Provisional University Bulletin (2026-2027)

• Minor
• Major (BA)

The program in Comparative Literature and Culture engages the study of literatures and cultures within and across national boundaries. It comprises the comparative analysis of literary and cultural texts not only in relation to genres, forms, and movements, but within the larger context of social discourse and cultural practices. Because cultural practices are not static but continually changing, the comparative approach is sensitive not only to historical context, but also to how cultural forms adapt to new conditions. Analysis of cultural differences, diversities, and similarities will promote a greater knowledge of the rapidly changing globe we inhabit, and also deepen students' critical understanding of their own cultures.

Comparative study explores literature and other art forms beyond and across the boundaries of single nations, languages and cultures, often in conjunction with the historical, political and social realities that lend life and variety to any art form. It represents a way of approaching creative works, rather than a specific body of knowledge about them. Because the comparative approach takes a global perspective, embracing all of world literature and culture in all periods of history, no one person could possibly embody the field. As a result, the comparative field is a highly dynamic, interdisciplinary and collaborative endeavor, which is reflected in the diverse interests of our students and faculty.

The Comparative Literature and Culture core course, COML 100a, Introduction to Global Literature, introduces students to the diversity of approaches to comparing literatures and cultures possible within the field and serves as a jumping-off point for students' individualized exploration of literary and other works from across the globe, from a wide variety of perspectives. Beyond the core course, the major also emphasizes the study of literature and culture in languages other than English. Courses are taught by distinguished faculty from across the Humanities at Brandeis.

Comparative studies are inherently multicultural and dynamic. We are constantly shaping our curriculum to fit the interests and needs of the changing student body and encourage student input at all levels of program planning.

Knowledge

Students completing the major in Comparative Literature and Culture will:

Core Skills

Majors will develop the capacity to:

Social Justice

Cultural forms and ideas move across borders, now perhaps more than ever; the Comparative Literature and Culture program emphasizes the importance of cultural literacy and sensitivity to cultural difference both within individual societies and in the global context. The curriculum provides graduates with knowledge and perspectives needed to appreciate and respect the diversity of creative expression around the world, as well as the shared human urge toward artistic expression in language, whether oral or written. Majors will be prepared to participate in multicultural and global conversations by asking questions, listening closely and responding productively, in the collaborative spirit of the field.

Upon Graduating

A Brandeis student with a Comparative Literature and Culture major will be prepared to use the knowledge and skills gained from the sustained comparative study of literatures and cultures to pursue professional training and a range of careers that demand a global perspective or a knowledge of and appreciation for diverse cultures, including those in academics, government, non-governmental organizations and non-profits, and international business.

All students are welcome to enroll in any course in the program unless prerequisites are stipulated. Students interested in learning more about the Comparative Literature and Culture major or minor are encouraged to speak with the Undergraduate Advising Head. Keep in mind that two literature or cultural courses must be taken in a language other than English. Students are strongly encouraged to spend at least one semester abroad, preferably in a country whose primary language is not English.

Stephen Dowden
(German, Russian, and Asian Languages and Literature)

Matthew Fraleigh
(German, Russian, and Asian Languages and Literature)

David Powelstock, Chair and Undergraduate Advising Head
(German, Russian, and Asian Languages and Literature)

Laura Quinney
(English)

Michael Randall
(French and Francophone Studies)

Pu Wang
(German, Russian, and Asian Languages and Literature)

Affiliated Faculty

(contributing to the curriculum, advising and administration of the department or program)

Jonathan Decter
(Near Eastern and Judaic Studies)

Stephen Dowden
(German, Russian, and Asian Languages and Literature)

William Flesch
(English)

Matthew Fraleigh
(German, Russian, and Asian Languages and Literature)

Caitlin Gillespie
(Classical Studies)

James Mandrell
(Romance Studies)

Robin Feuer Miller
(German, Russian, and Asian Languages and Literature)

David Powelstock
(German, Russian, and Asian Languages and Literature)

Laura Quinney
(English)

Michael Randall
(Romance Studies)

Fernando Rosenberg
(Romance Studies)

David Sherman
(English)

Harleen Singh
(German, Russian, and Asian Languages and Literature)

Pu Wang
(German, Russian, and Asian Languages and Literature)

The minor in Comparative Literature and Culture requires five courses, distributed as follows:

1. COML 100a, to be taken as early as possible in the student's academic career.
2. One upper-level course taught in a language other than English, involving work with texts and/or films in a language other than English. Normally such courses are numbered 100 and above, exclusive of language skills courses. Coursework in literature and culture focused upon original-language texts can be pursued both at Brandeis and through approved Study Abroad programs.
3. Two upper-level courses COML-designated courses. These courses will bridge more than one national tradition and engage in cross-cultural examination.
4. One additional upper-level elective course in literature or a related field as approved by the Undergraduate Advising Head. Students are encouraged to select a course that takes a comparative approach.
5. No more than two classes taken toward the minor can double count toward any other major or minor.
6. No course with a grade below a C- may count toward the minor nor any course taken pass/fail.

