as representation and narrative.  This course will examine the text and image as separate, parallel, and yet conjoined and overlapping threads of cultural production.  How does literature and art create and reflect the image, the moment, the individual or history?  How is art narrative and how does the novel or the poem evoke an image, a scene, or a sequence of events? Usually offered every second year.

Peter Kalb and Harleen Singh

IGS 120a Inventing Oneself
[ hum ]

Do our backgrounds determine our lives, or can we transcend such limits to pursue dreams of our own? This class explores themes of liberation in works by French and Francophone writers and filmmakers and the global artistic and social movements they have inspired. All works in English. Usually offered every second year.
Clementine Fauré-Bellaïche

LAT 121b Roman Historians
[ fl hum ]

Prerequisite: LAT 30a or the equivalent.

Explores the writing of history in ancient Roman. Readings are drawn from a range of Roman historians including but not limited to Livy, Caesar, Tacitus, and Sallust. Usually offered every third year.
Caitlin Gillespie

LING 120b Syntax I
[ ss wi ]

Prerequisite: LING 100a is recommended but not required. Four class hours per week.

An introduction to the process of syntactic analysis, to generative syntactic theory, and to many major syntactic phenomena of English and other languages, including the clausal architecture, the lexicon, and various types of syntactic movement. Usually offered every year.
Lotus Goldberg

LING 125b Linguistic Typology
[ ss ]

Prerequisite: LING 100a or permission of the instructor required. LING 110a, LING 115a, or LING 120b recommended.

Focuses on linguistic typology, in which the languages of the world are classified in terms of their common grammatical features rather than by genetic relationships. Includes study of language universals: traits and implicational relationships which hold in (nearly) every language. Usually offered every year.
Lotus Goldberg

LING 130a Semantics I
[ hum qr ss ]

Prerequisite: LING 100a or permission of the instructor. LING 120b recommended.

Explores the semantic structure of language in terms of the current linguistic theory of model-theoretic semantics. Topics include the nature of word meanings, categorization, compositionality, and plurals and mass terms. Usually offered every year.
Sophia Malamud

LING 140a Discourse and Pragmatics
[ dl oc ss ]

Prerequisite: LING 100a, enrollment in the Master of Science in Computational Linguistics program, or permission of the instructor.

Assuming a theory of sentence-level linguistic competence, what phenomena are still to be accounted for in the explication of language knowledge? The class explores topics in language use in context, including anaphora, deixis, implicature, speech acts, information packaging, and pragmatics of dialogue. Usually offered every second year.
Sophia Malamud

LING 190b Topics in Linguistics
[ ss ]

See the schedule of classes for topic and prerequisite(s). Maybe repeated for credit with permission of the instructor.

Advanced topics in linguistics, varying by year. Usually offered every year.
Staff

LING 197a Language Acquisition and Development
[ dl oc ss ]

Open to all students.

The central problem of first language acquisition is to explain what makes this formidable task possible. Theories of language acquisition are studied, and conclusions are based on recent research in the development of syntax, semantics, and phonology. The overall goal is to arrive at a coherent picture of the language learning process. Usually offered every second year.
Sophia Malamud or Keith Plaster

MUS 1a Exploring Music
[ ca ]

Does not meet requirements for the major or minor in music.

A general introduction to the materials and forms of music and their role in human social life with examples drawn from around the world. Training in analytical listening, based on selected listening assignments. Open to non-majors who are assumed to have little or no previous knowledge of music. Usually offered every second year.
Staff

MUS 56b Romanticism in European Music and Literature: Breakups, Breakdowns, and Beauty
[ ca oc ]

Open to Music majors and non-majors.

