Provisional University Bulletin (2026-2027)

• Minor
• Major (BA)

The program in World Literatures engages the study of literatures and cultures within and across national boundaries. It comprises the global, international, and comparative analysis of literary texts in the context of formal movements, historical change, and social-cultural practice. Highlighting the diversity of world literatures and interactions of literary worlds, this global approach is sensitive not only to historical context, but also to how cultural forms adapt to new conditions. Analysis of cultural differences, diversities, and similarities will promote a greater knowledge of the rapidly changing globe we inhabit, and also deepen students' critical understanding of their own cultures.

Studies of World Literatures explore literature and other art forms beyond and across the boundaries of single nations, languages and cultures, often in conjunction with the historical, political and social realities that lend life and variety to any cultural practice. It represents a way of approaching creative works, rather than a specific body of knowledge about them. Because of the comparative approach and the global perspective, and the embrace of all of world literature and culture in all periods of history, no one person could possibly embody the field. As a result, comparative and world literature is a highly dynamic, interdisciplinary and collaborative endeavor, which is reflected in the diverse interests of our students and faculty.

The World Literature core course, WLIT 100a, Introduction to Global Literature, introduces students to the diversity of approaches to literary and cultural studies and serves as a jumping-off point for students' individualized exploration of literary and other works from across the globe, from a wide variety of perspectives. Beyond the core course, the major also emphasizes the study of literature and culture in languages other than English. Courses are taught by distinguished faculty from across the Humanities at Brandeis.

Studies of world literatures are inherently multicultural and dynamic. We are constantly shaping our curriculum to fit the interests and needs of the changing student body and encourage student input at all levels of program planning.

Knowledge

Students completing the major in World Literature will:

1. understand aspects of creative activity that can or must be studied cross-culturally, such as: genre; the movement of aesthetic ideas across boundaries, including translation; diasporic cultures; and movements that span multiple cultures, such as romanticism, modernism, and the avant-garde;
2. understand the major questions, concepts, theories, and methodologies of the comparative method;
3. achieve proficiency in at least one language other than English, to the level needed to work with original texts in comparative or transcultural studies.

Core Skills

Majors will develop the capacity to:

1. perform close analyses of literary and other artistic texts;
2. employ the conceptual tools and insights of theoretical texts to read critically and interpret works in various genres drawn from a variety of traditions and cultures;
3. use various interpretive approaches, considering the benefits and limitations of different strategies;
4. use library resources to find relevant research materials;
5. construct a logical, well-supported argument about a comparative problem by identifying and articulating a compelling and productive comparative question and synthesizing relevant critical literature;
6. present such comparative arguments in clear and engaging academic prose.

Social Justice

Cultural forms and ideas move across borders, now more than ever; the World Literature program emphasizes the importance of cultural literacy and sensitivity to cultural difference both within individual societies and in the global context. The curriculum provides graduates with knowledge and perspectives needed to appreciate and respect the diversity of creative expression around the world, as well as the shared human urge toward artistic expression in language, whether oral or written. Majors will be prepared to participate in multicultural and global conversations by asking questions, listening closely and responding productively, in the collaborative spirit of the field.

Upon Graduating

A Brandeis student with a World Literatures major will be prepared to use the knowledge and skills gained from the sustained global study of literatures and cultures to pursue professional training and a range of careers that demand a global perspective or a knowledge of and appreciation for diverse cultures, including those in academics, government, non-governmental organizations and non-profits, and international business.

The World Literatures Program is home to all students interested in literature and the humanities. Students are welcome to enroll in any WLIT course for which they've met the stated prerequisites. Students interested in learning more about the major or minor are encouraged to speak with the Undergraduate Advising Head. Students are encouraged to work with their faculty and develop their own paths of language and literary studies, including study abroad opportunities.

Stephen Dowden
(German, Russian, and Asian Languages and Literature)

Matthew Fraleigh
(German, Russian, and Asian Languages and Literature)

David Powelstock, Chair and Undergraduate Advising Head
(German, Russian, and Asian Languages and Literature)

Laura Quinney
(English)

Michael Randall
(French and Francophone Studies)

Pu Wang
(German, Russian, and Asian Languages and Literature)

Affiliated Faculty

(contributing to the curriculum, advising and administration of the department or program)

Jonathan Decter
(Near Eastern and Judaic Studies)

Stephen Dowden
(German, Russian, and Asian Languages and Literature)

William Flesch
(English)

Matthew Fraleigh
(German, Russian, and Asian Languages and Literature)

Caitlin Gillespie
(Classical Studies)

James Mandrell
(Romance Studies)

Robin Feuer Miller
(German, Russian, and Asian Languages and Literature)

David Powelstock
(German, Russian, and Asian Languages and Literature)

Laura Quinney
(English)

Michael Randall
(Romance Studies)

Fernando Rosenberg
(Romance Studies)

David Sherman
(English)

Harleen Singh
(German, Russian, and Asian Languages and Literature)

Pu Wang
(German, Russian, and Asian Languages and Literature)

The minor in World Literatures requires five courses, distributed as follows:

1. WLIT 100a, to be taken as early as possible in the student's academic career.
2. Four additional WLIT courses or cross-listed electives in literature and culture. A maximum of one ENG-designated course may be counted toward the minor.
3. No course with a grade below a C- may count toward the minor nor any course taken pass/fail.

The major in World Literatures requires a minimum of nine courses, distributed as follows:

1. WLIT 100a, to be taken as early as possible in the student's academic career.
2. Eight additional WLIT courses or cross-listed electives in literature and culture. At least one of the eight electives must be conducted in a language other than English or include multilingual practice. A maximum of two ENG-designated courses may be counted toward the major. 
3. Foundational Literacies: As part of completing the Comparative Literature and Culture major, students must:
   • Fulfill the writing intensive requirement by successfully completing one of the following: Any WLIT or cross-listed elective approved for WI.
   • Fulfill the oral communication requirement by successfully completing: WLIT 100a.
   • Fulfill the digital literacy requirement by successfully completing: WLIT 100a.
4. Students are given the freedom and flexibility to form their independent pathways in language learning and literary studies with strong faculty advising. Majors are also encouraged to include courses that explore the relationships between literary studies and other disciplines (for example, media studies, women’s and gender studies, history of ideas, art history, anthropology, etc). Such interdisciplinary electives need to be pre-approved by the Undergraduate Advising Head.
5. No course with a grade below a C- will count toward the major nor any course taken pass/fail.

Honors

Majors are encouraged to pursue honors in the senior year by doing advanced, independent research in literature and culture with the guidance of a faculty advisor. Students who wish to do so must enroll in WLIT 99d with the supervising advisor for two semesters and complete a thesis. One semester of thesis research may substitute for an elective.

ENG/WLIT 21a The Literature of Walking
[ hum oc ]

Explores genres of pedestrianism—rambles, strolls, promenades, treks, pilgrimages, marches. Students will take and design walks as well as read major works on the subject. Usually offered every fourth year.

ENG/WLIT 70b Environmental Film, Environmental Justice
[ djw hum ]

Examines films that address nature, environmental crisis, and green activism. Asks how world cinema can best advance the goals of social and environmental justice. Includes films by major directors and festival award winners. Usually offered every third year.

WLIT 98a Independent Study

May be taken only by majors, with the written permission of the advising head and the chair of the department.

Readings and reports under faculty supervision. Offered as needed.

WLIT 98b Independent Study

Yields half-course credit. May be taken only by majors, with the written permission of the advising head and the chair of the department.

Reading and reports under faculty supervision. Offered as needed.

WLIT 99d Senior Thesis

May be taken only with the permission of the Undergraduate Advising Head.

This is a full-year course that must be taken by all senior majors in World Literatures who wish to undertake honors work. Usually offered every year.

ENG/WLIT 106a The Lyric Imagination from Romanticism to the Present
[ hum ]

That the poetic imagination could be not merely a source of pleasure, instruction, and inspiration, but a source of insight into the meaning of being, a way of connecting the outer world of nature and the inner world of the spirit, a source of ontological, ethical, and political truth, was a conviction entertained by many poets in English and German from the Romantic period to the present day. The course will consider these ideas in the poetry of Blake, Novalis, Eichendorff, Hölderlin, Wordsworth, Goethe, Keats, Whitman, Rilke, Eliot and Celan. Special one-time offering, fall 2024.