The major in Comparative Literature and Culture requires a minimum of nine courses, distributed as follows:

1. COML 100a, to be taken as early as possible in the student's academic career.
2. Two upper-level courses taught in a language other than English, involving work with texts and/or films. Normally such courses are numbered 100 and above, exclusive of language skills courses. The two courses need not be drawn from a single language tradition. Coursework in literature and culture focused upon original-language texts can be pursued both at Brandeis and through approved Study Abroad programs.
3. Three upper-level COML-designated courses. These courses will bridge more than one national tradition and engage in cross-cultural examination.
4. Three additional upper-level elective courses in literature or a related field as approved by the Undergraduate Advising Head. Students are encouraged to select courses that take a comparative approach. No more than two elective courses may be used towards the elective requirement for the Film, Television, and Interactive Media major. No more than one of these elective courses may be counted toward another major.
5. Foundational Literacies: As part of completing the Comparative Literature and Culture major, students must:
   • Fulfill the writing intensive requirement by successfully completing one of the following: Any COML cross-listed course approved for WI or COML/ENG 148a.
   • Fulfill the oral communication requirement by successfully completing: COML 100a.
   • Fulfill the digital literacy requirement by successfully completing: COML 100a.
6. No course with a grade below a C- will count toward the major nor any course taken pass/fail.

Honors

Students who wish to pursue honors must enroll in COML 99d, normally in the senior year, and complete a thesis. One semester of thesis research may substitute for an upper-level comparative course. A senior project is required only of students pursuing honors.

COML 97a Senior Essay

Offers students an opportunity to produce a senior essay under the direction of an individual instructor. Usually offered every fall.

ENG/WLIT 21a The Literature of Walking
[ hum oc ]

Explores genres of pedestrianism—rambles, strolls, promenades, treks, pilgrimages, marches. Students will take and design walks as well as read major works on the subject. Usually offered every fourth year.

ENG/WLIT 70b Environmental Film, Environmental Justice
[ djw hum ]

Examines films that address nature, environmental crisis, and green activism. Asks how world cinema can best advance the goals of social and environmental justice. Includes films by major directors and festival award winners. Usually offered every third year.

WLIT 98a Independent Study

May be taken only by majors, with the written permission of the advising head and the chair of the department.

Readings and reports under faculty supervision. Offered as needed.

WLIT 98b Independent Study

Yields half-course credit. May be taken only by majors, with the written permission of the advising head and the chair of the department.

Reading and reports under faculty supervision. Offered as needed.

WLIT 99d Senior Thesis

May be taken only with the permission of the Undergraduate Advising Head.

This is a full-year course that must be taken by all senior majors in World Literatures who wish to undertake honors work. Usually offered every year.

ENG/WLIT 106a The Lyric Imagination from Romanticism to the Present
[ hum ]

That the poetic imagination could be not merely a source of pleasure, instruction, and inspiration, but a source of insight into the meaning of being, a way of connecting the outer world of nature and the inner world of the spirit, a source of ontological, ethical, and political truth, was a conviction entertained by many poets in English and German from the Romantic period to the present day. The course will consider these ideas in the poetry of Blake, Novalis, Eichendorff, Hölderlin, Wordsworth, Goethe, Keats, Whitman, Rilke, Eliot and Celan. Special one-time offering, fall 2024.

ENG/WLIT 140b Children's Literature and Constructions of Childhood
[ hum ]

Explores whether children's literature has sought to civilize or to subvert, to moralize or to enchant, forming a bedrock for adult sensibility. Childhood reading reflects the unresolved complexity of the experience of childhood itself as well as larger cultural shifts around the globe in values and beliefs. Usually offered every third year.

ENG/WLIT 141b Literature and Time
[ hum ]

Explores the human experience of temporality and reflection upon it. Themes covered by this course include: memory, nostalgia, anxiety, ethics, eternity, and time travel. Usually offered every third year.

ENG/WLIT 149a Hell: The Poetry
[ hum ]

Studies the Classical underworld and its reworking in English verse. Topics include the descent to the underworld, the ambiguous Satan, the myths of Orpheus and Penelope, and the psychological Hells of the modernists. Usually offered every second year.

ENG/WLIT 191a Environmental Aesthetics
[ djw hum oc ]

Explores major schools of thought about nature, ecology, and art. Usually offered every third year.

RECS/WLIT 136a All in the Family: Tolstoy, Dostoevsky and the English Novel
[ hum ]

Selected novels and writings of Austen, Dostoevsky, Tolstoy and Woolf will be read to trace both the evolution of the novel and the meanings, contexts and depictions of the family. The family novel encompasses such larger questions as how we regard the pain of others and how we define community. Usually offered every second year.

WLIT 100a Introduction to Global Literature
[ dl hum oc ]

Core course for COML major and minor.

What is common and what is different in literatures of different cultures and times? How do literary ideas move from one culture to another? In this course students read theoretical texts, as well as literary works from around the world. Usually offered every year.

WLIT 105a World Culture and Marxism
[ djw hum ]

Exploring the linkage between Marxism and global modernity, this course emphasizes the deep entanglement of Marxism with twentieth-century literature and culture in both the so-called 'advanced West' and the vast world of 'underdevelopment' (such as China, Africa, and Latin America). In this course, students will see how Marxism has evolved as a revolutionary praxis in the crisis-fraught capitalist world system, and how it has inspired international literary movements and cultural debates aimed to subvert that system. With case studies drawn from across the world and readings selected from Marx's century all the way to our own, we will study the development of the international cultural left. We will also try to decenter (deprovincialize or de-Westernize) Marxism and understand it as an integral part of the translingual/transnational search for a different world'a world of common good and cultural equality. Usually offered every second year.

WLIT 114a World Literature and the Chinese Revolution
[ hum ]

Explores the mutual formation of World Literature as aesthetic-political commons and the Chinese Revolution as a long cultural revolution in the twentieth century. All Chinese, German, French, Russian, Japanese, and Spanish texts will be read in English translation.