Romantic art abounds in depictions of hallucinators, madwomen, obsessives, and other individuals whose thoughts and behaviors deviate sharply from societal norms. This semester, we'll seek to understand the cultural and historical significance of the ways in which late eighteenth- and nineteenth-century music and literature portray exceptional emotional, mental, and physiological states. We'll investigate the connections among madness, genius, physical illness, and the supernatural in the Romantic imagination, and also think about the artistic techniques contemporary writers and composers used to represent 'extreme' psychology. Our approach to this material will be comparative rather than strictly historical: we'll look at works written in different countries and different time periods within the period, grouped together by theme. Usually offered every third year.
Emily Frey

NEJS 12a Who Wrote the Bible?
[ hum ]

Open to all students.

The Hebrew Bible (Christian “Old Testament”) is a collection of diverse and powerful books that is central to worldwide social, political, and religious experience. Despite this centrality, there are innumerable misconceptions about how the Bible came into being and what it really says. In this class, we will ask and answer questions about the Bible’s historical context and ancient meaning, with a focus on matters of composition and early reception. Who wrote the Bible? When was it written? To what circumstances were its authors responding? Moving beyond the often impossible project of identifying complex texts with individual authors, we will use both biblical and ancient non-biblical sources to situate biblical authors with respect to chronology, geography, institutions, class, gender, and more. Usually offered every second year.

Madadh Richey

NEJS 23a The Bible and Contemporary Arts, Literature and Film
[ hum ]

The Bible is a foundational text for contemporary art, literature, and political discourse as well as a sacred text in some religious traditions. This course examines Biblical reflections in cultural production, in global perspective, drawing on artists and writers from Eastern and Western Europe, the US, the Middle East and Latin America. It also gives students opportunities to see their own cultural contexts anew, and to explore the Bible's possible relevance to our time. Usually offered every second year.
Lynn Kaye

NEJS 30a Reading the New Testament: Origins and Communities of Faith
[ hum ]

Open to all students.

Introduces the New Testament, its authors, and early Christian communities. The course examines the development of the New Testament in a broader Jewish and Roman context and how communities selected both canonical and non-canonical texts for shaping Christian life. Focus on decolonizing scholarship and scholars of the New Testament with attention to migration, empire, authority, race, ethnicity, gender, personhood, and reading communities within a historical framework. Usually offered every second year.
Staff

NEJS 35a History of the Jews from 1492 to the Present
[ hum ss ]

Open to all students.

Main trends and events in the legal, economic, social, cultural, and religious history of the Jewish people in the context of the general background, with emphasis on major areas of Jewish settlement. Usually offered every year.
Staff

NEJS 37a The Holocaust: The Destruction of European Jewry
[ hum ]

Open to all students. May not be taken for credit by students who took NEJS 137a in prior years.

Why and how did European Jews become victims of genocide? A systematic examination of the planning and implementation of Nazi Germany's 'Final Solution to the Jewish Question' and the Jewish and general responses to it. Usually offered every year.
Laura Jockusch

NEJS 110b Psalms in the Hebrew Bible
[ hum ]

Prerequisites: NEJS 10a or 40-level HBRW course or permission of the instructor.

A close reading of selected Psalms in Biblical Hebrew, with study of their poetic, historical, and mythological features and contexts. Usually offered every third year.
Madadh Richey

NEJS 115b Gender and Sexuality in the Bible
[ hum ]

Open to all students.

The Bible's depiction of gender, relationships, and social values in narrative, poetry, and law. Topics include the legal status of women, masculinity, prostitution, and how particular readings of the biblical text have shaped modern ideas about gender and sexuality. Usually offered every third year.
Staff

NEJS 116a Mesopotamian Mythology
[ hum nw ]

Open to all students.

An introduction to the religion, mythology, and thought of the ancient Near East. Usually offered every third year.
Staff

NEJS 122b Biblical Narrative Texts: The Historical Tradition
[ hum ]

Prerequisite: NEJS 10a or a strong knowledge of biblical Hebrew.