ENG/WLIT 140b Children's Literature and Constructions of Childhood
[ hum ]

Explores whether children's literature has sought to civilize or to subvert, to moralize or to enchant, forming a bedrock for adult sensibility. Childhood reading reflects the unresolved complexity of the experience of childhood itself as well as larger cultural shifts around the globe in values and beliefs. Usually offered every third year.

ENG/WLIT 141b Literature and Time
[ hum ]

Explores the human experience of temporality and reflection upon it. Themes covered by this course include: memory, nostalgia, anxiety, ethics, eternity, and time travel. Usually offered every third year.

ENG/WLIT 149a Hell: The Poetry
[ hum ]

Studies the Classical underworld and its reworking in English verse. Topics include the descent to the underworld, the ambiguous Satan, the myths of Orpheus and Penelope, and the psychological Hells of the modernists. Usually offered every second year.

ENG/WLIT 191a Environmental Aesthetics
[ djw hum oc ]

Explores major schools of thought about nature, ecology, and art. Usually offered every third year.

RECS/WLIT 136a All in the Family: Tolstoy, Dostoevsky and the English Novel
[ hum ]

Selected novels and writings of Austen, Dostoevsky, Tolstoy and Woolf will be read to trace both the evolution of the novel and the meanings, contexts and depictions of the family. The family novel encompasses such larger questions as how we regard the pain of others and how we define community. Usually offered every second year.

WLIT 100a Introduction to Global Literature
[ dl hum oc ]

Core course for COML major and minor.

What is common and what is different in literatures of different cultures and times? How do literary ideas move from one culture to another? In this course students read theoretical texts, as well as literary works from around the world. Usually offered every year.

WLIT 105a World Culture and Marxism
[ djw hum ]

Exploring the linkage between Marxism and global modernity, this course emphasizes the deep entanglement of Marxism with twentieth-century literature and culture in both the so-called 'advanced West' and the vast world of 'underdevelopment' (such as China, Africa, and Latin America). In this course, students will see how Marxism has evolved as a revolutionary praxis in the crisis-fraught capitalist world system, and how it has inspired international literary movements and cultural debates aimed to subvert that system. With case studies drawn from across the world and readings selected from Marx's century all the way to our own, we will study the development of the international cultural left. We will also try to decenter (deprovincialize or de-Westernize) Marxism and understand it as an integral part of the translingual/transnational search for a different world'a world of common good and cultural equality. Usually offered every second year.

WLIT 114a World Literature and the Chinese Revolution
[ hum ]

Explores the mutual formation of World Literature as aesthetic-political commons and the Chinese Revolution as a long cultural revolution in the twentieth century. All Chinese, German, French, Russian, Japanese, and Spanish texts will be read in English translation.

WLIT 116b Nietzsche: An Introduction
[ hum ]

A basic introduction to Friedrich Nietzsche's thoughts and writings. Usually offered every fourth year.

WLIT 117a Magical Realism and Modern Myth
[ hum ]

An exploration of magical realism, as well as the enduring importance of myth, in twentieth and twenty-first century fiction and film from Columbia, India, Nigeria, the United States, England, and elsewhere. Authors include Ben Okri, Toni Morrison, Gabriel Garcia Marquez, and Salman Rushdie; films include Pan's Labyrinth and Beasts of the Southern Wild. Usually offered every second year.

WLIT 120a Disordered Loves and Howling Passion: European Romanticism
[ hum ]

Introduces European Romanticism from a comparative and interdisciplinary perspective. This course integrates literature, painting, music, and philosophy. Works by Beethoven, Hölderlin, Schubert, Delacroix, Wordsworth, Mary Shelly, Verdi, Schlegel, Kant, Claude David and others. Usually offered every second year.

WLIT 123a Perfect Love?
[ hum ]

The conflict between "perfect' and carnal love has inspired artistic works from the Middle Ages through the present. This course studies how perfect love runs afoul of more human desires in works by authors, composers, and film makers like Chrétien de Troye, Marguerite de Navarre, Hawthorne, Monteverdi, di Sica, and Wong Karwai. Usually offered every second year.

WLIT 132b Poetry and Philosophy
[ hum ]

Plato called the relationship between poetry and philosophy an "ancient quarrel." But within the last century some thinkers have attempted to effect a rapprochement. After considering the Platonic argument and its legacy, this course will explore the marriage of poetry and philosophy in later times, looking particularly at the experiments of German romantic aesthetics and its legacy in 20th-century Continental literary philosophy. What is the nature of the "ancient quarrel" between poetry and philosophy? In what sense do they compete for the same space? Can poetry be a kind of philosophy, or vice versa? Can philosophy help us to understand the nature of poetry, and vice versa? Usually offered every third year.

WLIT 146b Classical East Asian Poetics
[ hum nw ]

An introduction to the classical poetic forms of China, Japan, and Korea. Special consideration is paid to issues of canonization, classical theories of literature, and the development of multilingual literary traditions. All readings are in English. Usually offered every third year.

WLIT 150b Critique of Erotic Reason
[ hum ]

Explores transformations in erotic sensibilities in the novel from the early nineteenth century to the present. Works by Goethe, Austen, Kierkegaard, Tolstoy, Schopenhauer, Bronte, Chekhov, Garcia-Marquez, Kundera, and Cormac McCarthy. Usually offered every third year.

WLIT 160a East European Literature and Film: Art and Life in the Throes of History
[ hum ]

All texts, films, and instruction in English. No prerequisites.

Examines major East European films and literary works from the Ukrainian, Polish,  Czech, Romanian, Hungarian, (former) Yugoslavian, Bosnian, and other traditions. With an eye toward the unique historical, political, and ideological currents of the region and its constituent nationalities, we will focus on both artistic expression and engagement with larger issues.  Usually offered every second year.

WLIT 171a Literary Translation in Theory and in Practice
[ hum ]

Prerequisite: Excellent reading knowledge of any language other than English. Students will be asked to demonstrate proficiency before receiving consent to enroll in the course.

Approaching literary translation from several angles at once, this course combines readings in the history and theory of translation with a practical translation workshop. Students will experience first-hand the challenges of literary translation and, with the help of the theoretical readings, reflect on what the process teaches us about linguistic, literary, and cultural difference. Usually offered every second year.

WLIT 178a Cult Books
[ hum ]

Explores novels on the fringe of literary respectability, books that have won passionate, if not necessarily large followings (hence the ambivalent praise implied in the term 'cult book'). Works by Renate Adler, J. G. Ballard, Thomas Bernhard, Osamu Dazai, Wei Hui, Chester Himes, Fleur Jaeggy, Anna Kavan, William Kotzwinkle, Eileen Myles, Maggie Nelson, Georges Perec, Hunter Thompson, Robert Walser, Shuo Wang and others. Usually offered every third year.

AAAS 134b Novel and Film of the African Diaspora
[ djw hum nw ]

Writers and filmmakers, who are usually examined separately under national or regional canonical categories such as "(North) American," "Latin American," "African," "British," or "Caribbean," are brought together here to examine transnational identities and investments in "authentic," "African," or "black" identities. Usually offered every third year.

AAAS/WGS 125a Intellectual History of Black Women
[ deis-us ss ]

Takes a historical approach to the development of black feminist thought in the United States. We will explore major themes and events in U.S. history from the perspectives of black women (e.g., forced black migration to the Western world, transatlantic slavery, black emancipation from slavery, Jim Crow, the great migration(s), the civil rights era, and the 'post' civil rights era, etc.). We will contextualize the emergence of black feminist thought within and in relation to these events, as well as highlight black feminisms' intersections with other black intellectual traditions and freedom struggles. By the end of the course, students will be able to demonstrate a robust familiarity with the above mentioned historical events as well as define black feminist conceptual/theoretical frameworks such as standpoint theory; oppositional consciousness; intersectionality; the culture of dissemblance; the politics of respectability; controlling images; pleasure, and the erotic, among others. Usually offered every year.