WLIT 116b Nietzsche: An Introduction
[ hum ]

A basic introduction to Friedrich Nietzsche's thoughts and writings. Usually offered every fourth year.

WLIT 117a Magical Realism and Modern Myth
[ hum ]

An exploration of magical realism, as well as the enduring importance of myth, in twentieth and twenty-first century fiction and film from Columbia, India, Nigeria, the United States, England, and elsewhere. Authors include Ben Okri, Toni Morrison, Gabriel Garcia Marquez, and Salman Rushdie; films include Pan's Labyrinth and Beasts of the Southern Wild. Usually offered every second year.

WLIT 120a Disordered Loves and Howling Passion: European Romanticism
[ hum ]

Introduces European Romanticism from a comparative and interdisciplinary perspective. This course integrates literature, painting, music, and philosophy. Works by Beethoven, Hölderlin, Schubert, Delacroix, Wordsworth, Mary Shelly, Verdi, Schlegel, Kant, Claude David and others. Usually offered every second year.

WLIT 123a Perfect Love?
[ hum ]

The conflict between "perfect' and carnal love has inspired artistic works from the Middle Ages through the present. This course studies how perfect love runs afoul of more human desires in works by authors, composers, and film makers like Chrétien de Troye, Marguerite de Navarre, Hawthorne, Monteverdi, di Sica, and Wong Karwai. Usually offered every second year.

WLIT 132b Poetry and Philosophy
[ hum ]

Plato called the relationship between poetry and philosophy an "ancient quarrel." But within the last century some thinkers have attempted to effect a rapprochement. After considering the Platonic argument and its legacy, this course will explore the marriage of poetry and philosophy in later times, looking particularly at the experiments of German romantic aesthetics and its legacy in 20th-century Continental literary philosophy. What is the nature of the "ancient quarrel" between poetry and philosophy? In what sense do they compete for the same space? Can poetry be a kind of philosophy, or vice versa? Can philosophy help us to understand the nature of poetry, and vice versa? Usually offered every third year.

WLIT 146b Classical East Asian Poetics
[ hum nw ]

An introduction to the classical poetic forms of China, Japan, and Korea. Special consideration is paid to issues of canonization, classical theories of literature, and the development of multilingual literary traditions. All readings are in English. Usually offered every third year.

WLIT 150b Critique of Erotic Reason
[ hum ]

Explores transformations in erotic sensibilities in the novel from the early nineteenth century to the present. Works by Goethe, Austen, Kierkegaard, Tolstoy, Schopenhauer, Bronte, Chekhov, Garcia-Marquez, Kundera, and Cormac McCarthy. Usually offered every third year.

WLIT 160a East European Literature and Film: Art and Life in the Throes of History
[ hum ]

All texts, films, and instruction in English. No prerequisites.

Examines major East European films and literary works from the Ukrainian, Polish,  Czech, Romanian, Hungarian, (former) Yugoslavian, Bosnian, and other traditions. With an eye toward the unique historical, political, and ideological currents of the region and its constituent nationalities, we will focus on both artistic expression and engagement with larger issues.  Usually offered every second year.

WLIT 171a Literary Translation in Theory and in Practice
[ hum ]

Prerequisite: Excellent reading knowledge of any language other than English. Students will be asked to demonstrate proficiency before receiving consent to enroll in the course.

Approaching literary translation from several angles at once, this course combines readings in the history and theory of translation with a practical translation workshop. Students will experience first-hand the challenges of literary translation and, with the help of the theoretical readings, reflect on what the process teaches us about linguistic, literary, and cultural difference. Usually offered every second year.

WLIT 178a Cult Books
[ hum ]

Explores novels on the fringe of literary respectability, books that have won passionate, if not necessarily large followings (hence the ambivalent praise implied in the term 'cult book'). Works by Renate Adler, J. G. Ballard, Thomas Bernhard, Osamu Dazai, Wei Hui, Chester Himes, Fleur Jaeggy, Anna Kavan, William Kotzwinkle, Eileen Myles, Maggie Nelson, Georges Perec, Hunter Thompson, Robert Walser, Shuo Wang and others. Usually offered every third year.

WLIT 100a Introduction to Global Literature
[ dl hum oc ]

Core course for COML major and minor.

What is common and what is different in literatures of different cultures and times? How do literary ideas move from one culture to another? In this course students read theoretical texts, as well as literary works from around the world. Usually offered every year.

WLIT 100a Introduction to Global Literature
[ dl hum oc ]

Core course for COML major and minor.

What is common and what is different in literatures of different cultures and times? How do literary ideas move from one culture to another? In this course students read theoretical texts, as well as literary works from around the world. Usually offered every year.

ENG 35a The Weird and the Experimental in Contemporary Literature
[ hum wi ]

What does it mean to be “weird”? What makes a text “experimental”? And what can experimental texts teach us about the ever-changing nature of society? This course explores innovation and experimentation in the narrative structure of contemporary novels and films from around the world within their cultural contexts. Special one-time offering, spring 2024.

ARBC 103a Lower Advanced Arabic
[ fl hum ]

Prerequisite: A grade of C- or higher in ARBC 40b or the equivalent. Four class-hours per week.

Designed to help the student attain advanced proficiency in reading, writing, speaking, and understanding. The syllabus includes selections from modern texts representing a variety of styles and genres, advanced composition, and sustained development of oral-aural proficiency in Modern Standard Arabic. A grade of C- or higher in ARBC 103a is required to take ARBC 103b. Usually offered every year.