A close reading of a variety of biblical "historical" texts from Deuteronomy, Judges, Samuel, Kings, and Chronicles. The basic tools for biblical research and the literary study of the Bible will be explored. The newer methods of analyzing biblical "historical" texts will be discussed. Topics vary from year to year and this course may be repeated for credit. Usually offered every third year.
Staff

NEJS 136b Revenge, Justice, and Reconciliation: Mass Atrocity Trials in the Long Shadow of Nazi Crimes
[ djw hum ]

Can crimes of the magnitude of the World War II and the Holocaust be redressed by legal means? This course explores the complex history of prosecuting Nazi crimes and how the political contexts and the legal frameworks have changed over time. It also studies the extra-judicial implications of mass atrocity trials: the societal discourse they stir, the educational lessons they teach, and historical records they create. Moreover, the course analyzes how the history of prosecuting Nazi crimes has impacted the legal redress of other gross human rights violations in the more recent past and whether the lessons learned from prosecuting Nazi crimes can be applied to the quest for racial justice in America today. Usually offered every second year.
Laura Jockusch

NEJS 138a Genocide and Mass Killing in the Twentieth Century
[ hum ]

An interdisciplinary seminar examining history and sociology of the internationally punishable crime of genocide, with the focus on theory, prevention, and punishment of genocide. Case studies include Armenians in Ottoman Turkey, Stalin's Russia, the Holocaust, Cambodia, Bosnia, and Rwanda. Usually offered every second year.
Laura Jockusch

NEJS 149a The Jews of Muslim and Christian Spain
[ hum ]

A survey of Jewish political, intellectual, and social history in the Islamic and Christian spheres from the beginnings of Jewish life in Spain until the expulsion in 1492. Students develop skills in reading historical, literary, and philosophical texts. Usually offered every second year.
Jonathan Decter

NEJS 158b Yiddish Literature and the Modern Jewish Revolution
[ hum wi ]

Students with reading knowledge of Yiddish may elect to read the original texts.

Surveys and analyzes Yiddish fiction, poetry, and drama of the nineteenth and twentieth centuries. Readings include several works of the classic Yiddish writers, but the primary focus is on works by succeeding generations of modernist writers. Taught in English using texts in translation. Weekly additional section for students with advanced reading knowledge of Yiddish who elect to read some texts in the original. Usually offered every second year.
Ellen Kellman

NEJS 159a Modern Jewish Philosophy
[ hum ]

Surveys the contours of modern Jewish philosophy by engaging some of its most important themes and voices, competing Jewish inflections of and responses to rationalism, romanticism, idealism, existentialism, and nihilism. This provides the conceptual road signs of the course as we traverse the winding byways of Jewish philosophy from Baruch Spinoza to Emanuel Levinas. Usually offered every second year.
Eugene Sheppard

NEJS 177a The Holocaust in Israeli and Jewish Literature
[ hum ]

Taught in English.

A broad survey of Holocaust writings in Modern Jewish literature. Examines the psychological, social, moral, and aesthetic challenges involved in representing the Holocaust in Israeli, American, and European context through literary texts, theoretical research, works of art, and film. Usually offered every third year.
Ilana Szobel

NEJS 181a Jews on Screen: From "Cohen's Fire Sale" to the Coen Brothers
[ hum ]

Open to all students.

Survey course focusing on moving images of Jews and Jewish life in fiction and factual films. Includes early Russian and American silents, home movies of European Jews, Yiddish feature films, Israeli cinema, independent films, and Hollywood classics. Usually offered every second year.
Sharon Rivo

NEJS 181b Film and the Holocaust
[ hum ]

Open to all students.

Examines the medium of film, propaganda, documentary, and narrative fiction relevant to the history of the Holocaust. The use of film to shape, justify, document, interpret, and imagine the Holocaust. Beginning with the films produced by the Third Reich, the course includes films produced immediately after the events, as well as contemporary feature films. The focus will be how the film medium, as a medium, works to (re)present meaning(s). Usually offered every second year.
Sharon Rivo

NEJS 186a Introduction to the Qur'an
[ djw dl hum nw ]

Traces the history of the Qur'an as text, its exegesis, and its role in inter-religious polemics, law, theology, and politics. Examines the role of the Qur'an in Islamic teachings and its global impact. Usually offered every second year.
Staff

PHIL 1a Introduction to Philosophy
[ hum ]

Enrollment varies according to instructor. Refer to the Schedule of Classes each semester for information regarding applicability to the writing-intensive requirement.