AAPI/ENG 22b Asian American Literature
[ deis-us hum ]

With its focus on a major and enduring racial formation in the U.S., this course covers a wide range of literary expressions of Asian American subjectivities forged in various flashpoints of American history, from the early days of Chinese “coolie” labor in the late nineteenth century to the contemporary moment of refugee migration. Along the way, we will learn about structures of violence that have manifested into exclusion laws, internment camps, devastating wars, and refugee displacements. Usually offered every fourth year.

AAPI/ENG 102a Science and Fiction of the Transpacific
[ djw hum ]

Taking as its start in the Cold War, when the fear of Communist ideology and scientific advances reached its feverish peak, and ending with today’s increasing amalgamation of machine and humanity, this course opens a field of cultural inquiry into more than half a century of Transpacific imaginations of technological progress and its shadow of social retrogression. We will think capaciously about issues of colonialism and extraction in the name of science in the Pacific, transnational racialized labor and its post-apocalyptic life, techno-orientalism and the fantasy of Asiatic cyborgs, artificial intelligence and its affective concerns, as well as the Great Pacific Garbage Patch and what it has to teach us about the human condition. In the wake of the highly racialized Covid-19 pandemic and its thorny questions regarding the health of the body politic, this course will introduce students to some of the most prominent examples of science fiction by diasporic Asian writers who have been inspired by the vast and multitudinous Transpacific as a space not only of conquest and competition but also of promise and possibility. Usually offered every third year.

AAPI/ENG 115a The Asian American Memoir
[ deis-us ]

The recent flourishing of the memoir genre in Asian American literature coincides with the increased visibility and participation of Asian Americans in U.S. culture and politics. This course examines how the memoir has found primacy as a literary genre for articulating Asian American political subjects over a century. We will query what it means to craft selfhood as a racial minority—complicated by class, gender and sexual identities—while navigating the gaps between private memories and national history. We will learn about flashpoints in the turbulent history of migration and wars between the U.S. and various Asian countries over the twentieth century through intimate accounts of lived experiences. We will study how various authors manage the intractable issue of unreliability in memory work while responding to the pressure of speaking for their communities. Above all, we will appreciate how, by articulating themselves, each author also theorizes America and their fraught relationship to it. Usually offered every third year.

AMST 100b Twentieth-Century American Culture
[ dl ss ]

Prerequisite: AMST 100a.

The democratization of taste and the extension of mass media are among the distinguishing features of American culture in the twentieth century. Through a variety of genres and forms of expression, in high culture and the popular arts, this course traces the historical development of a national style that came to exercise formidable influence abroad as well. Usually offered every spring.

AMST 150a The History of Childhood and Youth in America
[ ss ]

Examines history, cultural ideas, and policies about childhood and youth, as well as children's literature, television, and other media for children and youth. Includes an archival-based project on the student movement in the 1960s. Usually offered every second year.

AMST/ENG 48a American Immigrant Narratives
[ deis-us hum wi ]

With its essential role in U.S. society and history, immigration figures prominently in the American literary canon. This course traverses varied immigrant tales of twentieth-century and contemporary United States, set in the frontier of westward expansion, the Golden West, and the Eastern Seaboard. Some classics of this vast cultural corpus will anchor our critical inquiries into subject and nation formation, citizenship, and marginalization under powerful political forces both at home and abroad. By probing the complex aesthetic modes and narrative strategies in these and other texts, we will investigate deeply felt impacts of ever-shifting American cultural politics shaping immigrant experiences. Usually offered every third year.

CHIN 100a Introduction to Chinese Literature
[ hum nw oc ]

Taught in English. No Chinese language capabilities required.

Introduces Chinese literature, focusing primarily on Chinese "classical" literary traditions and their metamorphosis in modern times. Usually offered every second year.

CLAS 140a Women, Gender, and Sexuality in Greek and Roman Art and Text
[ ca djw hum wi ]

An exploration of women, gender, and sexuality in ancient Greece and Rome as the ideological bases of Western attitudes toward sex and gender. Includes, in some fashion, Greek and Roman myth, literature, art, architecture, and archaeological artifacts. Usually offered every third year.

CLAS 170a Classical Mythology
[ hum ]

An introduction to Greek and Roman mythology. Considers ancient song cultures, and the relationship between myth, drama, and religion. Also explores visual representations of myth. Usually offered every second year.

EAS 120b Southeast Asian Literature in English
[ djw hum ]

Explores a range of Southeast Asian literary productions presented in English from the late nineteenth century to the present day. Materials include influential texts by Western observers (W. Somerset Maugham, Marguerite Duras) during the colonial period as well as major works by prominent postcolonial writers (Tash Aw, Eka Kurniawan, Mai Der Vang). We will consider the complex questions of colonialism, postcoloniality, twentieth-century wars, and regional identity formation under late capitalism through intersectional textual analysis. Usually offered every third year.

ECS 100a European Cultural Studies Proseminar: Modernism
[ dl hum oc ]

Explores the interrelationship of literature, music, painting, philosophy, and other arts in the era of high modernism. Works by Artaud, Baudelaire, Benjamin, Mann, Mahler, Schoenberg, Stravinsky, Kandinsky, Schiele, Beckett, Brecht, Adorno, Sartre, Heidegger, and others. Usually offered every fall semester.

ECS 101b Romanticism: The Shock of the New
[ hum ]

A survey of the innovative political, intellectual, and cultural movement, which excited and dismayed Europe from the end of the eighteenth to the middle of the nineteenth century. Broad changes and challenges in aesthetic values, social thought, and literary form will be addressed through study of major authors from Great Britain, France, and Germany, including important precursors such as Goethe and Rousseau, as well as representative Romantic poets (Hölderlin, Shelley, Baudelaire) and representative novels (The Sorrows of Young Werther, Corinne, Frankenstein). Usually offered every second year.

ENG 35a The Weird and the Experimental in Contemporary Literature
[ hum wi ]

What does it mean to be “weird”? What makes a text “experimental”? And what can experimental texts teach us about the ever-changing nature of society? This course explores innovation and experimentation in the narrative structure of contemporary novels and films from around the world within their cultural contexts. Special one-time offering, spring 2024.

FYS 4b Muslims, Christians, and Jews in Medieval Spain

Designed to instill and enhance flexible writing and research skills. A selection of readings stimulates discussion, deepens understanding, and serves as foundation for writing assignments. Students will recognize the role of writing in fostering critical thinking and learn to identify conventions of disciplinary writing.

From 711 until 1492, the Iberian Peninsula was populated by people adhering to the three monotheistic traditions: Islam, Christianity, and Judaism. Despite competing claims to religious truth, members of these religious communities lived together and interacted to form a unique society that some have called a “culture of tolerance” while others have decried such an irenic image as a mere myth. In this seminar, we will examine the interaction among the three religious communities focusing on political and social development, inter-religious conflict and violence, and intellectual and architectural/artistic production. We will investigate the degree to which “Spanish” (or more accurately “Castilian”) culture can be described as “Christian” or as “Muslim-Christian-Jewish” in character. We will also engage the historiographic traditions that have given rise to contrasting images of the medieval period and consider what is at stake in these debates from a modern and contemporary perspective. Usually offered every year.

FYS 6a Understanding Russian Culture: Myths and Paradoxes

Designed to instill and enhance flexible writing and research skills. A selection of readings stimulates discussion, deepens understanding, and serves as foundation for writing assignments. Students will recognize the role of writing in fostering critical thinking and learn to identify conventions of disciplinary writing.

Russia has given the world renowned cultural luminaries such as Tolstoy and Tchaikovsky. At the same time, the Russian state—in different historical forms—has a long tradition of censoring, imprisoning, or even murdering artists and intellectuals. One scholar suggests that even as the Russian Empire has violently expanded its boundaries, the state has “colonized” its own people. Paradoxically, this very repression has made culture politically relevant—sometimes reinforcing imperial ideology, sometimes subverting it—and charged it with particular urgency. This seminar takes us inside the paradox by engaging with some of the most important works of modern Russian literature, film, philosophy, and the performing arts in the context of the country’s troubled history. Usually offered every year.

FYS 8a Chinese Poetry: Desire and Form

Designed to instill and enhance flexible writing and research skills. A selection of readings stimulates discussion, deepens understanding, and serves as foundation for writing assignments. Students will recognize the role of writing in fostering critical thinking and learn to identify conventions of disciplinary writing.