ARBC 103b Middle Advanced Arabic: Contemporary Arab Media
[ fl hum oc ]

Prerequisite: A grade of C- or higher in ARBC 103a or the equivalent. Four class hours per week.

Continuation of ARBC 103a. Intensive honing primarily of oral-aural skills and vocabulary building with concentration on the spoken media of the contemporary Arab world. Review and reinforcement of major grammatical topics as needed. Usually offered every year.

CHIN 120a Readings in Contemporary Chinese Literature: Advanced Chinese Language
[ fl hum wi ]

Prerequisite: CHIN 105a or equivalent.

For advanced students of Chinese, an introduction to contemporary Chinese short stories from the 1990s and later. Focuses on significant expansion of vocabulary and grammar, and on providing students an opportunity to develop and polish both oral and written skills through class discussion, presentations, and writing assignments. Usually offered every fall.

CHIN 120b Readings in Contemporary Chinese Literature: Advanced Chinese Language II
[ fl hum wi ]

Prerequisite: CHIN 120a or equivalent.

Continuation of CHIN 120a. Study of contemporary Chinese short stories from the 1990s and later. These stories not only represent new literary themes and linguistic expressions, but also reflect the modernization, commercialization, and urbanization that is transforming China. The course improves students' knowledge of the language, as well as enhancing their understanding of Chinese society and culture. Usually offered every spring.

FREN 110a Cultural Representations
[ fl hum oc ]

Prerequisite: FREN 105a or FREN 106b or the equivalent, or permission of the instructor.

A foundation course in French and Francophone culture, analyzing texts and other cultural phenomena such as film, painting, music, and politics. Usually offered every year.

FREN 111a The Republic
[ fl hum oc ]

Prerequisite: FREN 105a or FREN 106b or the equivalent, or permission of the instructor.

The "Republic" analyzes how the republican ideal of the citizen devoid of religious, ethnic, or gender identity has fared in different Francophone political milieux. Course involves understanding how political institutions such as constitutions, parliaments, and court systems interact with reality of modern societies in which religious, ethnic, and gender identities play important roles. Usually offered every year.

FREN 142b City and the Book
[ fl hum wi ]

Prerequisite: FREN 105a or FREN 106b or the equivalent, or permission of the instructor.

Analyzes the symbolic appearance of the city in French literature and film from the Middle Ages to the present day. The representation of the city in literature and film is contextualized in theoretical writings of urbanists and philosophers. Literary texts include medieval fabliaux, Pantagruel (Rabelais) and Nana (Zola) as well as theoretical texts by Descartes, Ledoux, Le Corbusier, Salvador Dalí, and Paul Virillo. Usually offered every second year.

FREN 186b Literature and Politics
[ fl hum wi ]

Prerequisite: FREN 105a or 106b or the equivalent, or permission of the instructor.

We will be interested in how the literary is political and the political literary. We will organize the class around the relationship of the individual and the community. Texts include: Montaigne's Essais, Corneille's Horace, Genet's Les nègres, Arendt's What is Politics?, Dumont's Essays on Individualism, Fanon's Peau noire, masques blancs. Usually offered every third year.

GRK 115b Ancient Greek Drama and Comedy
[ fl hum ]

The plays of Aeschylus, Aristophanes, Euripides, and Sophocles, in Greek. A different playwright is studied each year. See Schedule of Classes for current topic. Usually offered every fourth year.

GRK 120b Greek Prose Authors
[ fl hum ]

Selections from Herodotus, Thucydides, Plato, Aristotle, Demosthenes, and other prose authors, in Greek. See Schedule of Classes for current topic. Usually offered every third year.

HBRW 144a Plays, Drama, and Society: Israel and the U.S.
[ ca djw fl hum oc wi ]

Prerequisite: Any 30-level Hebrew course or permission of the instructor.

Focuses on critical reading and analysis of authentic and contemporary Israeli short plays and studying the comparison between plays in Israel and those in the U.S. We will examine theories in aspects of drama and implement drama techniques including improvisation, movement, and creative expression. Readings cover topics such as social diversity and justice, as well as human rights and awareness of world identities. The course culminates in the writing of an original scene or one-act play in Hebrew. Usually offered every second year.

HBRW 146a The Voices of Jerusalem
[ djw fl hum wi ]

Prerequisite: Any 30-level Hebrew course or permission of the instructor.

For advanced-intermediate students who wish to enhance their language proficiency and work toward improving fluency and communication through analysis of selected materials covering literature, poetry, history, politics, and art that depict the unique tradition and culture of Jerusalem. Usually offered every fall.

HBRW 164b Israeli Theater Within the Framework of U.S Cultures
[ ca deis-us djw fl hum oc wi ]

Prerequisite: Any 30-level Hebrew course or permission of the instructor.

Promotes cultural awareness and global understanding through the reading and analysis of plays. Student creativity develops through participation in acting and creative writing assignments. Usually offered every second year.

HBRW 170a Take I: Israeli Cinema and American Culture
[ deis-us djw fl hum wi ]

Prerequisite: Any 40-level Hebrew course or permission of the instructor.

Introduces students to various aspects of Israeli society as portrayed in Israeli films and television. In addition to viewing films, students will be asked to read Hebrew background materials, to participate in class discussions, and to write review and criticism about the films. The course prepares students to deepen their analytical skills in order to gain broader understanding and intercultural knowledge as well as transform their personal and global thinking. Usually offered every second year.

HISP 111b Introduction to Latin American Literature and Culture
[ djw fl hum nw ]

Prerequisite: HISP 106b, or HISP 108a, or permission of the instructor.