A general course presenting the problems of philosophy, especially in the areas of metaphysics, epistemology, ethics, and social and political philosophy. Texts include works of selected philosophers of various historical periods from antiquity to the present. Usually offered every semester.
Staff

PHIL 17a Introduction to Ethics
[ hum ]

Explores the basic concepts and theories of ethical philosophy. What makes a good life? What are our moral obligations to other people? Applications of ethical philosophy to various concrete questions will be considered. Usually offered every semester.
Staff

PHIL 24a Philosophy of Religion
[ hum ]

An introduction to the major philosophical problems of religion. Discusses traditional arguments for and against the existence of God, the nature of faith and mystical experiences, the relation of religion to morality, and puzzles about the concept of God. Usually offered every second year.
Eli Hirsch

PHIL 107b Kant's Moral Theory
[ dl hum ]

An examination of the main philosophical issues addressed in Kant's Critique of Practical Reason from the perspective of their relation to works specifically belonging to his ethical theory: the Groundwork of the Metaphysics of Morals and the Metaphysics of Morals. Usually offered every second year.
Kate Moran

PHIL 109b Ethics and Emotions
[ hum ]

Prerequisite: One course in philosophy.

An examination of the historical and contemporary theories concerning the role that emotions and feeling ought to have in moral judgment and decision-making. Explores contemporary philosophical theories about the relationship between emotion and judgment. Usually offered every third year.
Kate Moran

PHIL 110a Meaning of Life
[ hum ]

Words have meaning. What about life? Does it, too, have a meaning or purpose? Should the question even be asked? Is the question based on what philosophers characterize as a senseless “category mistake”? Or is it a legitimate question (even if the answer is elusive)? After all, as Aristotle said, can it be that the eye has a purpose or function but not the entire person of whom it is the eye? If so, what’s the answer, and are we prepared to accept it? Are we prepared to accept, if it turns out to be true, what Shakespeare wrote in Macbeth, that “Life … is a tale told by an idiot, full of sound and fury, signifying nothing”? Socrates, Plato, and Aristotle wrestled with this question, as did Nietzsche, but contemporary “analytic” philosophers have typically paid more attention to narrower “technical” questions even when pursuing ethics, questions such as whether abortion is morally defensible, whether it’s permissible to bomb civilians in time of war, whether physician assisted suicide should be forbidden, and so on. Yet individuals, whatever their special vocation, continue to wrestle with the question of the meaning of life, and continue to expect philosophers to shed light on the question. This expectation deserves to be met. Accordingly, in this class, we will focus our attention precisely on this question, assisted by studying what both contemporary and classical philosophers have had to say about it. Usually offered every third year.

Palle Yourgrau

PHIL 111a What Is Justice?
[ hum ]

Prerequisite: One course in philosophy or political theory.

This course is a survey of important claims, theories, and arguments about justice in the Western philosophical tradition. Questions we will discuss include: What is justice (and injustice)? What makes someone a just person? What makes for a just society, and a just government in particular? How does justice interact with other things we care about, like equality, liberty, and personal relationships? What does justice require of us in how we treat people from different social groups? We will address these questions through interrogating both classic and contemporary philosophical texts. Usually offered every second year.
Marion Smiley

PHIL 113b Aesthetics
[ ca hum wi ]

Examines the nature of art and aesthetic experience. Questions considered include: Is there an objective standard of taste? What is beauty? What counts as art? Are multiple performances of a play the same work of art, or different works of art? What is the role of emotion in art? How can something we know to be fictional make us have real feelings? What is the relationship between aesthetics and ethics? Does a work of art suffer aesthetically if it is about something morally vicious? How do public monuments reflect and shape our way of thinking about history and political society? Readings include historical and contemporary philosophers. Usually offered every second year.
Staff

PHIL 114b Topics in Ethical Theory
[ hum ]

Topics vary each year. May be repeated for credit.