An introduction to the great tradition of classical Chinese poetry. While tracing the development of poetry in ancient China, this course will explore a central question: How do personal, erotic, and socio-political desires find their literary forms? How do the Chinese represent their desire through figurative language? Training students to understand a poetic tradition through translation, this course emphasizes transcultural encounters and develops the skills of comparative critical thinking.

Engaging with writing as a crucial aspect of critical thinking and humanistic inquiry, students will learn how to conduct close reading and how to compose essays of literary studies. In so doing, we will consider how we read, interpret, discuss, present, and criticize poetic transformations both orally and in writing. We will then confront, more concretely, comparatively and comprehensively, the issues of poetic culture, literary translation, and transcultural interpretation. Usually offered every year.

FYS 23a The Bible and Contemporary Arts, Literature, and Film

Designed to instill and enhance flexible writing and research skills. A selection of readings stimulates discussion, deepens understanding, and serves as foundation for writing assignments. Students will recognize the role of writing in fostering critical thinking and learn to identify conventions of disciplinary writing.

The Bible is a foundational text for contemporary art, literature, and political discourse as well as a sacred text for several religious traditions. This course teaches you how to read narratives from the Hebrew Bible in translation from a literary perspective. At the same time, we study how modern artists and authors have used the texts of the Hebrew bible in literary, poetic, artistic, and cinematic productions to reflect moral, familial, and societal successes, struggles, and confusions. By looking at old texts and new interpretations, the course aims to provide students opportunities to see their own cultural contexts anew and to determine how the Bible might or might not be considered relevant to our time. 

We will explore the concept of “intertextuality” from literary studies to help reflect on the relation between bible and art and the idea of originality. On the one hand, we see that different texts and art works relate to one another – is anything ever new? On the other hand, writing in the age of generative AI demands that we consciously cultivate our own voices, so we are not limited in our thought and expression to what computers can produce from what has already been said. Usually offered every year.

FYS 40a The Bookshelf of Childhood

Designed to instill and enhance flexible writing and research skills. A selection of readings stimulates discussion, deepens understanding, and serves as foundation for writing assignments. Students will recognize the role of writing in fostering critical thinking and learn to identify conventions of disciplinary writing.

Whether children’s literature has sought to civilize or to subvert, to moralize or to enchant, it forms a bedrock and an important reference point for the adult sensibility. Our reading in childhood reflects the unresolved complexity of the experience of childhood itself as well as larger cultural shifts in values and beliefs, both historically and around the globe. We will read a number of fairy tales and look at how these tales migrate through place and time, and, as they do so, take on or challenge the particular values of the culture at hand. We will also consider a group of stories written for children, among them Alice’s Adventures in Wonderland, The Wonderful Wizard of Oz, and The Witches. Through numerous and varied writing assignments, the course will foster the development of incisive close reading, analysis, research, and successful academic writing generally. The immensely enjoyable readings offer students an opportunity – as readers, in classroom conversations, and through the writing assignments – to reflect upon their own childhoods and the nature of childhood more generally. Usually offered every year.

FYS 56b Romanticism in European Music and Literature: Breakups, Breakdowns, and Beauty

Designed to instill and enhance flexible writing and research skills. A selection of readings stimulates discussion, deepens understanding, and serves as foundation for writing assignments. Students will recognize the role of writing in fostering critical thinking and learn to identify conventions of disciplinary writing.

Romantic art abounds in depictions of hallucinators, madwomen, obsessives, and other individuals whose thoughts and behaviors deviate sharply from societal norms. In this course, we will seek to understand the cultural and historical significance of the ways in which late eighteenth- and nineteenth-century music and literature portray exceptional emotional, mental, and physiological states. We'll investigate the connections among madness, genius, physical illness, and the supernatural in the Romantic imagination and think about the artistic techniques contemporary writers and composers used to represent 'extreme' psychology. By examining works written and composed in different countries and at different times within the Romantic period, students will develop their close reading, critical thinking, and analytical writing skills. Usually offered every year.

GECS 130b The Princess and the Golem: Fairy Tales
[ hum wi ]

Conducted in English.

Compares Walt Disney's films with German and other European fairy tales from the nineteenth and twentieth century, focusing on feminist and psychoanalytic readings. Usually offered every second year.

GRK 120b Greek Prose Authors
[ fl hum ]

Selections from Herodotus, Thucydides, Plato, Aristotle, Demosthenes, and other prose authors, in Greek. See Schedule of Classes for current topic. Usually offered every third year.

HISP 85a Introduction to U.S. Latinx Literatures and Cultures
[ deis-us djw dl hum ]

Offered in English.

Introduces students to U.S. Latinx cultural productions and to the interdisciplinary questions that concern U.S. Latinx communities. Latinxs have played a vital role in the history, politics, and cultures of the United States. U.S. Latinx literary works, in particular, have established important socio-historical and aesthetic networks that highlight Latinx expression and lived experiences, engaging with issues including biculturalism, language, citizenship, systems of value, and intersectional identity. Though the Latinx literary tradition spans more than 400 years, this course will focus on 20th and 21st century texts that decolonize nationalist approaches to Latinidad(es) and therefore challenge existing Latinx literary "canons." Usually offered every year.

HISP 196a Topics in Latinx Literature and Culture
[ hum wi ]

May be repeated for credit. May be taught in English or Spanish.

Offers students the opportunity for in-depth study of a particular aspect of the diverse literary and cultural production of U.S. latinx. Topics will vary from year to year but may include autobiography, detective fiction, or historical fiction. Usually offered every third year.

HUM 1a Tragedy: Love and Death in the Creative Imagination
[ hum ]

Enrollment limited to first-year Humanities Fellows. Satisfies the First-Year Seminar core requirement.
 

Our seminar concerns elemental experiences, above all love and death. The medium through which we will explore them is tragedy, an ancient literary form closely allied with myth. Consider this remark by philosopher Simone Weil: Nothing is so beautiful and wonderful, nothing is so continually fresh and surprising, so full of sweet and perpetual ecstasy, as the good. No desert is so dreary, monotonous, and boring as evil. This is the truth about authentic good and evil. With fictional good and evil it is the other way around. Fictional good is boring and flat, while fictional evil is varied and intriguing, attractive, profound and full of charm. (S.W., On Science, Necessity, and the Love of God, 160)

Hence, the appeal of the tragic, which directly addresses evil. There will be abundant, and sometimes horrifying evil in the plays, fiction, and poetry we read this term. We begin with Cormac McCarthy’s shocking Blood Meridian, a tragic tale of the American West, much as the Iliad is a tragic tale of ancient Greece. But why belabor the tragic, the mythic? Because in myth and tragedy we find not merely the self-confident moral posturing so common in modern writing but instead an attempt to get at that which underlies morality: good and evil, love and death. They are more fundamental, possibly divine, and therefore the remit of myth and tragedy rather than science and law. Usually offered every year.

LGLS 143b Law, Crime and Punishment in Dante's Inferno
[ ss ]

Consists of an in-depth reading of Dante's Inferno, with particular attention on the themes pertaining to law and justice that pervade the work. Each week we will supplement Dante's text with contemporary readings examining the same or similar issues. Our goal throughout the semester will be to explore this classic work from the fourteenth century to discover how and to what extent it can deepen our understanding of the legal controversies we are faced with today. Usually offered every third year.

NEJS 140b Gender, Ghettos, and the Geographies of Early Modern Jews
[ hum ]

Examines Jewish history and culture in early modern Europe: mass conversions on the Iberian peninsula, migrations, reconversions back to Judaism, the printing revolution, the Reformation and Counter Reformation, ghettos, gender, family, everyday life, material culture, communal structure, rabbinical culture, mysticism, magic, science, messianic movements, Hasidism, mercantilism, and early modern challenges to Judaism.

NEJS 157b Arab-Jewish Modern Thought and Culture
[ djw hum ]

Against the backdrop of the partition of the 'Jew' from the 'Arab' in the modern national era, this course focuses on the Arab-Jewish borderland cultural world which simultaneously embodies Arab and Jewish histories, traditions, and identities. It traces different manifestations of Arab-Jewish culture from the early 20th century to today and explores the complex relationship between culture and politics in relation to questions of language, identity, nationality, borders, exile and memory. Usually offered every second year.