Examines key Latin American texts of different genres (poems, short stories and excerpts from novels, chronicles, comics, screenplays, cyberfiction) and from different time periods from the conquest to modernity. This class places emphasis on problems of cultural definition and identity construction as they are elaborated in literary discourse. Identifying major themes (coloniality and emancipation, modernismo and modernity, indigenismo, hybridity and mestizaje, nationalisms, Pan-Americanism, etc.) we will trace continuities and ruptures throughout Latin American intellectual history. Usually offered every semester.

HISP 160a Culture, Media, and Social Change in Latin America
[ djw fl hum nw wi ]

Prerequisite: HISP 109b or HISP 111b, or permission of the instructor.

Explores the role of various creative arts (creative writing, visual arts, music, film, performance) in their role as fostering political change in Latin America. We will examine key eras of 20th and 21st century cultural production in relation to shifting mass-media landscapes, from the revolutionary impetus of the early 20th century avant-gardes in literature and visual arts, the Mexican Revolution, popular music in the 1940s, documentary film and music, and the anti-establishment movements of the 1960s-1970s guerrillas, artistic resistance to the dictatorship, to the street art accompanying human rights, and grass roots identity movements of the 2000s. Usually offered every second year.

HISP 164b Studies in Latin American Literature
[ fl hum nw ]

Prerequisite: HISP 111b, or permission of the instructor. Course may be repeated for credit. Does not fulfill writing intensive beginning fall 2020.

A comparative and critical study of main trends, ideas, and cultural formations in Latin America. Topics vary year to year and have included fiction and history in Latin American literature, nation and narration, Latin American autobiography, art and revolution in Latin America, and humor in Latin America. Usually offered every year.

ITAL 120b Modern Italian Literature: From Page to the Screen
[ fl hum ]

Prerequisite: ITAL 105a or 106a or permission of the instructor.

Focuses on the analysis of several Italian cinematic productions from the twentieth century to the present, inspired by writers such as Lampedusa, as well as contemporary writers, such as Baricco, Ammaniti, and Ferrante with emphasis on the theme of historical, individual, and familial identity within the context of socio-economic upheaval and transformative cultural events. Conducted in Italian. Usually offered every second year.

ITAL 128a Mapping Modern Italian Culture: Inherited Conflicts
[ fl hum oc ]

Prerequisite: ITAL 105a or 106a or permission of the instructor. Conducted in Italian with Italian texts.

Covers a broad and significant range of cultural topics that exemplify creative responses to historical events and social dilemmas that have shaped contemporary Italian culture including economic changes, the new face of immigration in Italy and second generation's representations, the Italian American diaspora in the United States, the political environment during The Years of Lead, and social justice representations in the fight against the Mafia and Camorra through literature and cinema. Usually offered every second year.

JAPN 120b Readings in Modern Japanese Literature
[ fl hum nw oc wi ]

Prerequisite: JAPN 120a or the equivalent.

Students read, analyze, discuss, and write about Japanese short fiction by a wide range of modern and contemporary authors. Screening of film adaptations and television programs complement class discussion, which is conducted in Japanese. Usually offered every year.
Matthew Fraleigh

LAT 115a Roman Drama
[ fl hum ]

Prerequisite: LAT 30a or equivalent.

Selected plays of Plautus and Terence, in Latin. Usually offered every fourth year.
Staff

LAT 118a Latin Lyric and Elegiac Poetry
[ fl hum ]

Prerequisite: LAT 30a or equivalent.

Selections from Catullus, Horace, Propertius, Tibullus, and Ovid, in Latin. Usually offered every third year.

LAT 119b Ovid
[ fl hum ]

Prerequisite: LAT 30a or equivalent.

Selections from Ovid's mythological-poetic history of the universe, in Latin. Usually offered every fourth year.

LAT 120a Vergil
[ fl hum ]

Prerequisite: LAT 30a or equivalent.

Selections from Vergil's Eclogues, Georgics, and the Aeneid in Latin. Usually offered every third year.

RUS 150b Advanced Russian Language through 20th Century Literature
[ dl fl hum oc ]

Prerequisite: RUS 39b or RUS 40b or the equivalent, or instructor permission. Taught in Russian. Course may be repeated for credit with instructor's permission.

A seminar for continuing students of Russian who wish to enhance their proficiency and accuracy in speaking, reading and writing. Focusing on the close study of Russian literature in the original Russian and the development of Russian oral and written language skills needed for the close reading and discussion of literature. Usually offered every second year.

RUS 153a Advanced Russian Language through 19th Century Literature
[ dl fl hum ]

Prerequisite: RUS 39b or RUS 40b with a grade of C- or higher, or the equivalent, or instructor permission. Taught in Russian.

An undergraduate seminar for heritage and advanced students of Russian. Focus on the study of 19th-century Russian literature in the original and development of Russian oral and written skills needed for the close reading and discussion of literature. Usually offered every fourth year.

AAAS 125b Caribbean Women and Globalization: Sexuality, Citizenship, Work
[ ss wi ]

Utilizing perspectives from sociology, anthropology, fiction, and music to examine the relationship between women's sexuality and conceptions of labor, citizenship, and sovereignty. The course considers these alongside conceptions of masculinity, contending feminisms, and the global perspective. Usually offered every second year.

AAAS 134b Novel and Film of the African Diaspora
[ djw hum nw ]

Writers and filmmakers, who are usually examined separately under national or regional canonical categories such as "(North) American," "Latin American," "African," "British," or "Caribbean," are brought together here to examine transnational identities and investments in "authentic," "African," or "black" identities. Usually offered every third year.