Usually offered every year.
Staff

PHIL 123a Existentialism
[ hum ]

To a considerable extent, the “quasi-worship” of Science (the capital “S” signifying science as ideology) replaced the worship of God that held sway for millennia, until Nietzsche announced in the nineteenth century the “death of God.” Unlike religion, however, Science offers no guidance for our day to day lives, no consolation for the bitterness of life and the somber death knell of our mortality. Nature abhors a vacuum, however, and the vacuum left by the “death of God” was filled by a movement that arose from the ashes of WWII in France and Germany, inspired by earlier thinkers like Pascal, Kierkegaard, and Nietzsche, that became known as existentialism. Leading figures included Martin Heidegger, Albert Camus, and Jean-Paul Sartre. Existentialism circled around a common set of ideas: existence vs. essence; radical human freedom vs. mere unfree, already determinate “things”; being vs. “nothingness”; what it means to live in an “absurd” universe; and “the time of life" vs. the (“timeless”) time proposed (seemingly) by modern physics. In this class we will study, critically, these seminal thinkers, from Pascal to Sartre, as well as contemporary philosophers like Thomas Nagel. Usually offered every second year.

Palle Yourgrau

PHIL 131a Philosophy of Mind
[ hum wi ]

Covers the central issue in the philosophy of mind: the mind-body problem. This is the ongoing attempt to understand the relation between our minds -- our thoughts, perceptions, feelings, and so on -- and our bodies. Is the mind just a complex configuration of (neural) matter, or is there something about it that's irreducibly different from every physical thing? Topics include intentionality, consciousness, functionalism, reductionism, and the philosophical implications of recent work in neuroscience, cognitive science, and artificial intelligence. Usually offered every year.
Staff

PHIL 133b Mental Content: Mind, World and Meaning
[ hum ]

Covers central philosophical themes in the theory of meaning, focusing on the development of theories of reference and representation in 20th-century analytic philosophy. The material covered includes the seminal works of Frege, Russell, and Kripke, which laid the groundwork for the contemporary fields of philosophy of mind and philosophy of language. The class will be taught as an advanced lecture course, with ample time for discussion included; it is designed for students with some background in philosophy. The material covered is essential for students interested in philosophy of mind and philosophy of language, and will also be of interest to students in linguistics. Usually offered every second year.
Peter Epstein

PHIL 134b Philosophy of Perception
[ hum oc ]

Could our sensory experiences be exactly as they are if we were brains in vats, or trapped in The Matrix? Do our senses put us into direct contact with the external world? If not, can we still come to know what the world is like on the basis of our senses? Usually offered every year.
Umrao Sethi

PHIL 135a Theory of Knowledge
[ hum ]

Prerequisite: one course in philosophy.

An investigation into the nature, sources, and extent of human knowledge, with emphasis on the problem of justifying our beliefs about the existence and character of the external world. Usually offered every year.
Staff

PHIL 136a Personal Identity
[ hum ]

Examines major issues involved in the question of personal identity. What am I? What are the conditions of self-identity? How does the identity of the self relate to the identity of a physical object? Is identity an illusion? Usually offered every second year.
Eli Hirsch

PHIL 137a Nature or Nurture? The Innateness Controversy
[ hum ]

The question: How much of what we are--what we believe and know, what we think and feel, and how we act--is due to our environment and training and how much is a function of our inherent nature? This interdisciplinary course covers: the main answers in the history of philosophy (from Plato through Logical Positivism); the contemporary philosophical debate on this question; and current scientific research in linguistics, psychology, ethology, artificial intelligence, and evolutionary biology. Usually offered every third year.
Staff

PHIL 141b Topics in Philosophy and Cognitive Science
[ hum ss ]

Explores the various ways in which philosophical ideas are reflected in and illuminate scientific theorizing about the mind and also examines the implications of recent work in the cognitive sciences for traditional philosophical concerns. Topics differ from year to year. Usually offered every fourth year.
Staff

PHIL 144a Philosophical Problems of Space and Time
[ hum ]

Prerequisite: one course in philosophy or permission from the instructor.