NEJS 176b Jewish Graphic Novels
[ hum ]

Examines the complex genre of the Jewish graphic novel. Explores Jewish artists' use of graphic narratives to grapple with issues of acculturation, trauma, and identity. Special focus on the reconfiguration of Jewish gender identities. Structured around primary texts. Secondary readings provide historical context and theoretical analysis. Usually offered every second year.

NEJS 177a The Holocaust in Israeli and Jewish Literature
[ hum ]

Taught in English.

A broad survey of Holocaust writings in Modern Jewish literature. Examines the psychological, social, moral, and aesthetic challenges involved in representing the Holocaust in Israeli, American, and European context through literary texts, theoretical research, works of art, and film. Usually offered every third year.

NEJS 184b Disability Cultures: Art, Film and Literature of People with Disabilities
[ deis-us djw hum oc ]

Explores cultural representations of disability in Israel, Europe, and the US. By focusing on literature, film, dance, and visual art, it explores physical, mental, and emotional disability experiences, and their relations to gender, sexuality, nationalism, and identity politics. Usually offered every second year.

NEJS/WGS 110a Sexual Violence in Film and Culture
[ deis-us djw hum oc ]

Explores the effects of sexualized violence in society. While exploring representations of gender-based sexual violence in documentaries and features, stand-up comedy, memoirs, poetry, and visual art, this course will offer a critical discussion on Rape Culture in the 21st century, with particular attention to the intersections of gender, race, sexuality, class, and disability in the construction of sexual violence. Usually offered every second year.

RECS 130a The Great Russian Novel
[ hum wi ]

Open to all students. Conducted in English. Students may choose to do readings either in English translation or in Russian.

A comprehensive survey of the major writers and themes of the nineteenth century including Gogol, Turgenev, Dostoevsky, Tolstoy, Chekhov, and others. Usually offered every second year.

RECS 135a Russian Short Fictions: Where is Justice in This World?
[ djw hum oc ]

Open to all students. Conducted in English. Students may choose to do readings either in English translation or in Russian.

Focuses on the great tradition of the short story as practiced by Russian writers and the connection and divisions among them. This genre invites extreme stylistic and narrative experimentation ranging from the comic to the tragic, as well as being a vehicle for striking expressions of complex social, philosophical, and religious themes. Usually offered every second year.

RECS 152a Russian Science Fiction Literature and Film
[ hum ]

Open to all students. Conducted in English. Readings in English.

Examines the Russian science fiction tradition in the context of philosophical, historical, and political developments, with attention to topics such as futurism, science and technology, the perfectibility of humanity, the nature of time, the proximity of the unknown, and otherness. Usually offered every third year.

SAS 180a Introduction to Critical Caste Studies
[ djw hum ]

THA 142b Women Playwrights: Writing for the Stage by and about Women
[ ca deis-us wi ]

Introduces the world of women playwrights. This course will engage the texts through common themes explored by women playwrights: motherhood (and daughterhood), reproduction, sexuality, family relationships, etc. Students will participate in writing or performance exercises based on these themes. Usually offered every second year.

THA 146a Theater and the Holocaust
[ ca djw ]

By studying plays and theatrical tools, students can gain insight into the Holocaust and what made it possible as well as its lasting impact. The course will examine how theater has attempted to represent the unimaginable as and communicate about the toxic appeal of antisemitic Nazi ideology, both in the context of the Holocaust and its legacy. Usually offered every third year.

ARBC 103a Lower Advanced Arabic
[ fl hum ]

Prerequisite: A grade of C- or higher in ARBC 40b or the equivalent. Four class-hours per week.

Designed to help the student attain advanced proficiency in reading, writing, speaking, and understanding. The syllabus includes selections from modern texts representing a variety of styles and genres, advanced composition, and sustained development of oral-aural proficiency in Modern Standard Arabic. A grade of C- or higher in ARBC 103a is required to take ARBC 103b. Usually offered every year.

ARBC 103b Middle Advanced Arabic: Contemporary Arab Media
[ fl hum oc ]

Prerequisite: A grade of C- or higher in ARBC 103a or the equivalent. Four class hours per week.

Continuation of ARBC 103a. Intensive honing primarily of oral-aural skills and vocabulary building with concentration on the spoken media of the contemporary Arab world. Review and reinforcement of major grammatical topics as needed. Usually offered every year.

CHIN 106b Business Chinese and Culture
[ fl nw wi ]

Prerequisite: CHIN 40b or equivalent. Does not meet the requirement in the school of humanities.

An advanced Chinese course where students develop their language proficiency and cultural knowledge in professional settings such as the workplace. The course is conducted entirely in Chinese and is designed for students who want to sharpen their language skills and reach a higher level of proficiency in which they are able to read newspapers, magazines, or professional documents, as well as to improve their communicative ability and enhance their self-confidence in Chinese workplaces. Usually offered every second spring.

CHIN 120a Readings in Contemporary Chinese Literature: Advanced Chinese Language
[ fl hum wi ]

Prerequisite: CHIN 105a or equivalent.

For advanced students of Chinese, an introduction to contemporary Chinese short stories from the 1990s and later. Focuses on significant expansion of vocabulary and grammar, and on providing students an opportunity to develop and polish both oral and written skills through class discussion, presentations, and writing assignments. Usually offered every fall.

CHIN 120b Readings in Contemporary Chinese Literature: Advanced Chinese Language II
[ fl hum wi ]

Prerequisite: CHIN 120a or equivalent.

Continuation of CHIN 120a. Study of contemporary Chinese short stories from the 1990s and later. These stories not only represent new literary themes and linguistic expressions, but also reflect the modernization, commercialization, and urbanization that is transforming China. The course improves students' knowledge of the language, as well as enhancing their understanding of Chinese society and culture. Usually offered every spring.

CHIN 140a Yin Yu Tang Documents, Decoding the Late Qing and Early Republic Writings (I)
[ fl hum nw ]

Prerequisites: CHIN 120a and 120b, or proficiency of a native Chinese speaker with advanced reading and writing skills.

Teaches fundamental skills to decode the late Qing and early Republic writings in print or in hand-writing by recognizing and translating the Yin Yu Tang documents. Students of this course will also gain knowledge of Chinese society and culture of this period. Usually offered every year.

FREN 104b Advanced Language Skills through Culture
[ fl hum ]

Prerequisite: A 30-level French and Francophone Studies course or the equivalent. Students enrolling for the first time in a French and Francophone Studies course at Brandeis should refer to http://www.brandeis.edu/registrar/newstudent/testing.html#frentest.

For students who would like to advance their speaking, listening, reading, and writing skills, while focusing on key elements of French and Francophone cultures. Through the study of films, comics, current events, and cultural comparisons, we explore the ways in which French speakers’ perceptions of time and space differ from our own. We also examine issues of globalization in the francophone world. Usually offered every semester.

FREN 105a The Francophone World Today: Advanced Language Skills through Culture II
[ fl hum ]

Prerequisite: FREN 104b or the equivalent. Students enrolling for the first time in a French and Francophone Studies course at Brandeis should refer to http://www.brandeis.edu/registrar/newstudent/testing.html#frentest.

For students who want to improve their speaking skills while learning about and discussing socio-cultural issues that distinguish the French view of the world from that of Americans. Students will focus on expressing themselves better orally while continuing their work on reading, listening, and writing as they explore current topics of debate like slang usage and immigration. Usually offered every semester.

FREN 113a Myth and Migration in Francophone North America
[ djw fl hum ]

Prerequisite: FREN 105a or FREN 106b.

Examines the linguistic and geographic ebb and flow between New England and francophone Canada, the multiple pressures on Native American societies, and the rich representations—particularly certain “myth cycles”—that arise from those interactions over time. Tracing the establishment of New France, subsequent waves of Catholic and Protestant immigrants (including the diaspora of Acadians), and indigenous displacement and resistance, the class will rely upon maps, stories, historical objects, memoirs, poems, films, and pictures to flesh out the complexities of anglophone, francophone, and autochtone co-existence. Usually offered every third year.

FREN 159b Wordplay: Humor in Francophone Texts
[ fl hum wi ]

Prerequisite: FREN 105a or FREN 106b or the equivalent, or permission of the instructor.