ANTH 105a Myth and Ritual
[ nw ss ]

Studies myth and ritual as two interlocking modes of cultural symbolism. Evaluates theoretical approaches to myth by looking at creation and political myths. Examines performative, processual, and spatial models of ritual analysis through study of initiation, sacrifice, and funerals. Usually offered every second year.

CHIN 136b Chinese Modernism in International Context
[ hum nw ]

Taught in English.

Examines the origins, recurrences, and metamorphosis of modernistic styles and movements in twentieth-century Chinese literature, film, fine art, and intellectual discourses. Usually offered every second year.

CLAS 170a Classical Mythology
[ hum ]

An introduction to Greek and Roman mythology. Considers ancient song cultures, and the relationship between myth, drama, and religion. Also explores visual representations of myth. Usually offered every second year.

EAS 120b Southeast Asian Literature in English
[ djw hum ]

Explores a range of Southeast Asian literary productions presented in English from the late nineteenth century to the present day. Materials include influential texts by Western observers (W. Somerset Maugham, Marguerite Duras) during the colonial period as well as major works by prominent postcolonial writers (Tash Aw, Eka Kurniawan, Mai Der Vang). We will consider the complex questions of colonialism, postcoloniality, twentieth-century wars, and regional identity formation under late capitalism through intersectional textual analysis. Usually offered every third year.

ECS 100a European Cultural Studies Proseminar: Modernism
[ dl hum oc ]

Explores the interrelationship of literature, music, painting, philosophy, and other arts in the era of high modernism. Works by Artaud, Baudelaire, Benjamin, Mann, Mahler, Schoenberg, Stravinsky, Kandinsky, Schiele, Beckett, Brecht, Adorno, Sartre, Heidegger, and others. Usually offered every fall semester.

ECS 100b European Cultural Studies Proseminar: Making of European Modernity, 1250 to 1650
[ hum ]

Investigates how the paradigm of what we know as modernity came into being. We will look at the works of writers and philosophers such as Descartes, Aquinas, Dante, Ockham, Petrarch, Ficino, Rabelais, and Montaigne. Artwork from the Middle Ages and the Renaissance will be used to understand better what "the modern" means. Usually offered every spring semester.

ECS/ENG 110a Thinking about Infinity
[ hum ]

Explores the attempts of the finite human mind to think about infinity. Readings in mathematics, history of science, philosophy, literature, and art, including Euclid, Plato, Cantor, Poincaré, Einstein, Pascal, Kant, Hegel, Wordsworth, Shelley, Joyce, Beckett, Leonardo, Michelangelo, and Raphael. Usually offered every third year.

ENG 17b Climate Fictions
[ hum oc wi ]

Examines fictional narratives addressing climate change. Asks how authors from around the world imagine a future in which sea levels, animal populations, temperatures, access to food, and/or weather patterns are significantly different from those of the present. Usually offered every third year.

ENG 35a The Weird and the Experimental in Contemporary Literature
[ hum wi ]

What does it mean to be “weird”? What makes a text “experimental”? And what can experimental texts teach us about the ever-changing nature of society? This course explores innovation and experimentation in the narrative structure of contemporary novels and films from around the world within their cultural contexts. Special one-time offering, spring 2024.

ENG 66b Contemporary Global Dystopias
[ djw hum wi ]

Explores the sources, moods, and effects of dystopian fiction from around the world. Usually offered every third year.

ENG 107a Women Writing Desire: Caribbean Fiction and Film
[ hum ]

Literature and film of the last two decades drawn from across the Caribbean and its diasporas, and read in dialogue with popular culture, theory, and earlier generations of artists. Usually offered every third year.

ENG 111b Postcolonial Theory
[ djw hum wi ]

Introduces students to key concepts in postcolonial theory. Traces the consequences of European colonialism for politics, culture and literature around the world, situates these within ongoing contemporary debates, and considers the usefulness of postcolonial theory for understanding the world today. Usually offered every third year.

ENG 121a Sex and Culture
[ hum ]

An exploration of the virtually unlimited explanatory power attributed to sexuality in the modern world. "Texts" include examples from literature, film, television, pornography, sexology, and theory. Usually offered every second year.

ENG 127a The Novel in India
[ djw hum nw ]

Survey of the novel and short story of the Indian subcontinent, their formal experiments in context of nationalism and postcolonial history. Authors may include Tagore, Anand, Manto, Desani, Narayan, Desai, Devi, Rushdie, Roy, Mistry, and Chaudhuri. Usually offered every second year.

ENG 127b Migrating Bodies, Migrating Texts
[ djw hum nw ]

Beginning with the region's representation as a tabula rasa, examines the textual and visual constructions of the Caribbean as colony, homeland, backyard, paradise, and Babylon, and how the region's migrations have prompted ideas about evolution, hedonism, imperialism, nationalism, and diaspora. Usually offered every second year.

ENG 144b The Body as Text
[ hum wi ]

How are our bodies the material for our presentations of self and our interactions with others? Examines contemporary theories and histories of the body against literary, philosophical, political, and performance texts of the sixteenth through the eighteenth centuries. Usually offered every third year.

ENG 152a Indian Love Stories
[ djw dl hum nw ]

Introduces students to writings on love, desire and sexuality from ancient India to the present. Topics include ancient eroticism, love in Urdu poetry, Gandhi's sexual asceticism, colonial regulation of sexuality, Bollywood, queer fiction and more. Usually offered every third year.