An examination of philosophical problems concerning the concepts of space and time as these arise in contemporary physics, modern logic and metaphysics, as well as in everyday life. Specific topics usually include philosophical aspects of Einstein's theory of relativity, the possibility of "time travel," the distinction between space and time, and McTaggart's famous distinction between the "A-series" and the "B-series" of time. Usually offered every year.
Eli Hirsch

PHIL 145b Topics in the Philosophy of Language
[ hum ]

Prerequisite: one course in philosophy or permission from the instructor.

Topics may vary from year to year and course may be repeated for credit. Topics include the relationship between the language we speak and our view of reality, reference, the sense in which language may structure reality, and formal semantics. Usually offered every year.
Eli Hirsch or Palle Yourgrau

PHIL 146a Idea of God
[ hum ]

Engages in a philosophical investigation not of religion as an institution but of the very idea of God, comparing and contrasting the ancient Greek idea of God as found in religion and philosophy with the Biblical conception, i.e., comparing Athens to Jerusalem. Studies the distinction between human being and divine being and addresses the issue of the relation of God's essence to his existence. Usually offered every second year.
Palle Yourgrau

PHIL 150b Topics in Epistemology and Metaphysics
[ hum ]

Prerequisite: one course in philosophy or permission from the instructor.

Topics vary each year; course may be repeated for credit. Usually offered every year.
Staff

PHIL 167a Hegel: Self-Consciousness and Freedom in the Phenomenology of Spirit
[ hum ]

Offers a close reading of Hegel and pays special attention to his analyses of the changing patterns of understanding and self-understanding and the way in which he opens up these transformations for the reader to experience. In his modern paradigm, the Subject and the Object of thought necessarily affect one another's potential, essence, and fate. And through a rational comprehension of role of Spirit (Geist) in thought and the world, we can see how they become inextricably bound together. Indeed, for Hegel, the dialectic between subject and object provides the very ground for the self-aware and free subject to participate in modern life. Usually offered every third year.
Eugene Sheppard

PHIL 170a Special Topics in History of Philosophy
[ hum ]

Prerequisite: One course in philosophy.

An advanced seminar focusing on a single philosopher or text, or on the way a number of key figures in the history of philosophy have addressed a philosophical problem or topic. Recent offerings: (1) a close reading of Descartes' Meditations on First Philosophy, the essential text of continental rationalism and the foundation stone of modern philosophy, and (2) a close reading of Hume's Enquiry Concerning Human Understanding, a central text of eighteenth-century British empiricism. Usually offered every fourth year.
Staff

PHIL 182a Wittgenstein's Philosophical Investigations
[ hum ]

An intensive study of Ludwig Wittgenstein's seminal work, Philosophical Investigations. This course should be of interest to philosophy and literature students who want to learn about this great philosopher's influential views on the nature of language and interpretation. Usually offered every second year.
William Flesch and Eli Hirsch

POL 156b European Culture & Politics
[ ss ]

The comparative politics of Western Europe. Focuses on the development of political parties and social movements in Britain, France, and Germany--particularly since 1945--to determine how they affect policies and the citizenry's participation in modern democracies. Usually offered every third year.
Jytte Klausen

POL 187b Conservative Political Thought
[ ss ]

Focuses on American and European thinkers, with an emphasis on critics of equality and unlimited commercial and civil liberty. Readings include political philosophy and literature. Authors may include Burke, Oakeshott, Calhoun, Conrad, Hayek, Macintyre, and Strauss. Usually offered every second year.
Bernard Yack

POL 189a Marx, Nietzsche, and Twentieth-Century Radicalism
[ ss ]

Comparison of two powerful and influential critiques of modern politics and society. Explanation of Marx's work, both for its own insights and as a model for radical theorists; and of Nietzsche's work as an alternative conception of radical social criticism. Usually offered every second year.
Bernard Yack

SOC 36b Historical and Comparative Sociology
[ dl ss ]

May not be taken for credit by students who took SOC 136b in prior years.