Students will analyze the forms and functions of humor in francophone texts (French, Canadian, and Caribbean) from the Middle Ages to the present day. Course themes will include farce, comedy of manners, wordplay, and satire. The course will include archival work. Usually offered every third year.

GER 105b Survey of German Literature from Its Beginnings to the Present
[ fl hum oc ]

Prerequisite: GER 30a.

Examines the relationship between individual and their society throughout history on the basis of fictional and nonfictional German texts (poetry, philosophical texts, short prose, and plays), films and artifacts (photographs, paintings, monuments, coins and tools). While this course focuses on the work of German-language writers, it offers also insights into German social history and the socio-political changes accompanying the transformation of a medieval God-given society into a multi-ethnic society of the 20th and 21st century. Usually offered every second year.

HBRW 34a Intermediate Hebrew II: Aspects of Israeli Culture
[ fl ]

Prerequisite: Any 20-level Hebrew course or the equivalent as determined by placement examination. Four class hours per week with additional half an hour to practice speaking skills.

A continuation of HBRW 20b. A beginner-intermediate level course that helps students strengthen their reading, writing, listening and speaking skills. Contemporary cultural aspects will be stressed and a variety of materials will be used. Usually offered every semester.

HBRW 41a Intensive Conversations about Israeli Culture
[ fl hum ]

Prerequisite: Any 30-level Hebrew course or the equivalent.

An Advanced Intermediate Hebrew course for students who have acquired an intermediate level of Hebrew and who wish to develop greater fluency in conversation with emphasis on aspects of Israeli Culture. Four class hours per week with additional half an hour to practice speaking skills. Usually offered every second year.

HBRW 44b Advanced Intermediate Hebrew: Israeli Culture and Media
[ fl hum ]

Prerequisite: Any 30-level Hebrew course or the equivalent. Four class hours per week with additional half an hour to practice speaking skills.

Reinforces the acquired skills of speaking, listening comprehension, reading, and writing at the intermediate level. Contemporary cultural aspects are stressed; conversational Hebrew and reading of selections from modern literature. Usually offered every semester.

HBRW 144a Plays, Drama, and Society: Israel and the U.S.
[ ca djw fl hum oc wi ]

Prerequisite: Any 30-level Hebrew course or permission of the instructor.

Focuses on critical reading and analysis of authentic and contemporary Israeli short plays and studying the comparison between plays in Israel and those in the U.S. We will examine theories in aspects of drama and implement drama techniques including improvisation, movement, and creative expression. Readings cover topics such as social diversity and justice, as well as human rights and awareness of world identities. The course culminates in the writing of an original scene or one-act play in Hebrew. Usually offered every second year.

HBRW 146a The Voices of Jerusalem
[ djw fl hum wi ]

Prerequisite: Any 30-level Hebrew course or permission of the instructor.

For advanced-intermediate students who wish to enhance their language proficiency and work toward improving fluency and communication through analysis of selected materials covering literature, poetry, history, politics, and art that depict the unique tradition and culture of Jerusalem. Usually offered every fall.

HBRW 164b Israeli Theater Within the Framework of U.S Cultures
[ ca deis-us djw fl hum oc wi ]

Prerequisite: Any 30-level Hebrew course or permission of the instructor.

Promotes cultural awareness and global understanding through the reading and analysis of plays. Student creativity develops through participation in acting and creative writing assignments. Usually offered every second year.

HISP 40b Intermediate Spanish II: Gateway to Advanced Topics in Spanish
[ fl hum ]

Prerequisite: 30-level Hispanic Studies course or equivalent. Students enrolling for the first time in a Hispanic Studies course at Brandeis should refer to www.brandeis.edu/registrar/newstudent/testing.html#spantest.

Students will improve their ability to communicate in Spanish and analyze the products, practices, and perspectives of the Spanish-speaking world. Specifically, students will explore how language, history, traditions, texts, and images express their own identities and those of Spanish speakers around the world. Coursework and assessment will focus on developing language proficiency and intercultural competence. Usually offered every semester.

HISP 105a Advanced Oral Communication through Cultural Topics in Spanish
[ fl hum oc ]

Prerequisite: HISP 40b, or the equivalent. Students may repeat the course once for credit, provided the course covers a new topic. Students enrolling for the first time in a Hispanic Studies course at Brandeis should refer to www.brandeis.edu/registrar/newstudent/testing.html#spantest.

A content-based language course in which you will develop your ability to present information, persuade, and debate in Spanish. Throughout the semester, you will interact with a variety of authentic texts in order to acquire the sociolinguistic tools that you need to communicate effectively in different contexts. Each unit incorporates active learning strategies, cross-cultural comparisons, and social justice themes. Practice tasks and formal assessments will mirror real-world situations where both linguistic and intercultural competence will be evaluated. Usually offered every semester.

HISP 106b Advanced Written Communication Through Cultural Topics in Spanish
[ fl hum wi ]

Prerequisite: HISP 105a or the equivalent. Students enrolling for the first time in a Hispanic Studies course at Brandeis should refer to www.brandeis.edu/registrar/newstudent/testing.html#spantest.

Focuses on written communication and the improvement of writing skills, from developing ideas to outlining and editing. Literary selections will introduce the students to the principles of literary analysis and serve as topics for class discussion and writing. Usually offered every semester.

HISP 111b Introduction to Latin American Literature and Culture
[ djw fl hum nw ]

Prerequisite: HISP 106b, or HISP 108a, or permission of the instructor.

Examines key Latin American texts of different genres (poems, short stories and excerpts from novels, chronicles, comics, screenplays, cyberfiction) and from different time periods from the conquest to modernity. This class places emphasis on problems of cultural definition and identity construction as they are elaborated in literary discourse. Identifying major themes (coloniality and emancipation, modernismo and modernity, indigenismo, hybridity and mestizaje, nationalisms, Pan-Americanism, etc.) we will trace continuities and ruptures throughout Latin American intellectual history. Usually offered every semester.

HISP 124a Nature and Ecology in Latin American Culture
[ djw fl hum ]

HISP 125a Transatlantic Journeys: Cultural Intersections between Spain and Latin America
[ hum ]

Prerequisite: HISP 111b or permission of the instructor.

Explores the rich cultural and historical ties between Spain and Latin America from a transatlantic perspective. Emphasizing an interdisciplinary approach, it covers mutual influences, themes, and circuits of material and symbolical interchange between both territories, spanning from the era of colonization to contemporary globalization. The course places a strong emphasis on themes of myth, sorcery, and religious beliefs, with a special focus on transgressive identities such as rebels, madmen, witches, demons, and mythical creatures. It also delves into other important areas, such as the role of African and Indigenous cultures in the transatlantic colonial and postcolonial era, transnational narratives of race, processes of migration, and circuits of influence in arts and sports. Throughout the semester, students will critically analyze cultural artifacts, understand historical contexts, and engage in comparative studies to appreciate the unique and shared aspects of Spanish and Latin American cultural identities and narratives. This exploration aims to enhance their Spanish language proficiency and research skills, provide a nuanced understanding of the dynamic transatlantic exchanges that have shaped both regions, and invite discussion of past and present trends. Usually offered every third year.

HISP 126a Race and Media in Latin America
[ hum ]

HISP 163b Narratives of the Borderlands and Border Crossers
[ deis-us djw fl hum ]

Prerequisite: HISP 111b, or permission of the instructor. Taught in Spanish.

Explores the U.S.-Mexico border and the many ways in which it has intimately shaped the experiences of people living in the borderlands and/or moving across the border. It will examine literary works that survey the U.S.-Mexico borderlands in terms of their figurative and material realities, with specific attention to how the borderlands are represented in today's society and how the U.S.-Mexico border might be reimagined. This course will also probe the experiences of migrants and border-crosses through the lens of testimonios. Usually offered every second year.

HISP 165b The Storyteller: Short Fiction in Latin America
[ djw fl hum nw ]

Prerequisite: HISP 111b or permission of the instructor.

Through the reading of modern short stories of the 20th and 21st centuries from different Spanish-speaking countries, we reflect on the power of storytelling to shape subjectivity and community. From known literary classics (Borges, García Márquez) to contemporary, emerging younger authors (Bolaños, Enriquez, Schweblin), we examine relevant topics that span Latin American cultural history (colonization, multi-ethnicity, oral and lettered cultures), as well as more contemporary struggles (gender identity, youth culture, ecological concerns). This class uses tools of literary creativity to invite students to connect with their own capacity to develop their own stories. Usually offered every third year.