ENG 152b Arthurian Literature
[ dl hum ]

A survey of (mostly) medieval treatments of the legendary material associated with King Arthur and his court, in several genres: bardic poetry, history, romance, prose narrative. Usually offered every second year.

FREN 110a Cultural Representations
[ fl hum oc ]

Prerequisite: FREN 105a or FREN 106b or the equivalent, or permission of the instructor.

A foundation course in French and Francophone culture, analyzing texts and other cultural phenomena such as film, painting, music, and politics. Usually offered every year.

FYS 8a Chinese Poetry: Desire and Form

Designed to instill and enhance flexible writing and research skills. A selection of readings stimulates discussion, deepens understanding, and serves as foundation for writing assignments. Students will recognize the role of writing in fostering critical thinking and learn to identify conventions of disciplinary writing.

An introduction to the great tradition of classical Chinese poetry. While tracing the development of poetry in ancient China, this course will explore a central question: How do personal, erotic, and socio-political desires find their literary forms? How do the Chinese represent their desire through figurative language? Training students to understand a poetic tradition through translation, this course emphasizes transcultural encounters and develops the skills of comparative critical thinking.

Engaging with writing as a crucial aspect of critical thinking and humanistic inquiry, students will learn how to conduct close reading and how to compose essays of literary studies. In so doing, we will consider how we read, interpret, discuss, present, and criticize poetic transformations both orally and in writing. We will then confront, more concretely, comparatively and comprehensively, the issues of poetic culture, literary translation, and transcultural interpretation. Usually offered every year.

GECS 130b The Princess and the Golem: Fairy Tales
[ hum wi ]

Conducted in English.

Compares Walt Disney's films with German and other European fairy tales from the nineteenth and twentieth century, focusing on feminist and psychoanalytic readings. Usually offered every second year.

HISP 160a Culture, Media, and Social Change in Latin America
[ djw fl hum nw wi ]

Prerequisite: HISP 109b or HISP 111b, or permission of the instructor.

Explores the role of various creative arts (creative writing, visual arts, music, film, performance) in their role as fostering political change in Latin America. We will examine key eras of 20th and 21st century cultural production in relation to shifting mass-media landscapes, from the revolutionary impetus of the early 20th century avant-gardes in literature and visual arts, the Mexican Revolution, popular music in the 1940s, documentary film and music, and the anti-establishment movements of the 1960s-1970s guerrillas, artistic resistance to the dictatorship, to the street art accompanying human rights, and grass roots identity movements of the 2000s. Usually offered every second year.

HISP 196a Topics in Latinx Literature and Culture
[ hum wi ]

May be repeated for credit. May be taught in English or Spanish.

Offers students the opportunity for in-depth study of a particular aspect of the diverse literary and cultural production of U.S. latinx. Topics will vary from year to year but may include autobiography, detective fiction, or historical fiction. Usually offered every third year.

HUM 1a Tragedy: Love and Death in the Creative Imagination
[ hum ]

Enrollment limited to first-year Humanities Fellows. Satisfies the First-Year Seminar core requirement.
 

Our seminar concerns elemental experiences, above all love and death. The medium through which we will explore them is tragedy, an ancient literary form closely allied with myth. Consider this remark by philosopher Simone Weil: Nothing is so beautiful and wonderful, nothing is so continually fresh and surprising, so full of sweet and perpetual ecstasy, as the good. No desert is so dreary, monotonous, and boring as evil. This is the truth about authentic good and evil. With fictional good and evil it is the other way around. Fictional good is boring and flat, while fictional evil is varied and intriguing, attractive, profound and full of charm. (S.W., On Science, Necessity, and the Love of God, 160)

Hence, the appeal of the tragic, which directly addresses evil. There will be abundant, and sometimes horrifying evil in the plays, fiction, and poetry we read this term. We begin with Cormac McCarthy’s shocking Blood Meridian, a tragic tale of the American West, much as the Iliad is a tragic tale of ancient Greece. But why belabor the tragic, the mythic? Because in myth and tragedy we find not merely the self-confident moral posturing so common in modern writing but instead an attempt to get at that which underlies morality: good and evil, love and death. They are more fundamental, possibly divine, and therefore the remit of myth and tragedy rather than science and law. Usually offered every year.

HUM 7a Challenges of Power and the Self: Visual Arts and Literature
[ deis-us djw hum ]

Enrollment limited to Humanities Fellows.
 

Uses visual art and literature to consider how ideas of the "self" and the "other" are reformulated during decolonization, the cold war, and the world order that followed.  Using the breakdown of the British Empire and the consolidation of American reach from World War II onward, the course will examine gender, race, identity, colonization, postcoloniality, and sexuality in/as representation and narrative.  This course will examine the text and image as separate, parallel, and yet conjoined and overlapping threads of cultural production.  How does literature and art create and reflect the image, the moment, the individual or history?  How is art narrative and how does the novel or the poem evoke an image, a scene, or a sequence of events? Usually offered every second year.

HUM 10a The Western Canon
[ hum ]

May not be taken by students who have taken NEJS 18a in prior years.

Foundational texts of the Western canon: the Bible, Homer, Vergil, and Dante. Thematic emphases and supplementary texts vary from year to year.

JAPN 130a The Literature of Multicultural Japan
[ djw hum nw ]

"Multicultural" may not be an adjective that many associate with Japan, but as we will find in this class, Japan's modern literary and cinematic tradition is rich with works by and about resident Koreans, Ainu, Okinawans, outcasts, and sexual and other marginalized minorities. Why then does the image of a monocultural Japan remain so resilient? Usually offered every third year.