Explores the relationship between sociology and history through examples of scholarship from both disciplines. Using historical studies, the course pays close attention to each author's research strategy. Examines basic research questions, theoretical underpinnings and assumptions, and uses of evidence. Usually offered every third year.
Chandler Rosenberger

SOC 83a Sociology of Body and Health
[ deis-us ss ]

May not be taken for credit by students who took SOC 189a in prior years.

Explores theoretical considerations of the body as a cultural phenomenon intersecting with health, healing, illness, disease, and medicine. Focuses on how gender, race, class, religion, and other dimensions of social organization shape individual and population health. Usually offered every year.
Sara Shostak

SOC 115a Masculinities
[ ss ]

Men's experiences of masculinity have only recently emerged as complex and problematic. This course inquires into concepts, literature, and phenomenology of many framings of masculinity. The analytic schemes are historical, sociological, and social-psychological. Usually offered every second year.
Staff

SOC 127a Religion, Ethnicity, and Nationalism
[ nw oc ss ]

Examines three sources of identity that are influential in global affairs: religion, ethnicity and nationalism. Considers theories of the relationship among these identities, especially "secularization theory," then reviews historical examples such as Poland, Iran, India, and Pakistan. Usually offered every second year.
Chandler Rosenberger

SOC 129a Sociology of Religion
[ deis-us ss ]

An introduction to the sociological study of religion. Investigates what religion is, how it is influential in contemporary American life, and how the boundaries of public and private religion are constructed and contested. Usually offered every year.
Wendy Cadge or Kristen Lucken

SOC 146a Mass Communication Theory
[ ss ]

An examination of key theories in mass communication, including mass culture, hegemony, the production of culture, and public sphere. Themes discussed include the nature of media effects, the role of the audience, and the extent of diversity in the mass media. Usually offered every year.
Laura Miller

SOC 148b The Sociology of Information: Politics, Power, and Property
[ ss wi ]

Examines the claim that information is a key political and economic resource in contemporary society. Considers who has access to information, and how it is used for economic gain, interpersonal advantage, and social control. Usually offered every third year.
Laura Miller

SOC 150b Culture of Consumption
[ ss ]

Examines the historical development and social significance of a culture of consumption. Considers the role of marketing in contemporary society and the expression of consumer culture in various realms of everyday life, including leisure, the family, and education. Usually offered every year.
Laura Miller

SOC 152a Urban Life and Culture
[ ss ]

An analysis of the social and cultural dimensions of life in urban environments. Examines how various processes, including immigration, deindustrialization, and suburbanization, affect neighborhoods, public spaces, work, shopping, and leisure in the city. Usually offered every second year.
Sarah Mayorga or Laura Miller

SOC 155b Protest, Politics, and Change: Social Movements
[ deis-us ss ]

Introduces major sociological theories about leadership, political context, culture, and identities in social movements in transnational perspective. Examines historical and contemporary cases of social movements through the lenses of race, gender, class, and sexuality. Usually offered every year.
Gowri Vijayakumar

SOC 162a Intellectuals and Revolutionary Politics
[ ss ]

Can you change a society by changing its culture? How do writers, painters, and bloggers give their countries new visions of justice -- or even revenge? This class studies the ideas behind revolutions, who creates them, and why. Usually offered every second year.
Chandler Rosenberger

WGS 5a Women, Genders, and Sexualities
[ deis-us dl oc ss ]

This interdisciplinary course introduces central concepts and topics in the field of women's, gender, and sexuality studies. Explores the position of women and other genders in diverse settings and the impact of gender as a social, cultural, and intellectual category in the United States and around the globe. Asks how gendered institutions, behaviors, and representations have been configured in the past and function in the present, and also examines the ways in which gender and sexuality intersect with many other vectors of identity and circumstance in forming human affairs. Usually offered every fall.
ChaeRan Freeze, Sarah Lamb, or Harleen Singh