ITAL 105a Italian Conversation and Composition
[ fl hum oc ]

Prerequisite: ITAL 30a or the equivalent. Students enrolling for the first time in an Italian Studies course at Brandeis should refer to www.brandeis.edu/registrar/newstudent/testing.html#italtest.

This course is designed for students interested in continuing the study of the Italian language, culture, and literature beyond the intermediate level. The development of oral and written proficiency is emphasized through the expansion of vocabulary and activities aimed to improve analytical, interpretive, and presentational skills. The course uses the UN Sustainable Developments Goals to frame important aspects of contemporary Italy. Through a series of activities that practice listening, speaking, reading, and writing in Italian, students reflect on the social impact of our environmental behavior, the importance of art and music in translating experiences, changing opinions, and instilling values, the social impact of the internet in raising voices, creating awareness and calling for social change, how activism ensure inclusion and equality. Usually offered every spring.

ITAL 106a Storia e storie d'Italia: Advanced Italian through Narrative, Film, and Other Media
[ fl hum oc ]

Prerequisite: ITAL 30a, ITAL 105a, or the equivalent. Students enrolling for the first time in an Italian Studies course at Brandeis should refer to www.brandeis.edu/registrar/newstudent/testing.html#italtest.

Aims to prepare students for upper-level courses and to advance language fluency through the practice of all language skills at different ranges of advanced proficiency, grammatical structures, and vocabulary. This course offers a close study and analysis of representative Italian literary texts and films to further improve proficiency in Italian through analytical, interpretive, and presentational activities. Each year, emphasis will be given to a specific theme, such as women writers and Italian history through short stories. Reading and listening activities followed by in-class discussions and presentations are designed to strengthen communication and reading skills. Usually offered every other fall.

ITAL 110a Introduction to Italian Literature: Love, Intrigues, and Politics from Dante to Goldoni
[ fl hum oc ]

Prerequisite: ITAL 105a or 106a or permission of the instructor.

Surveys the masterpieces of Italian literature from Dante to Goldoni's stage. Students will explore different themes such as love, conflict, and politics in Italian early masterpieces by analyzing and comparing genres, historical periods, and schools of thought. Since Oral communication skills are the core of methodology and pedagogy for Italian 110, students will work on primary texts through dynamic and guided discussions, interpretive textual analysis, and different styles of presentations. Usually offered every second year.

ITAL 120b Modern Italian Literature: From Page to the Screen
[ fl hum ]

Prerequisite: ITAL 105a or 106a or permission of the instructor.

Focuses on the analysis of several Italian cinematic productions from the twentieth century to the present, inspired by writers such as Lampedusa, as well as contemporary writers, such as Baricco, Ammaniti, and Ferrante with emphasis on the theme of historical, individual, and familial identity within the context of socio-economic upheaval and transformative cultural events. Conducted in Italian. Usually offered every second year.

ITAL 128a Mapping Modern Italian Culture: Inherited Conflicts
[ fl hum oc ]

Prerequisite: ITAL 105a or 106a or permission of the instructor. Conducted in Italian with Italian texts.

Covers a broad and significant range of cultural topics that exemplify creative responses to historical events and social dilemmas that have shaped contemporary Italian culture including economic changes, the new face of immigration in Italy and second generation's representations, the Italian American diaspora in the United States, the political environment during The Years of Lead, and social justice representations in the fight against the Mafia and Camorra through literature and cinema. Usually offered every second year.

ITAL 134b Voci e storie della cultura ebraica italiana
[ fl hum wi ]

Prerequisite: ITAL 105a or 106a or permission of the instructor. Conducted in Italian. Materials fee: $20.

Analyzes Italian Jewish representations in Italian culture from medieval times to the founding of the ghetto in Venice in 1516 and leading Jewish figures of the Renaissance. Works of modern Italian Jewish writers and historians are examined as well as Italian movies that address Jewish themes within mainstream of Italian culture. This course has an interdisciplinary approach while focusing on advanced Italian language skills. Usually offered every second year.

JAPN 105b Advanced Conversation and Composition II
[ fl hum oc wi ]

Prerequisite: A grade of C- or higher in JAPN 105a or the equivalent. Four class hours per week.

Continuation of JAPN 105a. For advanced students of Japanese who wish to enhance and improve their speaking proficiency as well as reading and writing skills. Students will develop their proficiency in reading and speaking through texts, films, videos and discussions on current issues on Japanese society. Various forms of writing will be assigned to improve students' writing skills. Usually offered every year.

JAPN 120a Topics in Contemporary Japanese Culture and Society
[ fl hum nw oc wi ]

Prerequisite: A grade of C- or higher in JAPN 105b or the equivalent. May be repeated for credit.

Further enhances advanced students’ proficiency in four skills through discussion, reading, writing, presentation, and group work. Usually offered every fall.

JAPN 120b Readings in Modern Japanese Literature
[ fl hum nw oc wi ]

Prerequisite: JAPN 120a or the equivalent.

Students read, analyze, discuss, and write about Japanese short fiction by a wide range of modern and contemporary authors. Screening of film adaptations and television programs complement class discussion, which is conducted in Japanese. Usually offered every year.
Matthew Fraleigh

LAT 115a Roman Drama
[ fl hum ]

Prerequisite: LAT 30a or equivalent.

Selected plays of Plautus and Terence, in Latin. Usually offered every fourth year.
Staff

LAT 120a Vergil
[ fl hum ]

Prerequisite: LAT 30a or equivalent.

Selections from Vergil's Eclogues, Georgics, and the Aeneid in Latin. Usually offered every third year.

NEJS 173a Trauma and Violence in Israeli Literature and Film
[ deis-us djw fl hum oc ]

Taught in Hebrew.

Explores trauma and violence in Israeli Literature, film, and art. Focuses on man-made disasters, war and terrorism, sexual and family violence, and murder and suicide, and examines their relation to nationalism, Zionism, gender, and sexual identity. Usually offered every second year.

NEJS 174a Minorities and Others in Israeli Literature and Culture
[ djw fl hum oc ]

Taught in Hebrew.

An exploration of poetics and identity in modern Hebrew literature. By offering a feminist and psychoanalytic reading of various Hebrew texts, this seminar explores questions of personal and national identity, otherness, visibility, and marginality in the Israeli context. Usually offered every second year.

RUS 40b Gateway to Advanced Topics in Russian Language and Culture
[ fl hum ]

Prerequisite: RUS 30a with a grade of C- or higher or the equivalent as determined by placement examination. Four class hours and one recitation hour per week.

Focuses on expanding the range of contexts for language use and pushing for a greater ease and structural accuracy of language production. Further refining of grammar and vocabulary within the context of Russian culture. Authentic texts and films are used for creating context for reviewing and expanding grammar, syntax and vocabulary knowledge. Usually offered every spring semester.

RUS 105a Russian Language Today: People, Society, State
[ dl fl hum ]

Prerequisite: RUS 39b or RUS 40b with a grade of C- or higher, or the equivalent as determined by placement examination. Taught in Russian. May be repeated once for credit.

For advanced students of Russian language (non-heritage learners) who strive for advanced-level proficiency in all four modalities (listening, reading, speaking and writing). Explores aspects of contemporary Russian society and culture, including such topics as education, social media, religion, gender relations, environment and others. Usually offered every fourth year.

RUS 153a Advanced Russian Language through 19th Century Literature
[ dl fl hum ]

Prerequisite: RUS 39b or RUS 40b with a grade of C- or higher, or the equivalent, or instructor permission. Taught in Russian.

An undergraduate seminar for heritage and advanced students of Russian. Focus on the study of 19th-century Russian literature in the original and development of Russian oral and written skills needed for the close reading and discussion of literature. Usually offered every fourth year.