JAPN 135a Screening National Images: Japanese Film and Anime in Global Context
[ hum nw ]

All films and readings are in English.

An introduction to some major directors and works of postwar Japanese film and anime with special attention to such issues as genre, medium, adaptation, narrative, and the circulation of national images in the global setting. Usually offered every third year.

JAPN 165a The Tale of Genji
[ hum nw oc ]

Often called "the world's first novel," The Tale of Genji has captivated readers with its narrative of love, rivalry, friendship, and loss for centuries. This class explores what has given the text its prominent place in Japanese and world literature. Usually offered every third year.

NEJS 140b Gender, Ghettos, and the Geographies of Early Modern Jews
[ hum ]

Examines Jewish history and culture in early modern Europe: mass conversions on the Iberian peninsula, migrations, reconversions back to Judaism, the printing revolution, the Reformation and Counter Reformation, ghettos, gender, family, everyday life, material culture, communal structure, rabbinical culture, mysticism, magic, science, messianic movements, Hasidism, mercantilism, and early modern challenges to Judaism.

NEJS 157b Arab-Jewish Modern Thought and Culture
[ djw hum ]

Against the backdrop of the partition of the 'Jew' from the 'Arab' in the modern national era, this course focuses on the Arab-Jewish borderland cultural world which simultaneously embodies Arab and Jewish histories, traditions, and identities. It traces different manifestations of Arab-Jewish culture from the early 20th century to today and explores the complex relationship between culture and politics in relation to questions of language, identity, nationality, borders, exile and memory. Usually offered every second year.

NEJS 177a The Holocaust in Israeli and Jewish Literature
[ hum ]

Taught in English.

A broad survey of Holocaust writings in Modern Jewish literature. Examines the psychological, social, moral, and aesthetic challenges involved in representing the Holocaust in Israeli, American, and European context through literary texts, theoretical research, works of art, and film. Usually offered every third year.

NEJS 181a Jews on Screen: From "Cohen's Fire Sale" to the Coen Brothers
[ hum ]

Open to all students.

Survey course focusing on moving images of Jews and Jewish life in fiction and factual films. Includes early Russian and American silents, home movies of European Jews, Yiddish feature films, Israeli cinema, independent films, and Hollywood classics. Usually offered every second year.

NEJS 183b Global Jewish Literature
[ hum wi ]

May not be taken for credit by students who took NEJS 171a in prior years.

Introduces important works of modern Jewish literature, graphic fiction, and film. Taking a comparative approach, it addresses major themes in contemporary Jewish culture, interrogates the "Jewishness" of the works and considers issues of language, poetics, and culture significant to Jewish identity. Usually offered every second year.

NEJS/WGS 110a Sexual Violence in Film and Culture
[ deis-us djw hum oc ]

Explores the effects of sexualized violence in society. While exploring representations of gender-based sexual violence in documentaries and features, stand-up comedy, memoirs, poetry, and visual art, this course will offer a critical discussion on Rape Culture in the 21st century, with particular attention to the intersections of gender, race, sexuality, class, and disability in the construction of sexual violence. Usually offered every second year.

RECS 134b Literature and Medicine: Chekhov and the Healing Arts
[ hum wi ]

Open to all students. Conducted in English. Most students will choose to read the works in English translation, but students who know Russian may do the readings in Russian.

Explores Chekhov as a fiction writer, a dramatist, and a devoted physician. Many of his artistic works, including a number where doctors figure as primary characters, read as case studies of particular diseases, mental illnesses, and conditions induced by poverty. Chekhov practiced the healing arts in all aspects of his professional and creative life, as well as in his courageous efforts on the remote penal-colony island of Sakhalin and in his dangerous public work during a terrible cholera epidemic. Reading both Chekhov and the works of several other modern and contemporary writers who were deeply influenced by him, this course emphasizes the skills of close looking—techniques equally valuable to the writer, the dramatist, and the physician. We read works about children and the nature of childhood, about students, about “the woman question,” about peasants, about religion, about marriage and adultery, as well as two plays: The Seagull and Uncle Vanya (and adaptations of each of them). Students will consider the ebb and flow between Chekhov’s efforts as a dramatist and a story-teller and engage with Chekhov’s most vivid, candid, and intriguing letters about medicine and art. Usually offered every second year.

RECS 154a Vladimir Nabokov: Art and Ethics
[ hum ]

Open to all students. Conducted in English. Readings in English.

A concentrated study of Vladimir Nabokov, the most noted Russian author living in emigration and one of the most influential novelists of the twentieth century. Focuses on the major Russian- and English-language novels, with special attention to the interplay within them of Nabokov’s philosophy of art and his views on ethics and morality. Usually offered every third year.

THA 133b Acting the Classics
[ ca ]

Explores specific approaches to rehearsing and performing in the heightened world of classical texts, including William Shakespeare. The course is designed to release the actor's creative energies by stimulating an appetite for size, power and extravagant physical/vocal communication, to deepen the actor's analytical skills and free the actor for greater intellectual and emotional engagement. You will develop a respect for and understanding of form while gaining ease and joy in the fully realized expression of heightened language texts. Usually offered every second year.

THA 146a Theater and the Holocaust
[ ca djw ]

By studying plays and theatrical tools, students can gain insight into the Holocaust and what made it possible as well as its lasting impact. The course will examine how theater has attempted to represent the unimaginable as and communicate about the toxic appeal of antisemitic Nazi ideology, both in the context of the Holocaust and its legacy. Usually offered every third year.