AMST/ENG 48a American Immigrant Narratives
[ deis-us hum wi ]

With its essential role in U.S. society and history, immigration figures prominently in the American literary canon. This course traverses varied immigrant tales of twentieth-century and contemporary United States, set in the frontier of westward expansion, the Golden West, and the Eastern Seaboard. Some classics of this vast cultural corpus will anchor our critical inquiries into subject and nation formation, citizenship, and marginalization under powerful political forces both at home and abroad. By probing the complex aesthetic modes and narrative strategies in these and other texts, we will investigate deeply felt impacts of ever-shifting American cultural politics shaping immigrant experiences. Usually offered every third year.

CHIN 106b Business Chinese and Culture
[ fl nw wi ]

Prerequisite: CHIN 40b or equivalent. Does not meet the requirement in the school of humanities.

An advanced Chinese course where students develop their language proficiency and cultural knowledge in professional settings such as the workplace. The course is conducted entirely in Chinese and is designed for students who want to sharpen their language skills and reach a higher level of proficiency in which they are able to read newspapers, magazines, or professional documents, as well as to improve their communicative ability and enhance their self-confidence in Chinese workplaces. Usually offered every second spring.

CHIN 120a Readings in Contemporary Chinese Literature: Advanced Chinese Language
[ fl hum wi ]

Prerequisite: CHIN 105a or equivalent.

For advanced students of Chinese, an introduction to contemporary Chinese short stories from the 1990s and later. Focuses on significant expansion of vocabulary and grammar, and on providing students an opportunity to develop and polish both oral and written skills through class discussion, presentations, and writing assignments. Usually offered every fall.

CHIN 120b Readings in Contemporary Chinese Literature: Advanced Chinese Language II
[ fl hum wi ]

Prerequisite: CHIN 120a or equivalent.

Continuation of CHIN 120a. Study of contemporary Chinese short stories from the 1990s and later. These stories not only represent new literary themes and linguistic expressions, but also reflect the modernization, commercialization, and urbanization that is transforming China. The course improves students' knowledge of the language, as well as enhancing their understanding of Chinese society and culture. Usually offered every spring.

CLAS 140a Women, Gender, and Sexuality in Greek and Roman Art and Text
[ ca djw hum wi ]

An exploration of women, gender, and sexuality in ancient Greece and Rome as the ideological bases of Western attitudes toward sex and gender. Includes, in some fashion, Greek and Roman myth, literature, art, architecture, and archaeological artifacts. Usually offered every third year.

ENG 35a The Weird and the Experimental in Contemporary Literature
[ hum wi ]

What does it mean to be “weird”? What makes a text “experimental”? And what can experimental texts teach us about the ever-changing nature of society? This course explores innovation and experimentation in the narrative structure of contemporary novels and films from around the world within their cultural contexts. Special one-time offering, spring 2024.

FREN 159b Wordplay: Humor in Francophone Texts
[ fl hum wi ]

Prerequisite: FREN 105a or FREN 106b or the equivalent, or permission of the instructor.

Students will analyze the forms and functions of humor in francophone texts (French, Canadian, and Caribbean) from the Middle Ages to the present day. Course themes will include farce, comedy of manners, wordplay, and satire. The course will include archival work. Usually offered every third year.

GECS 130b The Princess and the Golem: Fairy Tales
[ hum wi ]

Conducted in English.

Compares Walt Disney's films with German and other European fairy tales from the nineteenth and twentieth century, focusing on feminist and psychoanalytic readings. Usually offered every second year.

HBRW 144a Plays, Drama, and Society: Israel and the U.S.
[ ca djw fl hum oc wi ]

Prerequisite: Any 30-level Hebrew course or permission of the instructor.

Focuses on critical reading and analysis of authentic and contemporary Israeli short plays and studying the comparison between plays in Israel and those in the U.S. We will examine theories in aspects of drama and implement drama techniques including improvisation, movement, and creative expression. Readings cover topics such as social diversity and justice, as well as human rights and awareness of world identities. The course culminates in the writing of an original scene or one-act play in Hebrew. Usually offered every second year.

HBRW 146a The Voices of Jerusalem
[ djw fl hum wi ]

Prerequisite: Any 30-level Hebrew course or permission of the instructor.

For advanced-intermediate students who wish to enhance their language proficiency and work toward improving fluency and communication through analysis of selected materials covering literature, poetry, history, politics, and art that depict the unique tradition and culture of Jerusalem. Usually offered every fall.

HBRW 164b Israeli Theater Within the Framework of U.S Cultures
[ ca deis-us djw fl hum oc wi ]

Prerequisite: Any 30-level Hebrew course or permission of the instructor.

Promotes cultural awareness and global understanding through the reading and analysis of plays. Student creativity develops through participation in acting and creative writing assignments. Usually offered every second year.

HISP 106b Advanced Written Communication Through Cultural Topics in Spanish
[ fl hum wi ]

Prerequisite: HISP 105a or the equivalent. Students enrolling for the first time in a Hispanic Studies course at Brandeis should refer to www.brandeis.edu/registrar/newstudent/testing.html#spantest.

Focuses on written communication and the improvement of writing skills, from developing ideas to outlining and editing. Literary selections will introduce the students to the principles of literary analysis and serve as topics for class discussion and writing. Usually offered every semester.

HISP 196a Topics in Latinx Literature and Culture
[ hum wi ]

May be repeated for credit. May be taught in English or Spanish.

Offers students the opportunity for in-depth study of a particular aspect of the diverse literary and cultural production of U.S. latinx. Topics will vary from year to year but may include autobiography, detective fiction, or historical fiction. Usually offered every third year.

ITAL 134b Voci e storie della cultura ebraica italiana
[ fl hum wi ]

Prerequisite: ITAL 105a or 106a or permission of the instructor. Conducted in Italian. Materials fee: $20.

Analyzes Italian Jewish representations in Italian culture from medieval times to the founding of the ghetto in Venice in 1516 and leading Jewish figures of the Renaissance. Works of modern Italian Jewish writers and historians are examined as well as Italian movies that address Jewish themes within mainstream of Italian culture. This course has an interdisciplinary approach while focusing on advanced Italian language skills. Usually offered every second year.

JAPN 105b Advanced Conversation and Composition II
[ fl hum oc wi ]

Prerequisite: A grade of C- or higher in JAPN 105a or the equivalent. Four class hours per week.

Continuation of JAPN 105a. For advanced students of Japanese who wish to enhance and improve their speaking proficiency as well as reading and writing skills. Students will develop their proficiency in reading and speaking through texts, films, videos and discussions on current issues on Japanese society. Various forms of writing will be assigned to improve students' writing skills. Usually offered every year.

JAPN 120a Topics in Contemporary Japanese Culture and Society
[ fl hum nw oc wi ]

Prerequisite: A grade of C- or higher in JAPN 105b or the equivalent. May be repeated for credit.

Further enhances advanced students’ proficiency in four skills through discussion, reading, writing, presentation, and group work. Usually offered every fall.

JAPN 120b Readings in Modern Japanese Literature
[ fl hum nw oc wi ]

Prerequisite: JAPN 120a or the equivalent.

Students read, analyze, discuss, and write about Japanese short fiction by a wide range of modern and contemporary authors. Screening of film adaptations and television programs complement class discussion, which is conducted in Japanese. Usually offered every year.
Matthew Fraleigh

RECS 130a The Great Russian Novel
[ hum wi ]

Open to all students. Conducted in English. Students may choose to do readings either in English translation or in Russian.

A comprehensive survey of the major writers and themes of the nineteenth century including Gogol, Turgenev, Dostoevsky, Tolstoy, Chekhov, and others. Usually offered every second year.

THA 142b Women Playwrights: Writing for the Stage by and about Women
[ ca deis-us wi ]

Introduces the world of women playwrights. This course will engage the texts through common themes explored by women playwrights: motherhood (and daughterhood), reproduction, sexuality, family relationships, etc. Students will participate in writing or performance exercises based on these themes. Usually offered every second year.

WLIT 100a Introduction to Global Literature
[ dl hum oc ]

Core course for COML major and minor.

What is common and what is different in literatures of different cultures and times? How do literary ideas move from one culture to another? In this course students read theoretical texts, as well as literary works from around the world. Usually offered every year.

WLIT 100a Introduction to Global Literature
[ dl hum oc ]

Core course for COML major and minor.

What is common and what is different in literatures of different cultures and times? How do literary ideas move from one culture to another? In this course students read theoretical texts, as well as literary works from around the world. Usually offered every year.